born 1 year after
born 10 months after
born 2 months after
Theatrical singer, Hollywood child-celebrity
Wizard of Oz
a.k.a. Frances Ethel Gumm
Earthbody-Exit 22-June-1969 (age 47)
Wizard of Oz dramatist, singer * 1922-1969 * Judy Garland * born as Frances Ethel Gumm
birth data from http://en.wikipedia.org/wiki/Judy_Garland * tentatively rectified by BP Lama Jyotisha
charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama
Purvaphalguni * Yoni
For natives of Purvaphalguni * Yoni, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu considerably affects the outcome.
Feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.
Guided by instructors from the civilizations of Zosma
Feminine births into a nakshatra of Zukra carry a special benevolence for music, beauty, treasuries, ornaments, design, and gracious relationships. Purvaphalguni women are often found in the worlds of politics, fashion, beauty, and musical theatre.
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95
"... an oval face, whose features are well proportioned
Very hospitable and sociable, she likes to meet people
She likes to sew or embroider
She also is keenly interested in occult subjects
She is scrupulous in her obligations
Biographical data matched to Vimshottari Dasha timeline
Judy Garland (a.k.a. Ethel Gumm) publicity photo 1935, her age 13
Saturday-10-June-1922 Earth-birth * Ketu-Guru period * Guru rules 5 + 8
1935 first cinema contract with industrial film producers (Judy's age 13) * Zukra-Guru period * Guru rules 5-entertainment + 8 identity transformation
17-Nov-1935 (Judy's age 13) sudden death of her father * Zukra-Guru period * Guru rules 12th-from-9th
1943 (Judy's age 21) announced estrangement from Mother, who is thenceforward banned from the MGM cinema properties * Zukra-Ketu period
15-Jun-1945 Marriage-2 = cinematic producer Vincente Minnelli (1945 - 1951) * Surya-Zukra period
12-Mar-1946 child-1 Liza Minnelli * Surya-Rahu period * Rahu gives effect of Guru
July-1947 nervous breakdown including first suicide attempt * Surya-Shani period * Shani rules 6-illness + Rahu-yuti-Shani
1950 end of employment with MGM studios after 15 years continuous contract * Surya-Zukra chidradasha
1951 after difficulties (during Chandra-Chandra period), rebounded into successful performance events in UK-Ireland * Chandra-Mangala period * Mangala rules 9-guidance, fortunes
08-June-1952 Marriage-3 to Sid Luft until 1965 * Chandra-Rahu period
05-Jan-1953 Lightbody Lift-off of estranged Mother (mom's age 59, heart-attack) * Chandra-Rahu period * Rahu-2 maraka * Rahu gives effect of Shani rules 2nd-from-Chandra
1962 wins five Grammy awards * Mangala-Guru period * Guru rules 5-prizes, celebrity, entertainment
1963 receives a lucrative television contract, but the show is cancelled after only 26 episodes * Mangala-Shani period * Shani rules 7-contracts + 6-disagreements
27-May-1964 Suicide of her eldest sibling, sister Suzy * Mangala-Budha period
14-Nov-1965 Marriage-4 = Mark Herron until 1967 * Mangala-Zukra period
15-Mar-1969 Marriage-5 = Mickey Devinko (Deans) until June-1969 * Rahu-Rahu swabhukti
22-June-1969 flesh-death (barbiturate overdose, age 47) * Rahu-Rahu swabhukti *Rahu gives effect of Shani maraka rules-7
Distinctive features of the Nativity
Judy Garland a.k.a. Frances Ethel Gumm with her problematic mother-manager, Ethel Milne Gumm. Matrikaraka Chandra-5 rules withdrawn, imprisoning bhava-12
Celebrated theatrical singer, Hollywood child-actor dramatist Her most celebrated cinematic performance occurred when she was a child-actress Wizard of Oz Ms. Garland was reputed (10) for her musical performances Surya-10 receives amplifying drishti of Mangala + Guru-yuti-Rahu
Surya karaka for theatre, celebrity
Surya occupies the emotionally conflicted 6th-from-Chandra while Zukra-11 earnings rules 6th-from-Chandra
Surya-10 Father was a vaudeville entertainer who owned a local theatre = performance arts, entertainments, choreography The entertainments included live-performance mixed with early cinema.
