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COHORT born six weeks after
born two months before
born four months before
born five months before
honorary niece of
Whitney Houston in 1992 [WEH age 29] |
musical recording artist songwriter theatrical performer fashion model philanthropist a.k.a. Whitney Elizabeth Houston Earth-birth Friday-09-Aug-1963 dematerialization 11-Feb-2012 [age 48]
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musical entertainer cinema dramatist fashion model 1963 - 2012 Whitney Elizabeth Houston birth data from https://en.wikipedia.org/wiki/Whitney_Houston tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Nativity Agneya - Riksya - Karthika - Alcyone BPL COMMENTARY For Krittika births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome. For those born into the splendidly Surya-ruled paradigm of Riksya, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential. Instructional guidance provided by emissaries from the civilizations of the Pleyades. Their purpose is confidence-raising and light-bringing in creative pursuit of values fulfillment. Radiant Certainty Agneya-born ladies are often found in politics, in gambling and speculation, or in creative finance.. Riksya-born are brightly idealistic + self-directed seekers of attention. Mesha pada 1 represents nakshatra-pati Surya's empowerment in romance and celebrity entitlements. In the rashi of champion Mangala, sparkling Surya asserts radiant genius. Typically pada 1 are dramatists, politicians, royalty, celebrity, creative artists, and uniquely charismatic figures. Feminine births in pada-1 are often distinguished by an athletic figure and personal independence [Vrishabha - Urisha] -pada-2-3-4 express the tension between two-party bargainer Shukra versus one-party autocratic singular nakshatra-pati Surya. Often the intelligence of pada 2-3-4 is focused into the Values-fulfilling sectors of uniquely central, creative roles. They often serve as independent evaluators within the artistic and financial worlds, in the music industry, dealing with wines + perfumes, and in all aspects of tangible beauty. Depending on [Yogakaraka] Shani ruler of 9+10, the Vrishabha pada of Krittika have a stronger propensity toward organizational leadership positions. Themes of valuation, individual intelligence, creativity, and confidence may contextualize Krittika's terrestrial experience. Applies also to Chandra in Kṛttikā - Pleyades |
QUOTATION Kṛttikā from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 91 " ... a thin and quite tall woman. One with a weak constitution and rather given to chronic ailments:
A tendency to be morbid and depressed
She will no doubt live by herself away from her family,
She has a very jealous disposition and is difficult to please." [end quote]
Whitney as a young woman, with her famed singer mom, cissy Houston |
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Biographical details matched to Vimshottari Dasha bhukti
[Shani Mahadasha] [age birth until age 7.1] Fri-09-Aug-1963 Earth-birth in Newark, new Jersey, USA * Shani-Chandra bhukti Apr-1966 until Jun-1968 Janma Sade-Sati Meena
[Budha Mahadasha] [age 7.1 until age 24.1] 1981 [WEH age 18] high school diploma, by special conditions * Budha-Rahu bhukti 1981 [WEH age 18] represented by friends of her parents [Chandra + Guru] WEH enters contract as a professional fashion model. As one of the first young Black teen models, her image graced the cover of a famous teen-audience magazine, generating income and fame. * Budha-Rahu bhukti 1984 [WEH age 21] begin ascent into musical stardom, hit recordings, video, and live performances * Budha-Guru bhukti * [Uttarabhadra-Chandra-yuti-Guru-Revati] Mothers * Guru rules 8-identity-change [Ketu Mahadasha] [age 24.1 until age 31.1] 1991 [WEH age 27] parents' divorce * Ketu-Rahu bhukti 18-Jul-1992 [WEH age 28] consecration of marriage-1-of-1 with singer, bobby Brown * Ketu-Guru bhukti * Guru rules Meena 7th-navamsha ++ samchara Rahu-Ketu via Dhanus-Mithuna contact natal R-K 1992 [WEH age 28] WEH first major cinema role in The Bodyguard . The performance received both disdain of theatre critics for its poor dramatic values, and popular applause with high sales profits. The film's musical soundtrack was a colossal best-seller. * Ketu-Shani bhukti * yogakaraka Shani karmesha = professional recognition 04-Mar-1993 [WEH age 29] celebrated the birth of child-1, adaughter * Ketu-Shani bhukti * yogakaraka Shani rules-9 =children + dvadasa Sade-Sati Jun-1995 until Apr-1998 Janma Sade-Sati Meena
