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musician

singer

comedienne

songwriter

dramatist

June Carter Cash

a.k.a. Valiria June Carter

Earthbody-Entry 23-Jun-1929

Earthbody-Exit 15-May-2003 (age 73)

singer with the historic Carter Family, popularizers of Appalachian Scots-Irish American "country-western" Music

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Proletarian singer-songwriter

Musical Stage Performer

Prison Reform Advocate

Johnny Cash

a.k.a. Man in Black

Earthbody-Entry 26-Feb-1932

Earthbody-Exit 12-Sept-2003 (age 72)


born one day before

born four days after

born 2 months after

born 3 months after

born 9 months after

Rockabilly singer, songwriter, entertainer * 1932-2003 * Johnny Cash

birth data from http://en.wikipedia.org/wiki/Johnny_Cash * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Arudra-Orion * Trinetra


BPL commentary

For Arudra-Orion births of masculine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rahu may considerably affect the outcome.

For those born into the paradigm of Rahu-ruled Rudhira, exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, intensifiers of passion and desire, self-proclaimers, self-promoters, agents-provocateur, charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential.

Instructional guidance is provided by emissaries from Orion. Their purpose is to communicate the passionate animal vitality via stormy, turbulent, swaying, exciting gesture and signal.


Passionately Communicative

Rahu-ruled Arudra-Orion fellows are often found in muscular, passionate, body-intensive roles. Mesmerizing dancers, they use the communicative signaling of hands, shoulders, legs, hips, and pelvic thrust to great advantage. Stage performers of high excellence, Arudra-Orion gentlemen are often admired for their pulsing sensuality and animal magnetism.

Thiruvaathira chaps may be gifted in all varieties of manual labor, handcraft, commerce, painting, descriptive writing, evocative song-writing, and the arts of beckoning, seductive gesture (Budha).

Themes of stimulating signal patterns, passionate messaging, volatility, intense cycles of attraction-and-repulsion, and stormy outbursts may contextualize Arudra-Orion's terrestrial experience. Applies also to Chandra in Arudra-Orion.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra, p 81.


"Corresponds with a healthy, robust body and nature.

  • the attitude and outlook of this individual is entirely physical.

  • Mental effort is foreign to him.

He depends entirely on his muscles and his body to meet the demands of existence.

Such being the case, laborers, professional athletes

  • and other persons whose occupations are wholly physical

  • may be found to have Arudra rising.

Since such people are invariably exploited

  • by those whose mental abilities are greater than theirs,

  • it is extremely unlikely that they will be wealthy or even well-to-do.

In fact, poverty is predominant among them."


CashJJ_undated.JPG

Ring of Fire 1932-2003 rockabilly Johnny Cash overlaid photo with Old Time Feeling 1929-2003 music-comedy June Carter Cash

Biographical details matched to the Vimshottari Dasha calendar


Rahu Mahadasha

26-Feb-1932 Earth-birth in Kingstead, Arkansas, USA * Rahu-Chandra bhukti * Chandra rules 2-voice


Guru Mahadasha

20-May-1944 tragic death of 15-yo elder brother in mill-saw accident * Guru-Zukra bhukti


Shani mahadasha

Nov-1952 until Nov-1955 Janma Sade-Sati via Thula = bhava-5

07-Aug-1954 exchange of vows in marriage-1 (his age 22) * Shani-Budha bhukti * Budha rules-7 navamsha * samchara Rahu-Ketu Dhanuzya-Mithunaya contact radical lagna

24-May-1955 celebrated the birth of child-1 * Shani-Budha bhukti * Budha lagnesha


Budha Mahadasha

01-Mar-1969 exchange of vows in marriage-2 (his age 36) to fellow musician Old Time Feeling 1929-2003 music-comedy June Carter Cash* samchara Rahu-Ketu Meena-Kanya * Budha-Budha bhukti * Budha rules-7 navamsha

Oct-1982 until Dec-1984 Janma Sade-Sati via Thula


Ketu Mahadasha

23-Dec-1985 decease of father Ray Cash * Ketu-Ketu swabhukti

11-Mar-1991 decease of mother Carrie Cloveree * Ketu-Shani bhukti


Zukra Mahadasha * age 60.7 until decease age 72

15-May-2003 decease of Old Time Feeling 1929-2003 music-comedy June Carter Cash * Zukra-Guru bhukti * Guru rules 2nd-from-2nd-from-Chandra, decease of 2nd lifepartner

