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Singer, Songwriter, Musician, Cinema dramatist

Rockabilly Cultural Icon

Elvis Presley

Earthbody-Entry Tuesday-08-Jan-1935

Earthbody-Exit 16-August-1977 (age 42)

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Rockabilly musical entertainer, songwriter, dramatist * 1935-1977 * Elvis Aaron Presley

birth data from http://en.wikipedia.org/wiki/Elvis_Presley * tentatively rectified by BP Lama Jyotisha

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Jyeztha * Kita * Thrikketta


BPL commentary

For Jyeztha births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

For those born into the Budha-ruled paradigm of Varta, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of Antares. Their purpose is to communicate a forceful, dynamic, healing regeneration cycle via sexual energy transfer and discovery of secrets.


Penetrating Communications

Budha-ruled Jyeztha gentlemen are typically outspoken, incisive and decisive, competitive, descriptive, and authoritative communicators. Thrikketta-born maintain a deep sense of mental seniority. Capable writers, Ketta men are quick-witted and skilled in handcraft. Articulate and pro-active to the point of verbal aggression, they find a ready audience on topics of a mysterious, hidden, or forbidden nature.

Thriketta fellows may be handlers of secrets of a sexual, psychological, political, military, engineering, or financial nature.

Masters of verbal control and manipulation, Zakra chaps are often found in politics. Due to the influence of nakshatrapathi Budha, often Jyeztha-born use words to manage an ever-transforming experience of power. In the process of channeling these mysterious and compelling kinetic energies, Thriketta men may engage in sexual intrigue and dangerous liaisons. Ketta-born are natural psychologists., and they can become transformative healers when their sexual energy consciousness evolves.

Themes of verbal contest, sexual energy transfer, and healing discovery may contextualize Jyeztha's terrestrial experience. Also applicable to Chandra in Jyeztha-Kita

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra .p 85


"A dark and sensitive nature ...

  • superficially religious

  • but are hypocrites at heart.

On the surface they are respectable, law abiding citizens, ostensible church-goers,

  • but secretly their morals are loose

  • and their tempers passionate.

Smooth, oily, and suave to all appearances,

  • they carry in their hearts schemes and thoughts which might not stand the light of day."


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Teenaged Elvis in 1950's, before his manager convinced EP to wear black hair dye

Biographical details matched to Vimshottari dasha timeline


Rahu Mahadasha * age birth until age 14

Tues-08-Jan-1935 Earth-birth in Tupelo, Mississippi, USA * Rahu-Guru bhukti * Brihaspati rules 2-voice-face +5-celebrity

Guru Mahadasha * age 14 until age 30

late 1954 (EP age 19) first popular + profitable recording 'That's All Right" * Guru-Budha bhukti * Budha labhapathi-11

26-Mar-1956 EP signs exclusive contract with music manager Colonel Tom Parker (a.k.a. Andreas Cornelis van Kuijk) * Guru-Budha bhukti * Budha labhapathi-11

Mar-1958 * EP joins the US Army + ships out to Germany * Guru-Zukra bhukti * Zukra ruler-of-12 distant lands

14-Aug-1958 grieved the decease of mother (EP age 23) * Guru-Zukra bhukti

13-Sept-1959 * EP met his future wife at a party while stationed in Germany. She was the American teenager Priscilla Beaulieau (EP age 24, PBP age 14) * Guru-Zukra bhukti


Shani Mahadasha * age 30 until decease age 42

Janma Sade-Sati Kumbha Jan-1964 until Dec-1966

01-May-1967 * 9:41 am, Las Vegas NV * exchange the vows of Marriage with to Priscilla Beaulieau (EP age 32, PBP age 22) * Shani-Shani swabhukti * R-K gochara Meza-Thula

01-Feb-1968 celebrated the birth of child-1 = Lights Out 1968- singer Lisa Marie Presley * Shani-Shani swabhukti * Shani rules Chandra-Shani

1971 marital separation * Shani-Ketu bhukti

Aug-1972 property settlement concluded

09-Oct-1973 final divorce decree * Shani-Zukra bhukti * Zukra yuvatipathi-7 property, Zukra rogesha-6 from 7 divorce

16-Aug-1977 (EP age 42) Lightbody Lift-off" ( via heart failure following toxic colon, at 2:50 PM CDT, Memphis, TN) * Shani-Chandra bhukti

Distinctive Features of the Nativity


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Elvis Presley's parents-to-be in Tupelo Mississippi, in the Depression Year of 1933. His 20-year-old mom worked in a garment factory. His dad was a 17 year old sharecropper.


