Ruled by regal, dramatic, center-seeking Surya
emotional patterning delivered into the Earth consciousness grid
conferred by the races of
denebola * denebalezeth
White Fruit of the wavy-leafed fig
sacred to Uttara-phalguni
Aum som somaya namah
Somana * Krishnaya
Moon * Mens
* Nanna * Sin * Selenê * Luna * Aah * Iah
needs to be in the sparkling center of attention
comforted by dramatic, radiant centrality
Chandra located in a Nakshatra Trine of Surya
Often features a need (Chandra) to be recognized (Surya) for qualities of personal genius, divine intelligence, creative performance, center of attention, royal glory, all praise
Each of the Surya-ruled nakshatra of Chandra is emotionally compatible with other
creative genius, self-promoting, Surya-ruled celebrators: |
Simha portion * politics, charisma
Uttaraphalguni pada-1 = navamsha Chandra-Dhanuzya
Kanya portion * description, explanation
Uttaraphalguni pada-2 = navamsha Chandra in Makara
Uttaraphalguni pada-3 = navamsha Chandra in Kumbha
Uttaraphalguni pada-4 = navamsha Chandra in Meena
Radix Moon in Uttaraphalguni = " Higher Fruits "
Usually, only pada-1 is truly flamboyant.
In the Simha pada-1, Chandra-Uttaraphalguni is ruled by lagnesha radiant Surya.
In the Kanya pada 2-3-4, Chandra-Uttaraphalguni is ruled by invisible, enclosed radiant Surya = ruler-of-12 -from-Chandra
Thus the behavioral outcomes for the flamboyant and self-referential pada-1 are distinctively different from the results of the more contemplative, inward-looking, and imaginative pada 2-3-4.
The first pada of Uttaraphalguni Chandra = double Surya due to Surya ruling both Uttaraphalguni and Simha. This pair is less conversational and more double-Surya political, theatrical, and charismatic.
Uttaraphalguni Pada-1 in Surya has a group of overlords who are highly compatible with Surya which suggests an ongoing emotional state of association with people and environments that are self-centric, regal, fashionable, brilliant, politicized, celebrated.
Uttaraphalguni Pada 2-3-4 produces conditions related to Surya-yuti-Budha.
Both Surya and Budha influence the emotional characteristics of the nativity. Budha provides an ongoing emotional identification with people and environments that are detail-focused specialists, users of specific technical vocabulary, and service-oriented. The Kanya pada 2-3-4 tend to be wordsmiths but they are also frequently involved in the Surya worlds of drama, politics, and celebrity.
In general, Surya-ruled Uttaraphalguni * Aryamna suggests exploitive conditions which can evoke an argumentative political or theatrical response. Much hand-waving and declaiming. Kanya Chandra ruler of 11th-from-Kanya may contribute a familiar-face public recognition, an increased accusatory logic and a capacity to work with large groups.
Due to Budha power to wield His communicative, argumentative influence from the seat of His uttama-rashi Kanya-Parthya, many writers of lasting significance are born with Chandra in the Kanya portion of Uttaraphalguni.
Chandra in the Simha-Leya portion of Uttaraphalguni benefits from the unified energies of Surya = Nakshatra lord + Surya = rashi lord. It is highly dramatized.
Emotional need to be in the center of attention, in center stage (Surya).
In the Kanya-pada 2-3-4, siblings -cousins are very important in the early psychological life due to Budha's communicative, teamwork focus. Marriage behaviors may resemble sibling-group behaviors, with the Uttaraphalguni native generally expecting to get central attention from the spouse the same flexible, friendly way it was obtained from the sibling group.
The first pada in Simha is less conversational, less team oriented, and more double-Surya royal-celebrity-political-theatrical, and more fashionable, more game-playing, and more charismatic.
In the quarters of Virgo = a high-speed "bullet-train" thinker, whose thoughts run in a rather narrow but highly advanced channel. the native may prefer only the company of those who think in rather precisely the same way as oneself, and ideally with facility and speed.
Chandra-Kanya * comforted by rhythmic remedial service = Uttaraphalguni pada 2-3-4 = combines the energies of brilliant Surya = Nakshatra lord + articulate Budha = rashipathi.
Kanya portion of Uttaraphalguni = intellectually inclined, brilliant with details, very capable diagrammers, instructors explainers and describers
Self-promoting, gifted for literature, and often excellent salespeople.
One needs to be engaged in messaging, writing, or conversation (Budha) usually on topics related to divinity or truth.
Uttaraphalguni-Chandra can teach well but not in institutional classrooms (Shani) which too much conform and constrain the charismatic radiance of Surya.
Purva-phalguni Chandra and Uttara-phalguni Chandra denotes many famous writers.
Uttara-phalguni Chandra particularly denotes writers who are able to dramatize the intellectual empowerments (Surya) acquired via independent thought that often generates a"break-away" paradigm shift from the existing conventional (Shani) assumptions and rules.
celebrity (Surya) literary figures
The Uttaraphalguni native is a sincere and intelligent person who seeks to express the brilliance of Surya through politics, literature, and performance arts.
Quick, confident, logical decision s (Budha) + self-centered authority of a stage performer.
Excellent position for executive leadership of an organization of which one is the charismatic center
Singing or speaking (Budha) on the theatrical or political stage (Surya)is a state of natural happiness for Uttaraphalguni. the native typically espouses a political or social cause which is very important to their self-definition. the native may seem to be more married to their espoused cause than to their material spouse.
Spiritual director of this section of the path:
Navamsha Moon in Uttaraphalguni *
psychic mirroring function o f intimate relationships
Although one may not experience the need for creative performance as a primary pattern of comforting behavior, the center-stage position of navamsha Chandra-Uttaraphalguni is a soothing location. Often one is a performer in a secondary role. Still in theatrical settings, but perhaps in the background relative to the most charismatic characters.
In order to mirror one's own subconscious emotional patterns, one attracts a core partner who expresses Uttaraphalguni behavior.
file update: 13-Aug-2019
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