12-Sept-2003 decease (age 72) * Zukra-Guru bhukti * Guru maraka rules 2

Distinctive Features of the Nativity


year 1958: Johnny Cash (born 1932) with Heartbreak Hotel 1935-1977 Graceland Elvis Presley (born 1935)

Surya * pitrikaraka * jyotikaraka

karako bhavo nashto tendency toward a self-righteous and belligerent father (Mangala) amplified by Kuja rules-6

Sparkling Surya occupies 5th-from-Chandra entertainment, celebrity, drama

Proletarian Hero

Surya-yuti-Kuja + Surya-yuti-Budha in Kumbha, the masses

Prolific song writer

wrote more than 1000 songs * powerful Surya-Kuja-Budha drishti into bhava-3 writing, owned by Surya-9


Chandra * matrikaraka

  • Chandra in classroom-5 * comfort in politics, familiar with gambling and games, charm, children, soothed by celebrity, needs to feel the repeating pulse of confident self-expression, emotionally attuned to uniqueness, settled into the rhythm of romance, routine intelligence, artistic performance; undulating creativity
  • Chandra-Thula * comforted by rhythmic negotiation of agreements
  • Chandra in Swatika * comforted by risky alliances * protectors of shape-shifting negotiation, fascinating bargains, opportunistic arrangements

MOTHER

MARRIAGE emotional support partnership


Kuja * bhratru-karaka * virya-karaka

  • Mangala in bhava-9 * karako bhavo nashto * drive toward doctrine, champion of paradigmatic belief, pursuit of patronage, dynamic preaching, energized philosophical conquests, aggressive or sexualized paternal energies, dominating father-figures. Often Kuja-9 = challenges to the father's life and lifestyle.
  • Mangala-Kumbha * vigorous pursuit of community systems * proactive linking * push toward regulated networks * champion of distributed associations
  • Kuja-yuti-Surya * energized confidence, dynamic genius
  • Kuja-yuti-Budha * energized communication, dynamic reporting

Mangala occupies 5th-from-Chandra entertainment, celebrity, drama


Budha * bandhava-karaka * zisya-karaka

lagnesha

  • Budha-Kumbha * connecting communications, systematic pronouncements, articulation of social-scientific networks, descriptive inter-webbed definitions, messages about communities and economies, explains large-scale social participation linkage
  • Budha in bhava-9 * narrative of the father-figure, the guru-figure, the catechism, the doctrine * discusses patronage, paradigm of belief, describer of theoretical details, explainer of dogmatic concepts, 11th-from-11th profits, talks about principled interpretation of reality, dharma, worldview
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority, message of willpower and charisma, confidently talkative father
  • Budha-yuti-Mangala * explainer of competitive energies * affinity for engineering, invasive, exploratory roles expressing skills of communication, explanation, description, instruction *articulator of competitive energies, signals forward action, message of innovation and forward movement, outspoken, fraternal conversations, aggressive communications, talkative brother-figures

Budha occupies 5th-from-Chandra entertainment, celebrity, drama

Budha rules-3 occupies-9 * in later life, Johnny Cash became a devoted Bible-reader and participant in religious discussions


Guru * dhavakaraka * bahuta-karaka

  • Guru-Karkata * uttama * much shelter, many caretakers, believes in ancestral ways and rhythms, doctrine of ancient ways, expansive security, expands the scope of the local settlement, develops farms and gardens, multiple dwellings, many parent-figures
  • Guru in bhava-2 * much hoard, many songs, many stories, history, storage, several genetic lineages, much many accumulated goods, numerous languages, many voices, many valuations, extensive accounts and assets, family identity = growth, belief, expansion of the lineage , family identity = growth, belief, expansion of the lineage

Guru-2 voice and song occupies the career-defining emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra

Guru-2 also represents the public profile of the second marriage. There is a significant difference between the conflicted private emotional profile for the second marriage as indicated by 2nd-from-Chandra = bhava-6 versus the expansive and gloriously voiced public profile bhava-2 Guru-Karkata * uttama