Tension between the parents
Surya-9 occupies 6th-from-Chandra indicating a hostile, incompatible electro-magnetic emotional alliance between mother (Mula-Chandra-5) and father (Mriga-Surya-10). Garland's father was a gay man and the parents often disagreed.
Chandra-5 receives relationship-defining 7th drishti of Zukra + Budha
Mula-Chandra in classroom-5 rules the emotionally self-transforming, often shocking, change-inducing, revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra = secrets, non-disclosure, sudden unexpected changes, new identities, transformative healing, camouflage, emergencies
Chandra in classroom-5 indicates a mother in the creative or literary arts, fashion, celebrity, drama, gaming, or politics. Ms. Garland-Gumm's stage-manager mother had been herself a vaudevillian performer (5), before her daughters were born. Mom was said to have been an intensely controlling manager (3rd-from-3rd) involved in every detail of her underage daughter's relationship to the hiring studios. Yet the day inevitably came when Chandra in Mula fulfilled its destiny of emotional annihilation.
According to Ms. Garland, the drugs which eventually destroyed Judy's health were originally supplied by her mother = Chandra takes a strong 7th drishti of Zukra ruler of 6th-from-Chandra.
Ms. Garland had a volatile relationship with her mother. It is said by observers that Judy Garland idolized and identified with her entertainer father (Surya-10 lagnesha) but held her mother responsible for her father's distress and premature death (Chandra-5 matrikaraka in the father-destroying 8th-from-Surya).
When Judy turned 21, her desire to throw off the yoke of maternal control became materially viable, and her relationship with the mother was completely severed during Zukra-Ketu chidra-dasha (also, Ketu in 4th-from-Chandra).
Following a major fight about her mother's mismanagement of her contract (Chandra rules Karkata-12, accusations about contracts) no reconciliation occurred before the alienated mother's 1953 death (mom's age 59). After the fight, the mother became disappeared to the public (12) and mom received no further financial support from her famously over-controlled daughter.
Post-split from her Mother, Garland bore two additional children bring her family to a total of three kids. Yet no communication was allowed between Garland's mom-manager and the grandchildren. Thus additional pressure heaped upon the native due to inability to call upon the living grandmother as a trustworthy caretaker for the grandchildren. It is speculated that the momager may have displayed the symptoms of Borderline Personality Disorder in which a mother-figure for psychological reasons may systematically and over time cause significant harm to her own children, including the potential to drug them or steal their money. One method for helping families to deal with these personalities is the classic "no contact" policy. This zero-contact stratagem may have been intuitively or professionally recommended; the outcome was absolute severance Chandra in Mula emotional annihilation.
10th-Navamsha contains Chandra-Mithunaya communications media, photographs, cinema
Despite her adult career in cabaret singing and thousands of adults-only nightclub performances, she was forever characterized by her familiar Chandra-image (Chandra-10 familiar face). The popular audience saw her forever as homespun character Dorothy Gale, the Midwest farm girl.
MARRIAGE emotional support partnership
Yogakaraka counted from Simha lagna
Kuja-4 childhood home, homelife, educational foundations, security == receives incoming drishti from disciplining, constraining Shani
During the downward spiral that began during the nervous breakdown following the birth of her first child , without ability to be supported in early motherhood by her own mother, Ms. Garland was several times accused of irresponsible parenting due to negligence and drug use. Several times she nearly lost legal possession of her children, and effectively she was often separated from the kids by work duties and periods of personal disconnectedness. Vrischika-Mangala in bhava-4 represents a volatile childhood home and potential for parenting aggressions.
Mangala-4 in 6th-from-Zukra = intense Kuja Dosha.
Kuja Dosha produced by Kuja-4 in 6th-from-Zukra can produce vigorous marital disagreement about all-things-Zukra including singing, marriage, sexual harmony, equity, exchange values, sleep, privacy, mani-money.
With a deceased father and a rejected mother, Ms. Garland -- whose childhood had been overwhelmed with adult work in cinematic drama --- married five times in pursuit of a secure family life. Yet Mangala-4 repeatedly generated threatening (Vrischika) competitive, aggressive behaviors in her adult homes as well.
Mangala is nevertheless a yoga-karaka for Simha Nativities The mother's verbally controlling (Vrischika, Jyeztha) physically aggressive behavior was ultimately a vehicle for promotion into celebrity status..