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Elvis in the Whitehouse approximately 1972, hanging out with POTUS-37 Watergate 1913-1994 Richard Nixon . Nixon was an accomplished pianist and music aficionado with a love of creative performance. He met Pat at a community theatre singing audition.


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Elvis performing in the final era before his untimely demise, beset by drug toxicity and symptomatic obesity, colon distension, + dental decay

Surya * pitrikaraka

  • Surya-Dhanuzya* Aditya * the unsplit, undivided
  • Surya in bhava-2 * center of values, intelligence for storage, conservation, containment, values; focus on treasuries, banking entitlements, bright face-speech-song, eye on capitalization-banking, * father = center of family* sparkling center of the treasury-drama
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss, creatively intelligent sibling-cohort, radiantly descriptive, articulate in drama and games, self-confident announcements, talks about politics

FATHER

Dad = a struggling young sharecropper. Dad spent 18 months in prison during EP's childhood

EP's Dharmesha-9 Chandra rules Ketu-9. Soma is deeply oppressed by Shani in an intense bhava-4 Nishturabashi yoga, in shad-ashtaka 6-8 from the incoherent father-figure represented by Ketu-9.

As EP's commercial success expanded, Dad became road manager of the entourage.

Manager, Promoter, Boss * Colonel Tom Parker

Karmapathi Surya = the Boss. Surya-Purvazadha (music-entertainment) karmesha-10 in 5th-from-10th. Boss figure for EP's entire career was "The Colonel" from whom everyone in the entourage, including EP's bio-dad manager, took their working orders.

A tightly controlling personality operating under various aliases, Andreas Cornelis van Kuijk (a.k.a. Parker) was a Dutch national running from polarizing conflict in his homeland. Surya-yuti-Budha randhresha-8.

As the tale is told, neither EPs nor anyone in his immediate family were able to escape the clutches of The Colonel.

Surya in bhava-2 is insinuated within the family (2). The Colonel understood the entertainment business (Simha-10). He kept EP in the theatrical limelight for 22 years. Yet, The Colonel = also reckoned to have siphoned a considerable portion of EP's performing income Surya-yuti-Budha randhresha-8 hidden finances.

CAREER

karmesha-10 Surya-2 brought the public eye into bhava-2 Karakamsha = activity for which one is best known = bhava-2 singing . Dhanasthana contains the musically entertaining charisma + center-stage dynamism Dhanuzya-Purvazadha Surya and the somewhat doctrinal and mystical messaging of Uttara-azadha-Dhanuzya Budha (8-11).

2 = speech, song, face, teeth and jaw, hair, money, food stores, hoards of all kinds, family history, historical cultural values of one's people. Elvis was famous for all of these attributes. Vriddhipathi-11 Budha-2 yuti karmesha-10 Surya is a substantial Dhanayoga which became activated during his Guru-Budha bhukti age 19


Chandra * matrikaraka * garha-karaka

  • Chandra-Kumbha * comforted rhythmic pulsing network linkage
  • Chandra in Shata-taraka * comforted by mixed networks * protectors of universal mingling, risky marketplaces, expedient social connections
  • Chandra in classroom-4 * digbala * comfort in routines, familiar with ruts, rates, roots, routine rituals; soothed by customary habits, needs to feel the repeating pulse of foundation-building, anchoring, stabilizing, gardening; settled into the rhythm of home-keeping and kitchens, undulating patriotism
  • Somana-yuti-Shani * nishturabashi yoga * Emotionally constricted * pressured by punitive authority figures * sensitive to class boundaries * soothed by structure * needs rigid routines * heavy maternal workload * comfortable with elders * familiar with strict hierarchies * mother emotionally limited * needs rules * feels like a worker

MOTHER

Mom =

Somana-yuti-Shani generally indicates a mother who exhibits emburdenment from a heavy workload, premature aging, and emotional blockage.

Chandra in 8th-from-9th represents the Mother suggesting that the mother would at times become the father (which happened when the father was in prison).

