Fine Arts and Architecture
Statue of Leonardo da Vinci in front of the Uffizi Gallery in Firenze, Italia
polymath, musician, painter,
a.k.a. Leonardo di ser Piero da Vinci
hailing from Vega (abhijita) in the constellation of Lyra. Vega civilization is famed for its celestial warfare.
Earthbody-Entry Saturday 15-Apr-1452
Earthbody-Exit 02-May-1519 (age 67)
Polymath, engineer, designer, painter, sculptor, writer * 1452 until 1519 CE * Leonardo di ser Peiro da Vinci
birth data from https://en.wikipedia.org/wiki/Leonardo_da_Vinci * tentatively rectified by BP Lama
charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama
Azwini * Dasra
For Azvini births of a masculine valence, the condition of limitless, observing, uncoupling, surrendering, abandoning, disinterested, ethereal, wandering, dispersing Ketu may considerably affect the outcome.
Spirit guides, astral beings, cutters, winds, flags, tails, cloudy figures, agents of impermanence and release, of forgiveness and surrender, freedom from conventions, and inner listening may be especially influential.
Instructional guidance is provided by emissaries from the civilizations of Mezarthim. Their purpose is hearing the higher frequencies and healing intuitively.
"and now for something completely different"
Akasha-ruled chaps express the innovative, competitive vigor of Mangala through the observant, nebulizing filters of Ketu. Dasra fellows are famed for their pioneering inventions in medical, scientific, or technological fields. They are often obsessed with tools and gadgets. The 4th pada are nearly always physicians, nurses, or herbalists.
Competitive and irascible, often reclusive and disregarding of others' feelings, boldly productive Dasra are found in medicine, engineering, scientific instrumentation, and all species of gadgetry.
Azvikini are often found in medical or veterinary environments such as pharmacies, laboratories, hospitals, surgeries, and clinics. Due to their psychic (Ketu) capability to engage with astral patterns, Asvakini can also serve as medical intuitives and spiritual healers.
When looking for new ideas, they pursue an intuitive instinct to tap into the Akashic grid. Unconcerned with conforming to conventional expectations, they may seem selfish or rude. However, their job is to innovate, not to submit to old paradigms. Criticism rarely affects them.
Dasra-born hear the psychic instructions which guide their product design, surgical cutting, or drug formulation. Then, Azvini actively pushes (Kuja) the ethereal vision into material realization. Whatever endeavor they choose to pursue, Azvini tend to develop new methods and produce new things.
Azvakini fellows tend to prefer the freedom of bachelorhood. If they choose to marry, the mate shoulders most of the family duties. In relationships, much depends upon their Chandra.
Themes of eccentricity, invention, irritability, and psychic vitality may contextualize Azvini's terrestrial experience. Applies also to Chandra in Azvini
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 84
"... a happy carefree disposition,
He will be quite successful and his financial status will be such that
In spite of his ability to achieve success,
Biographical data matched with
Guru Mahadasha * age birth until age 15.5
15-April-1452 Earth-birth in Vinci, Etruskana, Italia *
1466 (age 14) begin enduring apprenticeship under the supervision of Andrea del Verrocchio in Firenza involving the crafts of leatherwork, metalwork, woodwork, drawing, color painting, and stone-sculpting * Guru-Rahu bhukti * Rahu-9 extraordinary professors
Shani mahadasha * age 15.5 until age 34.5
1472 (age 20) Officially became a master artist in the Guild of Saint Luke and opened his own workshop (3) * Shani-Budha bhukti * Budha rules 3- workshop, atelier
1474 completes Annunciation * Shani-Zukra bhukti * Zukra rules 7-completion, occupies 2-saturation
1479 started Adoration of the Magi (unfinished) * Shani-Chandra bhukti
1482 reinvented himself as a military engineer producing designs for weaponry. Begins 17-year tenure under patronage of Ludovico Sforza, Duke of Milan * Shani-Rahu bhukti * Rahu-9 patronage * Rahu in 11th-from-11th economic revenue
Budha Mahadasha * age 34.5 until age 51.5
1490 Lady with an Ermine * Budha-Zukra bhukti
Ketu Mahadasha * age 51.5 until age 58.5
1506 (age 54) meets young Francisco Melzi, who will be da Vinci's student and closest companion until death * Ketu-Rahu bhukti
Zukra Mahadasha * age 58.5 until decease age 67
1513 after many years of tinkering, finally finishes the Mona Lisa * Zukra-Zukra swabhukti
02-May-1519 Lightbody Lift-off (age 67) * Zukra-Rahu bhukti
Distinctive features of the Nativity
Among his engineering designs including new concepts (at the time) and improvements upon existing designs. He likely had access to some classical Greek inspirations such as Archimedes' prototype drawings. Naturally in context of his patronage sources being aristocratic strongmen and warriors, many of his designs had military purpose.
Skilled craft identities which Leonardo demonstrated were said to include
Dad was a wealthy aristocrat who served the court as a notary. In modern terms, his dad would be a contract lawyer.