[Shukra Mahadasha] [age 31.1 until decease age 48]
1995 [WEH age 31] cinema role in Waiting to Exhale. Both panned by critics and embraced by audiences. Played by an entirely African-American cast of actors and singers, mainly women [Shukra] the movie was heralded for its visual appeal [Shukra] and its beautifully scripted authentic [Surya] dialog [3] . Once again, the film's musical soundtrack [Shukra] was a colossal best-seller. * Shukra-Shukra svabhukti * Shukra-3-cinema lagnesha ++ janma Sade-Sati-11 community 1996 [WEH age 32] one of the highest-paid actresses in Hollywood, earning 10M-USD for her role in The Preacher's Wife. Again enacted by mainly Black dramatists, the film was financially successful and the soundtrack won top awards in the Gospel Music category. * Shukra-Shukra svabhukti * Shukra-3-cinema lagnesha ++ janma Sade-Sati-11 community 1997 [WEH age 33] with astounding paychecks along with producers awards for both music and cinema, wEH is an elite figure in the entertainment industry. She is respected as both a commercial businesswoman and an artistic super-performer.* Shukra-Shukra svabhukti * Shukra-3-cinema lagnesha ++ janma Sade-Sati-11 revenues 2000 [WEH age 36] following cancellations, nao-shows without notice, poor voicing, and erratic behavior, wEH is fired and released from numerous performance contracts. Drug abuse and marital abuse were rumored. * Shukra-Mangala bhukti * Mangala rules 12-dissolution, disappears from public eye 2002 [WEH age 38] high-profile lawsuit by WEH entertainment management company accuses WEH of fraud and demands exhorbitant payment. * Shukra-Rahu bhukti * Rahu-2 finance 02-Feb-2003 [WEH age 40] grieved the decease of her manager-father * Shukra-Rahu bhukti 2003 [WEH age 40] aggrieved lawsuit by mgt company is dismissed; plaintiff receives nothing * * Shukra-Rahu bhukti * Rahu-2 finance 2007 [WEH age 44] divorce from alliance-1 with singer, bobby Brown, alleging verbal, emotional, and physical abuse * Shukra-Guru bhukti * Guru randhresha identity-change 11-Feb-2012 [WEH age 48] blessed liberation from the Earthen-body, via drugged drowning * Chandra-Budha bhukti * maraka Budha rules -2 ... posthumous 26-Jul-2015 decease of WEH 's only child, daughter, bobby Christina Brown, via at-home drowning * Surya-Mangala bhukti * vyayapati Mangala-5 rules 12 = demagnetization of child |
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Salient Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [homebound-anchoring bandesha for Urisha indriya-lagna] [bright center of messages about local culture] [radiant evangelist of folkways] [confidently communicates about familiar habits] [dramatically presents protective information] [center-stage roles in signaling about security] [sparkling Surya emanates confidence in fields of parenting, homecare, property ownership-stewardship , security] [father-figure may be a process manager, communicator, team-worker, writer-publisher] ... [regulatory-corporate Aśleṣa-2] [navamsha Surya-Makara] intuitively confident class-conscious hierarchical artistic performance [Aslesha-Surya-yuti-Shukra-Aslesha] asta-harana - combines the rulers of 2 + 9 + 12
OUTCOMES - SURYA self-reflexively announcing, bright messages, regal style of gesture, communicative intelligence, radiantly descriptive, politically collaborative, splendidly explanatory [Surya in bhava-3] rules
CAREER - SURYA
[Aslesha-Surya-yuti-Shukra-Aslesha] = entertainment, celebrity relationships, women's fashion display, singing [Surya Mahadasha] [age 37.1 until age 42.1]
FATHER - Manager of Teams [regulatory-rankinge Aśleṣa-2] Dad military career Dad was originally a military officer, Surya-Karkata ++ Shani mutual-exchange-Surya When the talent of his wife and daughter began to ascend, dad became the official family career manager .
Dad and his deputies managed every aspect of their professional life. His military background [Shukra rules-6] emphasized security [Surya rules 4].