MARRIAGE

Pricilla Presley's Chandra-Swati provides an emotional compatible match for Elvis Presley's * Chandra in Shata-taraka * comforted by mixed networks * protectors of universal mingling, risky marketplaces, expedient social connections

CAREER

Chandra-Kumbha rules the indebted, adversarial, contentious, conflicted, remedy-seeking, medical, military, polluted, unbalanced, contract-breaking, disappointing, ministry-of-service 6th-from-Chandra

Associated generally with indebtedness whether financial, emotional, or general cultural guilt

By implication, disagreement with the parents, particularly the mother, with the ethnicity, with the ancestral rhythms and routines, with those experiences which might offer protection and security to others but to Chandra-Kumbha offer mainly disappointment and distress


Kuja * bhratru-karaka * virya-karaka

lagnesha

  • Mangala-Kanya * vigorous pursuit of logical argumentation * proactive medication * thrust toward service * push toward unfairness * champion of litigious accusation, medical treatment plans, aggressive indictments, investigative journalism
  • Mangala in bhava-11 * drive toward connectivity, pursuit of earnings, , marketplace dynamics, invasive networking, vigorously active friends, energized scientific systems, economic conquests

lagnesha * Mangala in bhava-11

empowered action in economically profitable roles actively engaged with large assemblies, fan clubs, community networks, social movement * Mangala-movement ruled by karmesha-10 atmakaraka Budha-1 communications-messaging. Rahu drishti to Mangala-11 amplifies the themes of movement, large groups, and Mangala-Kanya emphasizes the appeal to the exploited classes.


Budha * bandhava-karaka * zisya-karaka

Atmakaraka

Budha rules the communicative Jyeztha radical lagna

  • Budha-Dhanuzya * priestly communications, articulation of sacred beliefs, doctrinal pronouncements, messages about worldview, descriptive philosophical understanding, specifically defined principles, explains the indoctrination procedure, expertly detailed sermons
  • Budha in bhava-2 * narrative of values, natural resources, history, conservation, banking, treasuries * discusses sound values, speech-song, eyes-face, tells stories, defines storage, describer of family lineage , explainer of wealth preservation, delivers instructions for preservation of collected assets, talks about knowledge base, libraries, databases, languages, memory
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority, message of willpower and charisma, confidently talkative father

randhresha-8 atmakaraka Budha-yuti-Surya suggests the hidden cataclysmic power of the message.


Guru * dhavakaraka * bahuta-karaka

  • Guru-Thula * many trades, exchanges, much negotiation, believes in justice, doctrine of contractual exchange, multiple alliances and arrangements, equable guidance, expands the scope of balanced design
  • Guru in bhava-12 * swabhava * many retreats, much divination, many hospitalizations, much private expansion, numerous ancestor way-showers, much interiority, much going on behind closed doors, extensive capacity for trance guidance

Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Makara-Draco * appreciation of authoritative status, likes architectural structure, attracted to officials and law, enjoys social position, beautiful bones, prefers old buildings and stony dryness, balanced skeleton, lovely legs, pleasures of structure, hierarchical arrangements
  • Zukra-3 * pleasure of explanatory description, gracious messaging, enjoys commercial harmony, aesthetic instructions, feminine-figures (sisters, aunts, neighbors) dominate the cohort, appreciation of communications, aesthetic instructions, feminine-figures (sisters, aunts, neighbors) dominate the cohort, appreciation of communications
  • Zukra-yuti-Rahu * sweetened adventure, gracious ambition, appreciation for exciting opportunism, masked negotiations, over-reaching agreements, exceptional beauty, enjoys cultural mixing * arrangements support diplomatic equity balanced with exhilarating risk, risk-rewarding contracts. A mesmerizingly (Rahu) attractive (Zukra) appearance.

Shani * duro-karaka * jara-karaka

  • Shani-Kumbha * moolatrikona 0-20 deg * heavy old economic systems, obliged to conform to the marketplace rules, pressure to maintain social linkage, vital energy compression stress zone = skin-nerves, strictly imposed regulations for electro-magnetic networking, limitations on earnings distribution, must materialize past-to-future gridwork, must sustain lowest-common-denominator proletarian communities, rigidly slow elder friends and mentors, must continue to achieve social-material goals despite scarce available resources
  • Shani in Bhava-4 * Structured, orderly, time-conscious childhood foundations. One must remain in place, have to root, defend, reinforce the existing shelter. Cautious, conventional mother-figures. Tense childhood, educational fatigue, chronic household scarcity; strict boundaries; heavy legacy pressure to reinforce customary cultural boundaries. Resistance to new homes and active construction. Resentment toward changes in predictable routine. Support for socially-approved dutiful roles as parent, schoolteacher, police, border defense, fisher, farmer, ritual worship, temple maintenance, guardian of local infrastructure.
  • Shani-yuti-Chandra * nishturabhashi yoga * resistance to protectors * pragmatic routines * austere childhood home * limited creature-comforts * blocked nutrition * burden of guilt toward mother * emotional withholding * punitive parents * class-structured ethnicity * * uncomfortable discipline * oppressed sensitivities * dried flow * needs rules + regulations * frozen feelings * strict foundational schooling * proletarian culture