DaVinci (both father and son) was a businessman and project manager. Surya occupies the mercantile, , emotionally motivated communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra
Whatever his other liabilities (especially his Shani) the drishti of uttama-Kuja-10 into uttama-Surya-1 creates an extremely vigorous, sexualized, brilliant, competitive, dominating, and regal warrior being.
Chandra in classroom-11 rules bhava-4 childhood home, basic schooling
Da Vinci's mother was said to have been a peasant woman of undistinguished lineage. Nevertheless she would have been networked into an economic community.
MARRIAGE emotional support partnership
As a gay man belonging to the artistic, engineering communities of the Franco-Italian Renaissance , DaVinci would not have enjoyed the privilege of legal marriage. However as an Azvakini native, he likely would not have been concerned with property contracts. DaVinci was known to have formed important relationships with numerous artistic and aristocratic men in his environment.
7th-from-Chandra-11 usually indicates a life-pattern of preference for entertaining, dramatic, flamboyant, fashionable, political partners.
Uttama Mangala occupies the private, imaginative, sanctuary-seeking 12th-from-Chandra
Kuja rules 1-8
Budha rules 3-6, but harsha yoga protects against jail (6) and mental collapse (yet Ketu-3 indicates mental disorientation, unfinished projects)
Nichha-Budha occupies the family-oriented, treasure-accumulating, historical, values-based 2nd-from-Chandra
Da Vinci was ambidextrous, meaning that his right hand and his left hand were equally capable of writing and painting. He was accounted by contemporaries as showing paranoid behaviors, and by modern standards he might be diagnosed with the learning disability called dyslexia.
According to accounts of his peers, Leonardo could draw in a forward direction with one hand while writing in a backward direction with the other hand. One of his signature skills was a a mirror-image cursive Roman-alphabet script, which he personally could read and he taught his apprentices to read, but which baffled most others.
Leonardo's pre-eminent skill was drawing. As a draftsman, he produced voluminous sketches for a broad range of ideas, inventions, and possibilities.
Brihaspati occupies Rahu-ruled Shatavisaka nakshatra, indicating a social network full of visionaries, philosophers, and cosmic-scale thinkers. Da Vinci was reputed to have had an enormous number of diversely talented friends, including mathematicians, musicians, architects, playwrights, engineers, singers, and poets.
He was so popular and well-connected that the other normally ostracizing features of his identity (gay, illegitimate, left-handed, a flamboyant dresser, reputedly somewhat paranoid) were never obstacles to his success. Indeed, his remarkable social eccentricities were celebrated.
Zukra occupies the patriotic, nationalistic, comfort-seeking, home-loving, foundational, property-owning 4th-from-Chandra, suggesting that he needed to live in gracious surroundings. Also, his mother's mother (maternal grandmother) is likely to have doted on little daVinci, perhaps providing luxuries and sweets to her grandchild.
Zukra in swakshetra + swabhava + Zukra yogakaraka from Kumbha-Chandra + Zukra in kendra from Chandra-Kumbha
Da Vinci was an accomplished musician. He played the lyre at a high level of artistic and technical proficiency. At his first introduction to the prestigious court of Milano, young Leonardo was presented as a musician not as a fine artist.
Shani * duro-karaka * jara-karaka
Shani occupies the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra , suggesting a long life despite many threats to longevity, and a certain stalwart emotional rigidity. The Mother is usually long-lived as well. da Vinci died age 67, which was a healthy age for his era but not nearly so extended as the life of his adversary Michelangelo, who died age 88.
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
Rahu in Zukra-ruled Purvazadha occupies the emotionally motivated community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra.
DaVinci was known for having a large and economically supportive community network. He was well-known, well-liked despite (or likely because of) his outré clothing style , never short of funds and never deprived of opportunity.
Ketu * kavandha-karaka * chidra-karaka
Ketu rules the rising nakshatra of inventive Azwini
Unlimited Ketu occupies the creative, showy 5th-from-Chandra. Generally also a signal of preference to not produce biological children but rather generate a higher creativity.
Ketu-3 indicates mental disorientation, unfinished projects. Da Vinci finished only a small percentage of the projects that he conceived at the draft stage. When his painting of The Last Supper was delayed extremely, the monastery that had commissioned this work notoriously threatened to jail him into the monastery until the painting got done.
Barbara Pijan Lama Jyotishavidya Vedic Astrology Surya Sun Chandra Moon Mangala Mars Budha Mercury Guru Jupiter Zukra Venus Shani Saturn Rahu Ketu Graha Planets Dasha Timeline Nakshatra Navamsha Marriage Children Wealth Career Spiritual Wisdom Cycles of Lightbody-liftoff Death and Rebirth
The information on barbarapijan.com , including all readings and reports, is provided for educational purposes only. Wishing you every happiness and continuing success in studies!
"My Lord! Increase me in knowledge."
Quran 20:114 * Surah Ta-Ha