born six weeks after
born two months before
born four months before
born five months before
a.k.a. Whitney Elizabeth Houston
fleshdeath 11-Feb-2012 (age 48)
fleshdeath 11-Feb-2012 (age 48)
balladeer, musical entertainer, fashion model * 1963 - 2012 * Whitney Elizabeth Houston
birth data from http://en.wikipedia.org/wiki/Whitney_Houston * tentatively rectified by BP Lama Jyotisha
charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama
Purvaphalguni * Yoni
BPL commentary: For Purvaphalguni natives, the condition of sweet Professor Bright Bhrigu considerably affects the outcome.
Feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, artistic beauty, luxurious scents, treasuries, and music, may be especially influential.
| "... an oval face, whose features are well proportioned |
Very hospitable and sociable, she likes to meet people
She likes to sew or embroider
She also is keenly interested in occult subjects
She is scrupulous in her obligations
Biographical details matched to Vimshottari Dasha periods
Shani Mahadasha * age birth until age one
09-Aug-1963 fleshbirth * Shani-Guru period
Budha Mahadasha * age 1 until age 18
Ketu Mahadasha age 18 until 25
1981 high school diploma * Ketu-Shani * Shani rules 4th-from-4th diploma, schooling
1985 begin ascent into musical fame, hit recordings, video, and live performances * Ketu-Rahu period
Zukra Mahadasha age 25 until 45
18-July-1992 marriage-1 * Zukra-Surya period * Surya rules swamsha * samchara Rahu-Ketu via Dhanuzya-Mithunaya * contact radical R-K
04-Mar-1993 child-1 * Zukra-Chandra period * Chandra rules 5th-from-Chandra
02-Feb-2003 decease of Father * Zukra-Shani period * pitrimaraka Shani rules 7th-from-Surya
2007 divorce-1 * Zukra-Ketu- period
Surya Mahadasha * age 45 until decease age 47
11-Feb-2012 fleshdeath (age 48) * Surya-Shani period * Shani rules maraka-7
26-July-2015 decease of daughter, Bobby Christina Brown * Chandra-Mangala period * Mangala rules 12th-from-5th
Salient features of the Nativity |
Surya-12 the father is a mainly invisible figure. He was a military officer (Karkata protectors). Surya is lagnesha however, and there is a bond between father and daughter which exists despite being less bright than her famous singermother.
Vimala Yoga * Chandra rules-12 occupies-8
Somana-yuti-Guru-Revati music. Her musical and dramatic performances appealed emotionally to a very broad (Guru) cross-section of the public. Chandra-8 sensitivity to traumatic change rules 12 (VImala Yoga) while Surya-yuti-Zukra occupy bhava-12 privacy, sanctuary.
Guru-Meena diversity with a doctrinal quality. Her musical style was admired by fans young and old, rich and poor, black and white, men and women.
Her mom, the popular singer Cissy Houston, Chandra-yuti-Guru also appealed to a wide demographic swath of listeners since she sang in several styles ranging from religious devotional church music (Guru) to drug-and-exploitation influenced nightclub material (8, taboo).
Chandra-8 often indicates unpredictable mother-figures who are operating behind a mask of maternal care Chandra is exceptionally impressionable; incoming drishti is potent.
Chandra receives incoming Parashari drishti from both disciplining, orderly, chronically ill Shani-6 (suggesting an orderly but conflicted childhood home) Drishti from sexualized, verbally critical Mangala-Kanya-2 also influences the mother's persona.
Kuja-Kanya-2 occupies the marital 7th-from-Chandra, indicating a physically active and critically-investigating life mate
Kuja participates in the extraordinary Dhanayoga created by Budha ruler of 2-11. Rahu occupies-11 and Kuja rules-5--occupies-2, creating a highly dynamic drive toward treasuries, and Kuja receives drishti of Guru-Meena generating her very loud and very wide ranging voice.
How Will I Know 1963-2012 Whitney Houston * musical touring throughout career; entourage, ensemble drama; songwriting
Budha rules the marriage-partner 7th-from-Chandra
Dhanayoga for Simha lagna * Budha rules 2 + 11
Budha-1 in purvaphalguni. Whitney Houston wrote much of her own music. Her performance career was economically gainful,
Budha-rules-11 = her music had a notable community focus and expressed most vibrantly in larger groups such as church choirs.
Budha represents the team, the entourage, the ensemble, the promoters, the handlers, the managers
Budha-Simha occupies the emotionally adversarial 6th-from-Chandra suggesting that the urge to constantly produce profitable musical performances, both live shows (Simha) and recordings (Budha), in part to support a legion of managers and handlers (Budha), was the greatest source of psycho-emotional stress.
Guru rules Ketu in the reputation-defining 10th-from-Chandra
Chandra-yuti-Guru expands both the scope of her musical reach and the number of her health complaints.
Guru in bhava-8 suggests that the husband-figure (the first husband) displayed qualities of secrecy, masking, or hidden relationships or undisclosed assets. Due to Guru-yuti-Chandra in 2nd-from-7th, the husband's family (one's own in-laws) would have many similar musical, financial, and cultural characteristics to one's own mother.
Zukra rules Purvaphalguni lagna
Shani * duro-karaka * jara-karaka
Shani occupies the gainful 11th-from-Chandra
Shani casts disciplining drishti into 8, 12, and 3
Shani's stability helps to maintain dignity in a lifestyle which is otherwise focused upon self-medication (6), artistic performance (1), and enjoyment of luxuries (Zukra). Shani-6 generally indicates an orderly but conflicted approach to chronic conditions of criticism and guilt, exploitation, jealousy and greed that surround the native.
Chronic social and hormonal imbalances can produce sicknesses, self-medication, debt, servitude, and crime or conflict but there is a deep resistance to divorce (Shani resistance 6 divorce).
Shani rules-7, occupies-6
As ruler of both 6 and 7, Shani is often a marriage catalyst for Simha nativities. Houston famously suffered a challenging but enduring marriage situation which involved drugs (6) and domestic abuse (6) among other miseries.
Shani drishti to Chandra and Shani drishti to Srya suggest that both parents were constrained to produce an appearance of social decorum and uphold a standard of public behavior, despite the personal strain required.
Fleshdeath during Surya-Shani period. Commentators broadly agreed that she suffered from exhaustion due to an overly rigorous (Shani) performance schedule (Budha). Shani occupies the gainful 11th-from-Chandra but Shani-6 indicates chronic ailments, exhaustion, overwork, and unresolvable conflicts.
Rahu * rajyalobha-karaka * picchala-karaka (slippery) Ketu * kavandha-karaka * chidra-karaka Ketu occupies
10th-from-Chandra, suggesting an emotionally evocative
image of dissolution, characterizing a tragic, martyred, public symbolic
role Ketu in bhava-5 suggests an eccentric first child, who is prone
Ketu * kavandha-karaka * chidra-karaka
Ketu occupies 10th-from-Chandra, suggesting an emotionally evocative image of dissolution, characterizing a tragic, martyred, public symbolic role
Ketu in bhava-5 suggests an eccentric first child, who is prone toward surrender
file update: 06-Jul-2018
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