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Makara-Draco * shimmering illusion of dignity * craving for social status *mirage of elite identity * mask of hierarchy * mirage of privileged social position * over-reaching institutional leadership * fascinating laws and judgments * unusual claims to hierarchical rank * extraordinary status-markers * seeks special importance via apparent (but perhaps not authentic) attributes of lawful responsibility, boss authority, regulator-roles
  • Rahu in bhava-3 * passion for communication * in swabhava of Busy Budha, the Shadowy Specter seeks privilege via glamorous or unusual writing, photography, journalistic reporting, news announcements, cinema, commentary, messaging. Craves publication. Desires a special, important explanatory, descriptive, or instructional role. Over-reaching in commercial business, internet, cinema, or communications media. Exciting, opportunistic engagement with process management, manufacturing, business administration, instructions, information technology. Trespasses cultural boundaries of cohort-conversations and evangelistic proclamations. Ambitious character of the sibling-cousin, collaborative team, or touring ensemble.
  • Rahu-yuti-Zukra * amplified attractions, magnified beauty. exotic art-music, tricky partners, opportunistic feminine-figures, fascinating (but perhaps illusory) appearance of luxuriously lovely pleasures, hypnotic arrangements, gracious balance of cross-cultural mixing

Rahu-yuti-Zukra * amplifies music, beauty, women, treasuries

Rahu-yuti-Zukra gives strongest amplification to handsome Makara Zukra. Taboo-bending Rahu produces the "sweet marriage" and "bedroom fantasy" effect which made young girls swoon over Elvis during his performances and when listening to his recordings. Rahu-3 exceptionally influential song-writing

Rahu in bhava-3

success in writing and publishing. EP wrote hundreds of songs (3), and acted in dozens of cinema roles (3).

Rahu rules Shatatakara Chandra-4 dig-bala

seeking social mobility via risky mixing of the home-culture elements (4)


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Karkata *dissociates from protective boundaries, incomplete security, empty shelter, dissolute caretaking, not limited by customary routines, ignores restriction on farming, real-estate, disarrayed home-making, applies foundational protection to the misty abyss
  • Ketu in classroom-9 * incoherent ideology, disinterested in the credenda; wandering worldview; absentee father-figures * no barriers in doctrine, disregards teachings, vacuous philosophy, irrelevance of the catechesis, ambivalence toward the power of principled conviction. One abandons the usual paradigm of belief, ignores the conventional understandings, delivers incoherent theory.

.

rogesha-6 Mangala is a sexualizer which framed Presley's reputation as a hip-swinging provocateur. Although exceptionally popular with younger people, Elvis' behavior was deemed criminal by the judgment of the older generation of southern folk. Shani (elder, rigid) threatened by Mangala (younger, movement). When Kuja is also rogesha ruled by Budha randhresha, the threat is heightened



Chandra in classroom-4 * digbala * comfort in routines, ruts, rates, roots, rhythms

Yet Chandra-4 almost invariably builds their base close to the cultural roots. Presley although a strong figure in both music industry and cinema did not shift his homebase to Los Angeles or New York. He stayed in the southern-roots regional hub, Memphis TN.

Compare to Chandra in classroom-4 * digbala musician Purple Rain 1958-2016 Prince, who build his musical homebase in the unlikely but (to him) comfortable and familiar location of his birth and upbringing, Minneapolis MN.


Music, taboo-bending, and Relationships with Women

Zukra-yuti-Rahu within one degree, in Uttara-azadha-3-4 suggest compelling artistic ability for breaking racial boundary taboo via music and dance

Presley's religious hymn singing and his (more dominant) secular musical gyrations poignantly mixed the historic African rhythms of the black south with the white-folk ballads of the European immigrants.