Shani drishti provides a disciplining influence which allowed Garland's career to proceed with regular maintenance despite the aggressive over-promotion of her abilities during childhood and fighting with co-parents in her adult homelife
Budha rules swamsha
Budha rules career 10th-navamsha
Budha rules the 10th-from-Chandra
Budha-11 rules 2+11 finance
Guru-yuti-Rahu casts enormously amplifying drishti into Surya-10 = iconic roles. As her children (Guru) showed talent, she made them into public figures who sang and capitalized value, just as she had done for her family from a very young age.
Rahu-yuti-Guru * Shani-yuti-Rahu occupies career 10th-from-Chandra-5. She and her first child, daughter Liza Minnelli represented by 5th-from-5th celebrity, sang together at popular, financially remunerative musical concerts.
Guru-Kanya in the emotionally motivated, social-ordering, leadership-seeking; 10th-from-Chandra suggests Garland's lifelong ability to symbolize and appeal to socially marginalized, stigmatized fans in the male gay community. They formed her most loyal fan base. Their purchases of her recordings and tickets to her performances during her failing health years is often accounted as the main reason she was able to keep afloat.
Zukra karmesha contains Surya-10 creative performance, rules 3-10 ++ 6-11 from Chandra
Zukra-Mithunaya rainbow colors. The single most well-remembered song of career of Wizard of Oz 1922-1969 singer Judy Garland = "Somewhere Over the Rainbow".
Marketplace Earnings Financial Patterns * Zukra rules 6-and-11 from Chandra
Along with the effect of Zukra-11 ruling the economic earnings of Thula-3-tours = s the emotionally motivated community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra, there is a volatile economic cycle featuring the extremes of both dynamic earnings via debt, disagreements, and addictive behaviors (6) divorces, and despair along with periods of exceptionally high earnings from artistic performance (Zukra) and favorable contracts (Zukra). Ms. Garland famously experienced both luxurious wealth from dramatic performance profits, as well as tragic losses of anticipated income and losses due to health issues (6).
beauty, song, face * Zukra drishti to Chandra in Mula-5 creative performance, theatre
Shani * duro-karaka * jara-karaka
Shani + Guru + Rahu = occupies career the emotionally motivated, social-ordering, leadership-seeking; 10th-from-Chandra Onerous burdens of very high public visibility become amplified by Rahu and expanded by Guru. Work schedule begins in early childhood (age 2) in context of family (2) singing (2). Public behavioral strictures (Shani); Must (Shani) be socially approved (SHani).
Shani-2- Kanya heavy workload and social criticism (Kanya) = Kutumbha bhava shows a complex and conflicted family lineage. Shani-yuti-Guru dhava-karaka + Guru-yuti-Rahu suggests that she had a multitude of father-figures including the authoritative studio bosses. Her father and also her five husbands were generally homo-social men whose sexual-sensual-partnerships were diverse and complex with socially irregular (Rahu) behaviors yet socially regular (Shani) external professional status.
Rahu amplifies the yuvatipathi Shani who is also the rogesha for Simha-lagna * Rahu amplifying rogesha contributes to five marriages before age 46
Rahu-amplified Shani-Kanya-2 sends Shani's 10th drishti into bhava-11 earnings containing Zukra-+Budha business financial contracts. . Shani's professional 10th drishti creates restrictions upon the public behavior (10th) even while Shani's disciplined work ethic demands nearly constant effort to acquire savings (Shani-2 must conserve). With numerous conflicting ++ amplified financial factors, Garland was both a super-earner and a super-debtor.
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
Rahu + Shani + Guru in bhava-2 singing == occupies the emotionally motivated career-directing 10th-from-Chandra
Ketu * kavandha-karaka * chidra-karaka
Ketu located in the defensive, culturally-rooted, routine-loving, patriotic, nationalistic, comfort-seeking, home-loving, foundational, property-owning 4th-from-Chandra exacerbates a feeling of rootlessness and unbelonging and adds to a dsisconnection from the childhood, from the mother, and from the cultural foundations
By Ms. Garland's telling, young Judy was tightly controlled by her stage-manager mother. In Zukra-Ketu period, after a big fight when Judy turned 21, mom was cut-off forevermore via an irrevocable no-contact (Ketu) decision. Despite having three of her own children, young Ms. Garland never spoke to her mother again, and the children grew up sans relationship to their maternal grandmother.
Judy Garland, age 19 in 1941
From The Wizard of Oz, 1936 -- characters Dorothy Gale and the Wicked Witch of the West
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