Guru rules bhava-7 matching the Dhanuzya-Chandra of June Carter Cash

romantic, highly publicized second marriage * Guru-uttama-2


Zukra * svadhu-karaka * kalatra-karaka

atmakaraka

Malavaya Yoga

  • Zukra-Meena * uttama * appreciation of music-arts, pleasures of imagination, enjoys symbolic clairsentience, dreamlike arrangements
  • Zukra-10 * pleasure of regulation, enjoys lawful, socially iconic, feminine-figures harmonious ability to govern and direct * pleasing designs to adorn the upper legs, knees, calves, for overall skeleton * financially visible equity, appreciation of order, legislates justice
  • Zukra-yuti-Rahu * sweetened adventure, gracious ambition, appreciation for exciting opportunism, masked negotiations, over-reaching agreements, exceptional beauty, enjoys cultural mixing * arrangements support diplomatic equity balanced with exhilarating risk

Sweets-seeking Shukra in the emotionally conflicted and self-medicating 6th-from-Chandra suggests behavioral addictions or substance addictions (typically alcohol, but other conflict-numbing sweetening practices also)

public (10) struggle with intoxicants = Zukra-yuti-Rahu occupies the self-medicating 6th-from-Chandra


Shani * duro-karaka * jara-karaka

  • Shani-Makara-Draco * heavy old institutions, obliged to conform to the time-clock * rigidly ranked hierarchies, strict governance regimes, pressure to complete socially required duties, vital energy compression stress zone = knees-calves-skeleton, strictly imposed hierarchies, rigidly unyielding public policies* must materialize time-ordered social approval * punitive judgments of elder regulators * must endure lowest-common-denominator proletarian structures * must continue to govern the public despite scarce available resources
  • Shani in Bhava-8 * Structured, orderly, time-conscious transformations. One must slowly, inexorably change the old order. One must regenerate while always maintaining the system; cautious, conventional discoveries; tense renewals, fear of emergencies, chronic trauma patterns; hidden features of sexual-reproduction; heavy legacy pressure against free discovery of mysteries. Resistance to new identity. Disaster fatigue; martial law. Resentment toward changes in partner's behavior. Extra responsibility for the impecunious family of the lifepartner. In-laws contribute little. Support for socially-approved, rigidly dutiful roles as surgeon, tantriki, concealer, mask-maker, emergency regulator.

Shani in the defensive, culturally-rooted, routine-loving, patriotic, nationalistic, comfort-seeking, home-loving, foundational, property-owning 4th-from-Chandra indicates material scarcity conditions in the childhood home, but this placement also grants stability and a regulated environment in the foundational years of life

Dharmesha-9 = Shani in bhava-8 * it is a life-extension feature for the native, but one may rarely if ever connect meaningfully with the father.


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Meena * shimmering illusion of immersion * craving for symbolic guidance * mirage of imaginative wisdom * mesmerizing aura of concealing fog * mask of dreamlike Other Worlds * fascinating prayers *extraordinary ancestor guides * fabulous clairsentience * intriguing sleep-states * seeks special importance via apparent (but perhaps not authentic) attributes of deep trance, private intuition, interior guidance, contemplative-roles
  • Rahu in bhava-10 * passion for leadership power * in swabhava of Sober Shani, the Shadowy Specter seeks privilege via glamorous or unusual iconic, symbolic, representational, government, executive authority, social status. Rahu-10 desires an important regulating role in materially privileged, socially visible ranks. Exciting, potentially fraudulent, opportunistic character of the leaders, bosses and government officials. Thrives in culturally-mixed legislative, executive settings. Rahu the Poseur may pose as a boss, an authority-figure, a decision-maker, a legislator, a tyrant. Rahu-10 trespasses the cultural boundaries of governance authority, social dignity. Thrilling hunger for high-recognition, empowered reputation, respect. Ambition of the father's family
  • Zukra-yuti-Rahu * amplified attractions, magnified beauty. exotic art-music, tricky partners, opportunistic feminine-figures, fascinating (but perhaps illusory) appearance of luxuriously lovely pleasures, hypnotic arrangements, gracious balance of cross-cultural mixing

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Kanya * dissociates from accusatory complaints, incomplete service, empty disagreements, dissolute arguments, not limited by stigmatized status, ignores restriction on imbalance
  • Ketu in classroom-4 * ambivalent toward the homestead, absentee mother-figure, disregards local customs, dissolved property boundaries, wanders from home, irrelevance of the established folkways. One abandons the nationality, dismisses the parents, walks away from the ancestral routines.

Ketu occupies the dreamlike 12th-from-Chandra

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Singer, songwriter, musician * 1929-2003 * Valiria June Carter Cash

data from http://en.wikipedia.org/wiki/June_Carter_Cash * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

June Carter Cash


Rising Nakshatra

Feminine Nativity

Purvaphalguni * Yoni


BPL commentary

For Purvaphalguni * Yoni * births of a feminine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.

Feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatre of creative life.


Diplomatic charm

Zukra-ruled Purvaphalguni ladies are often the diva type. Yoni-born are found in the sparkling bright worlds of political diplomacy, romance, entertainment, speculative finance, performance arts, and fashion design. Women born into a nakshatra of Zukra are often blessed by a special aptitude for music, beauty, treasuries, ornaments, design arts, and financial affairs.

Yoni-born are happiest when playing musical instruments, dancing on the theatrical stage, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and radiate at parties, creative events, political campaigns, and games..

Depending upon the placements of dhanakaraka Zukra and dhanapathi Budha, the Purvarjuni-born may also display financial intelligence, bargaining ability, and glamour in romantic relationships.

Like all Zukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political and creative success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Zukra and Budha.

Themes of theatrical celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95

"... an oval face, whose features are well proportioned

  • and a quiet, well modulated voice, soft and cultured.
She is modest and unassuming
  • but has a strong and fine character beneath her quiet demeanor.

Very hospitable and sociable, she likes to meet people

  • and is interested in what they have to say and in their troubles.

She likes to sew or embroider

  • and is often occupied with such tasks.

She also is keenly interested in occult subjects

  • And likes to listen to discussions on these matters and to read about them.

She is scrupulous in her obligations

  • and a favor done to her will always be repaid promptly with something else added."


CashJuneCarter_foto1.jpg

Biographical details matched to the Vimshottari Dasha calendar

Valiria June Carter-Cash


Zukra Mahadasha * age birth until age 26

23-Jun-1929 Earth-birth in Maces Spring, Virginia, USA * Zukra-Budha bhukti


Surya Mahadasha * age 2.6 until age 9.6


Chandra Mahadasha * age 9.6 until age 19.6


Mangala Mahadasha * age 19.6 until age 26.6

09-July-1952 exchange of vows in marriage-1 (age 23) * Mangala-Budha bhukti * samchara Rahu-Ketu via Kumbha-Simha contact radical Simha lagna


Rahu Mahadasha * age 26.6 until age 43.6

25-Sept-1955 celebrated the birth of child-1 * Rahu-Rahu swabhukti

11-Nov-1957 exchange of vows in marriage-2 (age 27) * Rahu-Guru bhukti * Guru rules navamsha-7 * samchara Rahu-Ketu via Thula-Meza contact radical R-K

01-Mar-1969 exchange of vows in marriage-3 (age 39) to Ring of Fire 1932-2003 rockabilly Johnny Cash * Rahu-Zukra bhukti * samchara Rahu-Ketu via Meena-Kanya contact swamsha


Guru Mahadasha * age 43.6 until age 59.6

22-Jan-1975 decease of father Ezra Carter (June's age 46) * Guru-Guru swabhukti * Guru rules 7th-from-Surya

23-Oct-1978 decease of her famed musician mother Maybelle Carter (June's age 49) * Guru-Budha bhukti * Budha rules 7th-from-Chandra


Shani mahadasha * age 59.6 until decease age 73

15-May-2003 (age 73) Lightbody Lift-off * Shani-Rahu bhukti

Distinctive Features of the Nativity

Surya * pitrikaraka

lagnesha

  • Surya-Mithunaya * Mithra * neighbor, companion
  • Surya in bhava-11 * center of community, brightly earning, intelligence for networks, focus on economy, revenue entitlements, distributed light, eye on friendships

Chandra * matrikaraka

Atmakaraka

  • Chandra-Dhanuzya * comforted by rhythmic catechesis of belief
  • Chandra in Purva-azadha * comforted by valued beliefs * protectors of inspirational music, philosophical harmony, expansively beautiful design
  • Chandra in classroom-5 * comfort in politics, familiar with gambling and games, charm, children, soothed by celebrity, needs to feel the repeating pulse of confident self-expression, emotionally attuned to uniqueness, settled into the rhythm of romance, routine intelligence, artistic performance; undulating creativity
  • Somana-yuti-Shani * nishturabashi yoga * Emotionally constricted, sensitive to seniority figures, soothed by structure, sheltered by hierarchies, needs austerity, feels like a regulator

MOTHER

Mom was Maybelle Carter, a nationally famous Old Time musician and singer in the Scotch-Irish immigrant heritage. She was an icon of religious sentiment and deeply cherished doctrinal belief (Dhanuzya-Chandra) but also a taskmaster. The famed Carter Family was constantly traveling in musical performance entourage (Chandra 3rd-from-3rd), singing the Old Familiar songs (Chandra).