Zukra-yuti-Rahu share Uttara-azadha-makara within one degree (although in different pada) .Icon of Cultural Merging, Barrier-crashing, taboo-bending both religious and secular, both racial and gender

Voice-Face-Song ** not only karmesha-10 in 2 but also Zukra-3 performance touring greatly amplified by Rahu-yuti and incoming drishti of Guru

He professed a deeply personal religiosity imbued in him (he said) by his mother. Chandra dharmapathi but Ketu-9 also, and Chandra occupies 8th-from-9th.

Presley's rockabilly style was either adored or abhorred, but his charisma was so powerful that everyone responded to him in some way. He is considered sociologically to have been a cultural ice-breaker and artistic predecessor of the sentiments which created Civil Rights for all races and Women's Rights.

Commentators opined that with his throaty, moaning voice and swinging hips reminiscent of women's dancing, Elvis also helped to feminize the stiff, masculine, unyielding style of singing-and-dancing so characteristic of self-righteous American bourgeoisie in his day.

Elvis recorded considerable amounts of devotional Christian folk music. Yet much of his on-stage performance was overtly unorthodox (Rahu) and flew in the face of conventional race-class-gender morality. At a private level, it is said that he was sexually promiscuous to a remarkable degree - before, during, and after marriage and that he favored much younger partners.


BPL commentary: the childlike younger-partner-attraction phenomenon is often linked to drug-alcohol abuse, as the native stops maturing emotionally when the substance abuse begins.

By this measure, Elvis' drug addiction can be traced to his Shani opposition aged 14 during Rahu-Mangala bhukti where Mangala rogesha-6 indicates addictions and which would have exacerbated his Nishturabashi yoga feelings of emotional isolation and resistance to maternal nurturing. Guru-drishti into Kumbha helps to neutralize the poverty and parochialism of Chandra-Shani-4 but does not alleviate the emotional isolation.

Nevertheless, Pricilla Presley's Chandra-Swati provides an emotional compatible match for Elvis Presley's * Chandra in Shata-taraka * comforted by mixed networks * protectors of universal mingling, risky marketplaces, expedient social connections. Their relationship was said to have remained mutually sentimental


Zukra-Makara-Draco yuti Rahu = handsome bone structure (Zukra) + risky (Rahu) relationships

Zukra yuvatipathi-7 and ruler-of-12 distant lands * met his wife in a distant land (Germany

Heartbreak Hotel 1935-1977 Graceland Elvis Presley served as a powerful icon of American social change by integrating into a single dynamic personal music-and-dance style, the historic African rhythms of southern American blacks with the Appalachian rhythms of southern Bible-Belt whites. As well, he conjoined the sacred and secular music strands of rural Christian culture (Ketu-8 disregard for boundaries). His music set a cultural precedent for the USA Civil Rights movement which was soon to be spearheaded by USA Civil Rights 1929-1968 Rev. Martin Luther King

WiWife was originally his underage (14 yr old) schoolgirl lover. Elvis was a promiscuous man who favored much-younger girls * Zukra-yuti-Rahu. His primary attachment had been to his chronically ill and emotionally turbulent mother; following her death he sought no replacement nishturabashi yoga. However Elvis was essentially forced by his boss to marry the beautiful young Priscilla Beaulieu for reasons of social decorum and to generate publicity. He was 32 and she was 22.

According to Mrs. Presley, their sexual relationship ended after she became a mother (Elvis was interested only in girls). She developed a successful, long-lasting career in drama and fashion as indicated by Elvis' 7th-from-Chandra-4 Kumbha = Simha entertainments.\

However marriage dignity is protected via 7th-from-Chandra-4 = karmabhava-10.


Mother, Childhood and Vehicles

Nishturabashi yoga materials neutralized by Guru-drishti but the electro-magnetic emotional issues remain. Shani-4 * Shasaya Yoga * typically loyal and persistently dutiful toward the parents and the homeland.

Shani bhratrupathi-3 L4 home-culture Chandra produces a host of emotional conflicts and deep responsibility (Shani) to protect (4) the Old Ways Chandra in bhava-4 * digbala

Chandra occupies a shad-ashtaka 6-8 angle from both Ketu-9 (father) and Mangala-11 (Elvis) suggesting that the mother was not always in alignment with her son's father or her son.

