born four months after
celebrated dramatist of cinema + stage
famed for artistically disciplined performances
remarkably long-lasting, high-recognition theatrical career
admired for language and communicative skill
a.k.a. Mary Louise Streep
dramatist of stage and screen * 1949- * Mary Louise "Meryl" Streep
birth data from http://en.wikipedia.org/wiki/Meryl_Streep * tentatively rectified by BP Lama
charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama
born on Ekadashi Krishna Paksha
Pushya * Sidhya
For Pushya nativities, the influence of rigid, chronological, lawful, enduring strictly structural sober serious systematic Shani can considerably affect the outcome.
Elder persons, old rules, rigid structures, age and time, resistance to change, status hierarchies, social class barriers, large organizations, public opinion, bureaucracies, regulatory requirements, legal systems, and corporate or institutional officials may be especially influential.
Guided by instructors from the civilizations of Asellus
All four pada of Tisya occur within Chandra-ruled Karkata rashi. Births into pada 1-2-3-4 uniformly express the the tension between emotionally protective soothing Somana versus lawfully ordering Shani.
Both deeply caring and socially regulatory, Pushyami ladies are often found at the director level of hierarchical organizations that are dedicated to family, parent, and citizen welfare.
Deeply patriotic and protectionist by nature, they have a gift for combining a secure family life with larger social responsibilities. Pushya feminine figures are influential in the material world, respected for their orderly yet sensitive conduct, and particularly dedicated to the safety of women and children.
Themes of parental duty, civic responsibility, dignity of the family, respect for cultural customs, and foundational legal protections may contextualize Pushya's terrestrial experience. Applies also to Chandra in Pushyami.
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 93
"Distinctly the club-woman type is found here.
She is well-read, cultured and active in all community and social affairs.
In her home she entertains and is fond of indoor games, bridge parties and social gatherings
and she will spend much of it on church and club activities
If she cares to adopt some public career,
Biographical data matched to Vimshottari Dasha timeline
Zukra Mahadasha * age birth until age 7.7
22-Jun-1949 Earth-birth * Zukra-Guru bhukti
Surya Mahadasha * age 7.7 until age 13.7
Chandra Mahadasha * age 13.7 until age 27.9
Janma Sade-Sati Meza Jun-1968 until May-1971
1975 earned master's diploma in drama at Yale University * Chandra-Zukra bhukti *Zukra rules 7 = 4th-from-4th
Mangala Mahadasha * age 27.9 until age 34.9
Mar-1978 tragic end to first afiancement (lung-cancer death of fiancé) * Mangala-Rahu bhukti * R-K samchara Kanya-Meena contact R-K axis in D-1 + D-9
30-Sep-1978 Marriage to sculptor Gumm (her age 29) * Mangala-Rahu bhukti * R-K samchara Kanya-Meena contact R-K axis
13-Nov-1979 child-1 (her age 30) * Mangala-Shani bhukti * Shani 5 * mutual drishti Mangala-Shani
1979 wins Oscar Award for her performance in the film Kramer vs. Kramer * Mangala-Guru bhukti * Guru rules 9-fortune, celebrity prizes
Rahu Mahadasha * age 34.9 until age 52.9
Janma Sade-Sati Meza Apr-1998 until Jun-2000
Guru Mahadasha * age 52.9 until age 68.9
22-July-2003 grieved decease of father (Meryl age 54) * Guru-Guru swabhukti * Guru rules pitrimaraka 7th-from-Surya
Shani Mahadasha * age 68.9 until age 97.9
| Salient features of the nativity |
Meryl Streep in 1979 (age 30)
Meryl Streep in 2015 (age 66)
Dad was a pharmaceutical salesman Surya in bhava-3 sales. Her Surya-Mithunaya indicates father's involvement with marketing, advertising, sales, writing or handcraft. Her Surya-yuti-Zukra suggests his management and financial ability, and commercial involvement with drugs (Zukra).
Chandra = home, parenting, vehicles, gardening
Zukra-ruled Chandra-Bharani * Yama tends to produce singers, experts of face-and-eyes, treasurers, financiers and preservers of worth. They are able to remember, store and produce goods of historical value, including stories and songs. They have earned a reputation for carrying heavy payloads and working to death.
Emotionally, Bharani-Chandra seeks its comfort by carrying a significant workload.
Chandra in classroom-1 suggesting a parental identity. . "I try to live as normal a life as possible. You don't get spoiled if you do your own ironing." ~~ M. Streep
Mom was a dedicated at-home parent. Chandra-1 bandesha.
MARRIAGE emotional support expectations in partnership
Sophie's Choice 1949- drama Meryl Streep = a highly visible public figure with a nearly invisible spouse enduring a 40+ year marriage. The spouse is primarily an agent of nurturing support, rather than a competitor.
Mangala-2 rules 1-identity+ 8-identity transformation. Kuja-yuti-Budha adds mental agility .
Mangala rules Karakamsha bhava-2 Vrishabha = face-voice-speech
mutual drishti Mangala-Shani
Vimala yoga * Budha rules-12 occupies-8
super-powered transformative Budha
Budha-2 language, speech, song parivartamsha Zukra-3 scripts. instructions, narrative, cinema, communications transactions, commerce, directions
Ms. Streep's dramatic performances are famed for their linguistic accomplishment. Her mimicking ability is much admired. She reports that her skill arises from her attention to listen (Zukra-3 ears_ carefully and then acquire pronunciation and vocabulary of personalities, accents, intonations, prosodies, and the phonological features of foreign languages. Perhaps the best-known and lauded example of this specific talent is her Polish and German language performance in Sophie's Choice.
Ms. Streep was an ascending young dramatist, engaged to marry her great love, a dramatist fourteen years her elder. He was stricken by lung cancer. During Mangala-Rahu bhukti, he died in her care. Guru-nichha failed material expectations.
Half a year after her fiancé's Lightbody Lift-off, still during the same Kuja-Rahuu bhukti in 1978, to the surprise of her friends and family, she met and quickly married a previously unknown man.
Rahu had gained great strength during this Rahu bhukti. At the time of her marriage her R-K samchara had entered Kanya-Meena. This sudden, unanticipated union with her sculptor mate (Zukra-3 rules 7) has produced four children and endured for more than 40 years.
Zukra = harmony, beauty, alliances, balance, grace, sense-pleasure, art, food
Shani * duro-karaka * jara-karaka
Shani in the dramatic, creative 5th-from-Chandra Rigorous training in performing arts. Perfectionism in performance.
Shani in Bhava-5 durokaraka drishti to 7-10-1
mutual drishti Mangala-Shani
Shani-5 mutual-drishti with Mangala-2. Imposes frustrations and brings patient discipline to the voice (2) genetic line (2) and financial treasuries (2).
Shani in Bhava-5 drama (5). noted for professional dramatic perfectionism = diligence in theatrical performance
A known perfectionist who can exhaust herself (Shani) physically and psychically with in preparation for a theatrical role (Simha). E.g., she famously learned to play the violin, by practicing 6 hours a day for 8 weeks, for her role in Music of the Heart (1999).
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
Ketu * kavandha-karaka * chidra-karaka
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