Chandra-Surya share a 5/9 angle suggesting that, despite their 1991 divorce when WEH was 27] there was creative affinity between mother-and-father. Surya rules emotionally adversarial Simha-6th-from-Chandra, so that a balanced parental marriage is factored out of the nativity according to the Learning Plan. Yet, mom and dad maintained a mutually beneficial professional relationship. Shani mutual-drishti Surya = permanent tension between entitlement vs. obligation Yogakaraka Shani rules 9-10. Shani's drishti into [Surya in bhava-3]-Karkata
[Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [team-working bhratru-pati for Urisha indriya-lagna] check Guru and Guru-dristi for defining source of Chandra's broad philosophical worldview [comforted by familiar, dreamlike friendships] [culturally sensitive to philanthropic aims in economic linkage] [intuitive earning from commercial publication] [needs to sense the prayerful pulse of connection in mass-participation assemblies] [protector of the ancestral symbolic associative gridworks] [interior-guidance leads profitable business transaction] [sibling-cousins stabilize the social life] [emotionally attached to envisioned goal achievement] [environmentalist feelings attuned to oceanic mists] [managing mother may be a visionary socialite, fundraiser, community activist ] ... [harmonizing-arranging Andromeda-3] [navamsha [Chandra-Tula] intuitively sensitive equity-seeking, diplomatic-dealing-brokering-bargaining [Uttarabhadra-Chandra-yuti-Guru-Revati] = combined rulers of 3 + 8 + 11
OUTCOMES - CHANDRA sentimentally friendly, emotionally gainful, feels grounded through mass gatherings, anchored into community linkage, sensitive to elder sibling, naeeds profitable market connections, sense of belonging to social participation networks [Chandra in classroom-11] rules
CAREER - CHANDRA
MOTHER Mom = the popular singer Cissy Houston. Chandra-yuti-Guru combines the rulers of 3 + 8 + 11
wise guidance from multiple mother figures, within an interlinked community of friendship [11]
PARENTS Socially Conservative, orthodox Believer
both parents adhered to standards of social decorum.
MARRIAGE partnership emotional equity support expectations [7th-from-Chandra-11] = Lifepartnership-1-of-1
WEH married a fellow singer and touring performer. He was a father to a considerable number of offspring. The union was reputed to suffer from domestic abuse, including dehumanizing behaviors and self-medication with alcohol-and-drugs [Kanya] [Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [balancing-bargaining yuvati-pati for Urisha indriya-lagna] [contemplative-enclosing vyaya-pati for Urisha indriya-lagna] [vigorously argumentative political campaigns] [energetically victimized stage performance] [brilliant theatrical enactment of loss, betrayal , disappointment] [expresses dramatic creativity with logical precision and planning] [promotes dynamic demonstrations of specific grievance] [wins praising applause from the disenfranchised] [physicalized service actions while playing romantic poetic games] [may battle over accusatory litigation with one's own children or students] ... [musical-financial Hasta-2] [navamsha Mangala-Urisha]
OUTCOMES - MANGALA energetic center-stage performer, brightly kinetic dramatist, champion of romantic pursuit, vigorously gambling, dynamically creative, competitively political, sparkling entertainer, pioneering displays, dominant winner in gambling and games [Mangala in bhava-5] rules
CAREER - KUJA RELATIONSHIPS - KUJA Mangala-Kanya occupies the marital 7th-from-Chandra, indicating a physically active and critically-investigating life mate Such a lifemate may be aggressively critical also.
WEH endured an abusive marriage with her accusing, battering, competitive peer-vocalist-entertainer [5] [Mangala] . In addition, he contested her sexual identity [Kuja]. [Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [collecting-preserving dhanesha for Urisha indriya-lagna] [creative-witty vidya-pati for Urisha indriya-lagna] ... [theatrical-sparkling Pūrvaphalgunī-1] [vargottamsha] [navamsha Budha-Simha] intuitively explaining dramatic romantic artistic performance display
OUTCOMES - BUDHA talkative parents and caretakers, at-home instruction, discusses security, describes cultural foundations, articulates familiar rhythms, describes habitual places, repeats routine conversations, communicates about household, explains the folkways, follows a customary mental pathway [Budha in bhava-4] rules
CAREER - BUDHA Budha rules 2-voice-face-lyrical storytelling = contains Rahu-Mithuna signaling a potent, articulate, ambitious family-of-origin Budha = the team, the entourage, the ensemble, the promoters, the handlers, the managers [Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] [svakshetra] [mysterious-revealing randhresha for Urisha indriya-lagna] [friendly-gainful vriddhi-pati for Urisha indriya-lagna] ... [networking-revenues Revatī-3] [navamsha Guru-Kumbha] [Revati-Guru-yuti-Chandra-Uttarabhadra] = combined rulers of 3 + 8 + 11