Chandra in Shata-taraka * comforted by mixed networks * protectors of universal mingling, risky marketplaces, expedient social connections * indicates one who is scientific and intuitive and often in connection with extraterrestrial intelligences, albeit the awareness may be socially oppressed. Elvis was famed for his occult interests but also for his perceived inability to ask for the information he sought, except by passively absorbing easy-reader books for the popular market.

Chandra ruled by Rahu, receiving Parashari drishti of Guru-12. Expansive blessings of homes and vehicles. Elvis was known for his mansion, luxury cars, and private aircraft.

Shani-Kumbha-4 * mulatrikona * hard worker, disciplined in home and transportation environments, follows orders

Mother generally of a conventional doctrinal belief paradigm Chandra = Dharmesha-9

Mother would have had an absentee father or father is incoherent or ill, Ketu-9 occupies 6th-from-Chandra ruled by Chandra. Likely both of mother's parents somewhat afflicted by poverty and illness.



quoted from www.astro.com/astro-databank/Presley,_Elvis

Consideration of:

Mother, Drug Addictions, Struggle with Body Weight, Conditions of Death

Zukra-yuti-Rahu in 12th-from-Chandra * emotional dissolution via drugs

Nishturabashi Yoga in bhava-4 parents-home * also "police badges" Chandra-4 protection of home area * he belonged to the local volunteer police annex

"Presley's mother suffered from depression and took medications for this and for her weight problem. As a young man he started to take his mother's diet pills and antidepressants.

... he always carried a kit of medications that included Dexedrine, Percodan, Seconal, Nembutal, $10,000 in cash, his drivers license, makeup, jewelry, police badges and some pictures."

"Later in life due to poor eating habits his weight soared to 250 lbs. He wrapped himself in Saran Wrap before dressing to look slimmer, but this just made it more difficult to breathe."


"There were many prescription drugs found on the premises and in his system. The ... autopsy found Presley's liver bloated and his colon to be stretched to twice its normal size, due to a buildup up of chalky white fecal matter, both signs of severe drug abuse. The toxicology report found toxic levels of codeine, Quaaludes and six other drugs in his system."

Marriage related behaviors

quoted from http://www.astro.com/astro-databank/Presley,_Elvis

"While in the military stationed in Germany he met future wife, teenage Priscilla Beaulieu in 1959. Following a courtly eight-year courtship, during which Presley moved her to Nashville, TN, they married on 5/01/1967, 9:41 AM, Las Vegas, NV. Their daughter Lisa Marie was born nine months later to the day, 2/01/1968, but the marriage became increasingly tumultuous. During their marriage while on tour, if Priscilla wasn't with him, Presley would ask aides to troll for girls he could spend the night with. He kept books on astrology and numerology so he would have topics of conversation."
Tremendous success in Drama and Song media sales

trajectory of business success unimpeded by physical death

quoted verbatim from http://www.astro.com/astro-databank/Presley,_Elvis

"American pop singer, one of the most famous entertainers in modern history whose notoriety became worldwide. With a carnal sneer and a Memphis bop-suit, he swiveled across the stage on hot-wired legs.

He had 107 top-40 hits (more than twice the total of the Beatles) and 41 gold LPs, the most successful recording artist ever .

Presley's persona touched billions of fans, and years after his death, he is still an icon with a huge following. His records continue to sell at a $7 million-per-year clip, his 33 films still spin off the racks of video stores, and some 150 licensed products bearing his name or image account for $50 million in retail sales annually. His fans still visit his Memphis home, Graceland."

Personal habits, Emotional Isolation, Self-Protection

"His generosity to strangers is well documented. Always smiling and gracious, he found it difficult to be alone, especially in bed. His habit was to sleep all day with the windows taped so the sun wouldn't get in. He lived and traveled like a potentate with bodyguards that carried large guns." quoted verbatim from http://www.astro.com/astro-databank/Presley,_Elvis
PresleyElvis_birthcert.jpg
eulogy for Elvis Presley,

delivered by POTUS-39 Talking Peace 1924- Jimmy Carter

"Elvis Presley's death deprives our country of a part of itself.

  • He was unique and irreplaceable.

  • More than 20 years ago, he burst upon the scene with an impact that was unprecedented and will probably never be equaled.

His music and his personality, fusing the styles of white country and black rhythm and blues,

  • permanently changed the face of American popular culture.

His following was immense, and he was a symbol to people the world over

  • of the vitality, rebelliousness, and good humor of his country."

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