MARRIAGE emotional support partnership

June Carter Cash was married three times and had one child with each husband. All of her children enjoyed careers in country music, and all of her children developed fatal or near-fatal drug-abuse habits.

Rulers of 6 (Shani) and 12 (Chandra) join in a nishturabhashi yoga within putrabhava-5

Sense of Belonging = Chandra

born into a faith community of rural American "Old Time Believers" the famous ballad singer Ms. Carter-Cash expressed an attitude of inseparable, organic, single-pulse perception of Presbyterian sacred doctrine, transplanted Scotch-Irish folk folkways, ancient customs, and established cultural norms, deep-rooted agricultural lifestyle, and the seasonal rhythms of the Appalachian Mountains. Her Somana-yuti-Shani-Mula-5 exemplifies the emotional response of emotional resistance patterns (Chandra-Shani) that fluctuate but do not change.


Kuja * bhratru-karaka * virya-karaka yogakaraka

Yogakaraka Mangala-1 rules 4-foundations, cultural rhythms, ethnic basis ++ 9-doctrine, philosophy, beliefs

  • Mangala-Singha* vigorous pursuit of fame, creative political action * proactive drama * push toward celebrity entitlement * champion of pageantry, military parades, brilliant celebrations, flamboyant games, romance, and gambling
  • Mangala in bhava-1 * drive toward embodied performance vitality, pursuit of competition, direct physical action, thrusting vigor, dominating personality, can dig , drill, dive, excavate, plumb, explode, explore (both physically and psychologically) dynamic innovator, lively push toward fast driving and speedy transport, energized muscular conquests, athletic body

Dharmesha Mangala-Simha-1 is a vigorous champion of her Faith. June Carter Cash was theatrically and politically identified with her sacred doctrine and her glory was much amplified by the drishti of Rahu-Meza coming from dharmasthana-9.

Mangala-1 generates a significant kuja dosha in bhava-7, contributing to three marriages.


Budha * bandhava-karaka * zisya-karaka

  • Budha-Vrishabha * financial communications, articulation of tonal, stored, collected assets, vigorous descriptive evaluations, historic messages about worth and value * signaling harmonious sound frequencies, gathering gestures
  • Budha in bhava-10 narrative of leadership, responsibility, maintenance of the social order * explainer of governance, describer of decision-making, delivers instructions about the lawful procedures, talks about social authority, hierarchy, promotion, rank, class, status, respect, dignity, position
  • Budha-yuti-Guru * explainer of doctrinal belief * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction * articulation of charitable generosity, message of optimism and expansion, talkative teacher

Kutumbha-pathi Budha occupies bhava-10 with Guru-Vrizabha. June Carter came from a large and vociferous family. The sacred doctrine of their faith community formed the core of their family tradition.

Her family of singers performed a repertory of the hymns and devotional music expressing the traditional (Vrizabha) rural folk Christian values. The Carter Family were well known (10).

Budha ruling 2-11 is typically a moneymaker for the Simha nativity. Although there were few windfalls and graha in any artha-sthana indicate that one will need to work for the gain, her economic income was substantial due to ruler of 2-11 * Budha-yuti-Guru located in karmasthana-10.


Guru * dhavakaraka * bahuta-karaka

  • Guru-Vrizabha * much treasury, many voices, many collections, believes in history, doctrine of values containment, financial guidance, expands the scope of voice-speech-song, multiple treasuries
  • Guru in bhava-10 * many public roles, multiple diverse leadership duties, numerous recognized teachings, much respect, broad social visibility, extensive reputation, numerous obligations to maintain the social order, often a professor, preacher, philosopher, proselyte, presbyter, bishop, or priest
  • Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures, abundant conversational messaging, believes in detailed communications, many announcements, wide scope of evangelism, much humanistic philosophy, broad viewpoint in discussions

Guru rules 5 occupies-10 showing her career in the entertainment industry with a religious quality of singing


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Meza * appreciation of competitive movement, likes innovation, attracted to champions, pleasures of conquest, athletic sensuality, enjoys direct action, aristocratic arrangements
  • Zukra-9 * pleasure of philosophical doctrine, enjoys paradigmatic beliefs, feminine-figures preach-teach on principles, global equity, appreciation of theory, philosophy of justice
  • Zukra-yuti-Rahu * sweetened adventure, gracious ambition, appreciation for exciting opportunism, masked negotiations, over-reaching agreements, exceptional beauty, enjoys cultural mixing * arrangements support diplomatic equity balanced with exhilarating risk

