Shah Jahan was famed for many achievements, including architectural design. He built the monumental mausoleum Taj Mahal as a memorial to one of his beloved wives Arjumand Banu Begum * Mumtaz Mahal.
Shah Jahan in his Durbar
Military Conqueror, Architect * ruled 1628-1658 CE
Shahanshah Al-Sultan al-‘Azam wal Khaqan al-Mukarram, Malik-ul-Sultanat, Ala Hazrat Abu’l-Muzaffar Shahab ud-din Muhammad Shah Jahan I, Sahib-i-Qiran-i-Sani, Padshah Ghazi Zillu’llah, Firdaus-Ashiyani, Shahanshah—E—Sultanant Ul Hindiya Wal Mughaliya
a.k.a. Mirza Shahabuddin Baig Muhammad Khan Shah Jahan
a.k.a. Shah Jehan
a.k.a. Prince Khurram
a.k.a. Shihāb al-Dīn Muḥammad Khurram
Earthbody-Entry 15-Jan-1592 CE (N.S. date add 10 days to O.S. date)
Earthbody-Exit 01-Feb-1666 CE (N.S. date add 10 days to O.S. date) (age 74)
Military Conqueror, Architect ruled from 1628 until 1658 CE * Shah Jahan * 1592-1666
birth data from https://en.wikipedia.org/wiki/Shah_Jahan * tentatively rectified
charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama
born on Saptami * Krishna Paksha
Uttaraphalguni * Aryaman
For Uttaraphalguni natives, the condition of radiant, intelligent, central, confident, self-reflexive, pitrikaraka Surya considerably affects the outcome.
Father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.
Guided by instructors from the civilizations of Denebola.
Uttara-phalguni gentlemen are famously hot-headed. Pada-1 Simha is noted for its confidence, flamboyance, and remarkable intelligence. While much depends upon the characteristics of Surya, the masculine Falgun favors dramatic displays of royalty, celebrity, and entitlement.
Pada 2-3-4 in Kanya = equally smart and authoritative, but more focused upon personal enclosure and distant lands, often wielding power from a private location.
Although Shil Ponde's description often fits the Kanya pada 2-3-4 of Uttaraphalguni, the Simha pada-1 is rarely rough or ungrateful. Still, they can be impatient with others who are less confident or less intelligent.
Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's's terrestrial experience. Applies also to Chandra in Uttaraphalguni
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 83
"A proud and arrogant disposition,
Uttara natives are extremely intelligent
but because of their inordinate pride,
and are ungrateful to those from whom they receive these favors."
Biographical events matched to the Vimshottari Dasha timeline
Shah Jahan painted in 1631 Persian Miniature style artist Bichir
Chandra Mahadasha * age birth until 3 years
15-Jan-1592 (N.S.) Earth-birth * Chandra-Budha period * Budha lagnesha-karmesha
Mangala Mahadasha * age 3-10
period of separation from the bio-mother; ruler of 3-8 is typically challenging for the Kanya nativity
Rahu Mahadasha * age 10-28
09-Oct-1609 marriage-1 to Kandahari Begum * Rahu-Shani period * Shani rules navamsha
21-Aug-1611 birth of first child, daughter * Rahu-Budha period * Budha rules 9th-from-Chandra
10-May-1612 marriage to Arjumand Banu Begum ( aka Mumtaz-Mahal)* Rahu-Budha period
03-Sept-1617 marriage to Izz un-Nisa Begum * Rahu-Surya period
18-Apr-1719 death of his mother Taj Bibi Bilqis Makani * Rahu-Chandra period * matri-maraka Chandra rules 7th-from-Chandra
Guru Mahadasha * age 28-44
07-Nov-1627 grieved decease of father Emperor Jahangir * Guru-Ketu period * Ketu chidrakaraka
07-July-1631 death of Mumtaz-Mahal * Guru-Surya period * Surya ruler-of-12 loss of identity, invisibility
Shani mahadasha * age 44-63
1650 death of wife-1 Kandahari Begum * Shani-Mangala period * kalatra-maraka Mangala rules 2nd-deom-7th
Budha Mahadasha * age 63 until 74 (fleshdeath)
1658 ill and imprisoned by his son * Budha-Ketu period
01-Feb-1666 CE Earthbody-Exit (N.S.)(age 74) * Budha-Rahu period
Distinctive features of the nativity ||
Shani * duro-karaka * jara-karaka
From Chandra-Makara-Draco lagna, the mature voice of sober serious structured hierarchical Professor Shani rules
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
Ketu * kavandha-karaka * chidra-karaka
Arudha lagna = bhava-9 politics, dharma
Karakamsha = bhava-5 politics, royalty, entitlement, charisma
Remarkable double parivartamsha yoga
Chandra in Shravana * comforted by careful listening * protectors of undulating shamanic sound, customary lawfulness, structured parenting, reputable dwelling
the emotionally motivated, social-ordering, leadership-seeking; 10th-from-Chandra
karmesha-10 = Budha in bhava-5
Guru kahala parivartamsha Mangala-Meena-7
Zukra-yuti-Ketu-4 suggests early separation from the mother and the childhood home (he was taken at 6 days from his bio-mother, raised by a senior queen, and returned to his bio-mom aged 13)
Zukra rules 2-9 suggesting luxury in the childhood home
commissioned by Shan Jahan * The Red Fort in Delhi * painted in 1852 (250 years after its construction)
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