OUTCOMES - GURU expansively friendly within the social rank, inspirationally lawfully profitable, philosophy of institutional marketplace linkage, generous status mentoring, conventionally community-connected, class-consciously associative [Guru in bhava-11] rules
CAREER - BRIHASPATI community, crowds, earnings, friends, social networking, revenues Guru rules inspirational-music Shukra-Dhanus in 10th navamsha WEH musical- dramatic performances appealed emotionally to a broad and diverse [Somana-yuti-Guru] range of people. Guru-Meena-11 = social-participation collectives, wide {Guru] cultural [Chandra] community [11] immersed in intuitive, personally meaningful, non-rational, symbolic vision [Meena]
HUSBAND - GURU Guru-Meena [11] suggests that the marriage partners were connection through a large [Guru] friendship network. Mutual drishti between Guru-and-Mangala can produce fertility along with a great amount of kinetic energy for community engagement. RELATIONSHIPS Chandra-yuti-Guru expands the scope and number of social connections to caretakers [Chandra]
[Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [[wifely companion] [energizing-identifying lagnesha for Urisha indriya-lagna] [inimical-medicating rogesha for Urisha indriya-lagna] ... [preaching-optimistic Aśleṣa-1] [navamsha Shukra-Dhanus] combines the rulers of 1 + 4 + 6
OUTCOMES - SHUKRA pleasantly sensual communication style, enjoys balanced conversation, harmoniously collaborative teamwork, aesthetic of beautiful project presentation, likes the process of writing-and-publishing, commercial finance, prefers a luxurious office, mentally engaged in making fair arrangements, musical-artistic media-messaging transactions, appreciates having a gracious neighborly cohort [Shukra-3] rules
CAREER - SHUKRA lagnesha = aslesha Shukra-3, beauty in communicative messaging, teams, ensemble, cooperation [Shukra-Karkata] occupies the emotionally-driven creative performance genius 5th from Chandra
[Shukra Mahadasha] [age 17.1 until age 37.1]
Known first as a live-audience Church singer [Shukra-music = mutual drishti with Shani-9, sangha, believers] WEH 's inspirational recordings [navamsha-10 Shukra-Dhanus, inspirational music] developed a wide audience [3, audience, the listeners] . WEH cinema performances [Surya,3] garnered even more financial [Shukra,3] commercial success [3, communications media] PROJECTS, MANAGERS, TEAMS 20 years duration of Shukra Mahadasha was overall commercially-artistically beneficial not only for WEH but also for her substantial beauty-music team. Her dad [Surya] was WEH top career manager, but there were numerous specialty team managers as well [3 management, skills, tasks, projects]
[Shukra-3] rules team-working 3rd-from-Chandra [Urisha] = writing, scripts, commerce, entourage
although a solo artist on stage [Surya], WEH was a businesswoman [3]. A sparkling charismatic individual [Surya] she was also continuously surrounded by technicians, stylists, stage managers, agents, and innumerable teammies [Shukra music business, 3-attendants, retainers, co-workers] Lawsuits by Father against Daughter - [Shukra-yuti-Surya pitrikaraka] Shukra is rogesha ++ Shukra = ruler of 8th-from-Chandra = sudden emotional shocks, danger, or attack. beautiful musical Shukra is partly responsible for self-medication and unfair, exploitive relationships. Shukra drishti introduces a perpetual inflow of jealousy, addiction, and abuse into pitristhana-Makara-9, producing the lawsuits of her father-manager against his own daughter in the attempt to appropriate her assets. . [Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [svakshetra] [Yogakaraka doctrinal-guiding dharmesha for Urisha indriya-lagna] [Yogakaraka dutiful-exective karmesha for Urisha indriya-lagna] [class-concious conventional orthodox catechesis] [believes inthe rule of law-and-order] [maintains the orderly credenda] [old priesthood continues mandatory conformism] [lawfully governing patriarchs] [strict rules for bureaucratic regulation] [fear of weighty social philosophy] [dharmesha socially approved ideology] [karmesha leadership proceeds from ideological convictions] [pragmatic patronage of universities and temples] [philosophical understanding limited by social norms] [prefers older respected lawful religious teachings] [rigidly disciplined dogmatic responsible father] [father may impose orderly principled judgments upon the sangha] [father-figure may be a presbyter, governor, director, professor of law, elite hierarch] ...... [ministering-complaining Dhaniṣṭha-2] [navamsha Shani-Kanya] [Atmakaraka duty, the burden of responsibility, workload, timeclock, class-consciousness, status]
OUTCOMES - SHANI ideologically rigid, religiously regulatory, philosophically conventional, staunchly sermonizing, respectfully patronizing, doctrinally disciplined [Shani in Bhava-9] rules