Zukra-yuti-Rahu * over-reaching Rahu affects relationships, drugs-sweets-alcohol, speech, song, voice, face

Zukra occupies 5th-from-Chandra entertainment, celebrity, drama


Shani * duro-karaka * jara-karaka

  • Shani-Dhanuzya * heavy old doctrines, obliged to conform to the common ideology, rigid theories, unyielding dogma, pressure to accept the common catechesis, weight of old patronage, vital energy compression stress zone = hips, sacroiliac, sacral plexus * weight of doctrinal authority * must materialize principled worldviews* strictly imposed rules for enforced systems of belief, rigid outlook on life * slow elder professors * proletarian preachings * must continue to teach-and-preach despite scarce available resources
  • Shani in Bhava-5 * Structured, orderly, time-conscious children. One must create drama with scarce confidence; cautious of politics, conventional intelligence; heavy weight of children; resistance to genius, tense performance, creative fatigue, chronic pressure on the heart + spine ; heavy resistance to individual authenticity. Resistance to new fashions and romance. Resentment toward changes in games and amusements. Support for socially-approved, rigidly dutiful roles as gambling regulator, scholar, constrained speculator, royally, celebrity figure.
  • hani-yuti-Chandra * nishturabhashi yoga * resistance against protection, pragmatic routines, materialistic mother, limited comfort, emotional discipline. constrained flow, regulated feelings

Shani-yuti-Chandra putrasthana

June Carter Cash was married three times and had one child with each husband. All of her children enjoyed careers in country music, and all of her children developed fatal or near-fatal drug habits.

From Chandra-Dhanuzya lagna, sober serious structured hierarchical Shani rules

  1. the emotionally-motivated traditionalism, family lineage conserving, treasure-preserving, language-and-history remembering, acquisitive, genetic conservation of 2nd-from-Chandra
  2. the emotionally talkative, information-delivering, evangelical, publishing, announcing, script-reading, reporting, conversational, process-managing communications of 3rd-from-Chandra

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Meza-Arya * shimmering illusion of first-arrival * craving for superiority * exotic use of dominating force * mask of competitive action * mirage of innovative pioneering * over-reaching urgency * extraordinary muscularity * mesmerizing forward movement * unusual athleticism * fascinating conquests * marvelous warriorship * seeks special importance via apparent (but perhaps not authentic) attributes of heroic action; winning of contests, natural chief * seeks privilege via champion-roles
  • Rahu in bhava-9 * passion for philosophy, preaching * in swabhava of Saptarishi Guru, the Shadowy Specter seeks privilege via glamorous or unusual doctrine, theory, dharma, worldview. Rahu-9 desires a thrilling, important guidance role in catechesis, principled discourses of abstract ideas, ideology, philosophy, indoctrination. Extraordinary father-figure, ambitious professors and holy teachers. Thrives in culturally-mixed preaching environments, university, temple, sangha, congregation. Surreptitious attempt to appear as a global, humanistic, ideologically-framed agent of understanding. Rahu the Poseur may pose as a charitable philanthropist, a wisdom-purveyor, a proselyte of principled understanding, a guru-figure, a philosopher, or a globalist humanitarian. Rahu-9 trespasses the cultural boundaries of patronage, fatherhood, paradigm of belief. Exciting, opportunistic third marriage (if any).
  • Rahu-yuti-Zukra * amplified attractions, magnified beauty. exotic art-music, tricky partners, opportunistic feminine-figures, fascinating (but perhaps illusory) appearance of luxuriously lovely pleasures, hypnotic arrangements, gracious balance of cross-cultural mixing

Risk-rewarding Rahu occupies 5th-from-Chandra entertainment, celebrity, drama


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Thula * dissociates from bargaining, incomplete alliance, empty trades, surrendered trust, dispersed negotiations, ignores restriction on deal-making, applies balanced equity to the misty abyss
  • Ketu in classroom-3 * absentee sibling, off-topic communications, disinterested in daily discourse, dissolved messaging boundaries, disregards conventional discussions, eccentric or esoteric modes of writing, irrelevance of the mental narrative. One abandons the management tasks, dismisses the standard explanations, walks away from the usual descriptions.
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