CAREER - SHANI orthodox dogma, orderly worldview, structured beliefs [Shani in Bhava-9] occupies conventional, conforming Makara within the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra Shani-Makara-9 mutual-drishti Surya-Karkata-3 a permanent tension between media-messaging entitlements vs. doctrinal-sacerdotal obligation . Surya rules household-4 while publicly responsible Shani rules 9-10 Their fraught territories are constantly activated in a polarized tug-of-war. One is constantly called into the duties of public life [Shani] and there is no rest [4, retirement, shelter] until the end.. [Risk-rewarding Rahu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Urisha indriya-lagna] [Rahu-2 casts passionately enriching capitalizing drishti into 6-8-10] check Budha for defining source of Rahu's apparently explanatory, communicative flair [passionate messaging via voice-face-hair] [opportunistic discussions about finance] [fascinating sound values] [astonishing commercial acquisitions] ... [financial-heritage Punarvasu-2] [navamsha Rahu-Urisha-uchcha]
OUTCOMES - RAHU scion of an African-American musical dynasty [2] When the ruler is endowed with effectiveness and the navamsha position is also supported [Rahu in bhava-2] = super-power of mix-master in the worlds of values, heritage, the genetic story that is told by the face, the complexion ... hair, eyes, mouth, teeth, voice, speech, song, -- storytelling and record-keeping. WEH was called in the entertainment industry a "cross-over artist" Her high-profile fashion-and-entertainment package easily crossed-over [Rahu] most of the race-and-class boundaries of the American pop-culture audience [Mithuna, audience]. WEH was praised for a commercially viable [Mithuna] mixed sacred-and-secular music, culturally both black-and-white fashion styles, and fluid gender-identity boundaries. [Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Urisha indriya-lagna] [beneficial placement for Urisha indriya-lagna] check Guru for the source of Ketu's ungrounded, optimistic belief [unconcerned with threats of doctrinal disintegration] [apathetic toward catastrophic consequences of credenda] [liberated from terrifying beliefs about death-and-rebirth] [passively fixated on ambitiously messaging-commercial Rahu-Mithuna-2 treasuries, store-holds, family-members, bankers, memory-collectors, warehousers, knowledge-preservers, or second-spouse] ... [secretive-emerging Pūrvāṣāḍhā-4] [navamsha Ketu-Vṛścika-uchcha]
OUTCOMES - KETU
[accidental death, randomness] occupies [exploring-disguising Pūrvāṣāḍhā-4] inspirational mysteries Pūrvāṣāḍhā-4 is a notably powerful position for Ketu the Annihilator. The power of any Vṛścika-pada is the power of non-disclosure. In the years preceding WEH tragic 2012 suicide by drowning, the odd location of Ketu in 10th-from-Chandra was perplexing to observers. External public appearances [10] would not have confirmed WEH ongoing energetic erosion typical of Evacuator Ketu. Collapsing Ketu in 10th-from-Soma typically signifies a spiritually detached figure, amystical recluse or renunciate, aperson demonstrating surrender or annihilation, or [in the worst case] an astrologer.
The site of WEH victimization was not visible to outsiders. The self-medication and marital abuse that slowly unraveled her celebrated performance genius was bhava-4 Simha = 6th-from-Chandra = the home. Her own parents, her parenting, her foundational security, and her safety within her own household became the site of emotional battering. Simha = also 6th-navamsha, and ruler Surya implicates the father-figures in management roles.
-------- [Ketu-Dhanus] [8] occupies 10th-from-Chandra = camouflaged professional exhaustion
Ultimately, wEH gained highest familiar repute 10th-from-Chandra. for her unexpected [8] disembodiment [Ketu] = end-of-things
The red flag of Ketu is no-show, absenteeism, and cancellation. WEH had developed a pattern of erratic and dissociative professional behaviors [Ketu 10th-amsha] Excessive cancelled performances spurred lawsuits and peer concern. Despite frequent time-off, the cause was opined to be exhaustion [Ketu]. Confirmation of the hidden meaning of Ketu-8 in 10th-from-Chandra was ultimately provided by WEH tragic suicide, which left behind a cherished daughter. As the years have rolled by, wEH reputation is less framed by a brilliant artistic career - but rather by the circumstances of her mortal exit and final relief, combined with the subsequent suicide of her only child, her daughter. WEH widely grieved death by drowning while drug-numbed, under stress from pressured re-entrance into a career she had wished to exit [Ketu], produced an emotionally evocative image of despair, incoherent tragedy, hopeless failure, and martyrdom to unsustainable public expectations [10] |
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