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Drama and Song

Commerce and Material Economy


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born six months before

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dramatic actress + cinema producter

fashion model

philanthropist

Julia Roberts

a.k.a. Julia Fionna Roberts

Earthbody-Entry Sat-28-Oct-1967


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Cinema drama fashion commerce * 1967- * Julia Fionna Roberts

birth data from http://en.wikipedia.org/wiki/Julia_Roberts * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

born on Dashami Krishna Paksha

Rising Nakshatra

Feminine Nativities

Chitra-Tvastri * Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana


BPL commentary:

For Chitra-Tvastri gentlewomen, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala considerably affects the outcome.

Brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.


Kuja-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani typically excel in competitive, vitality-focused fields such as fashion modeling, cinematic acting, musical performance, dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be challenging.

Thula Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Zukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Zukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement, actively moving beauty, dynamic design, and financial equity may contextualize Chaitra's's terrestrial experience. Applies also to Chandra in Chitra

QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.


"An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising.

Biographical Details matched to Vimshottari Dasha periods


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Julia Roberts with husband and children in 2014

Ketu Mahadasha * age birth until age 4.1

28-Oct-1967 Earth-birth * Ketu-Rahu period


Zukra Mahadasha * age 4.1 until age 24.1

1972 parents divorce * Zukra-Zukra swabhukti * Zukra rules 8th-from-4th transformation of home-parents

Mar-1977 decease of father * Zukra-Chandra period * Chandra rules 2nd-from-9th

1988 (age 20) first celebrated performance in the film Mystic Pizza * Zukra-Budha period * Budha rules -9 celebrity, fortune

1990 prize-winning role in the film Pretty Woman * * Zukra-Budha period * Budha rules -9 celebrity, fortune

11-June-1991 celebrated break-up with affianced actor only three days before the wedding * Zukra-Ketu chidradasha


Surya Mahadasha * age 24.1 until age 30.1

25-Jun-1993 Marriage-1 to the musician Mr. Lyle Lovett * Surya-Rahu period * samchara Rahu-Ketu via Vrischika-Vrishabha contact navamsha R-K

Mar-1995 separation from marriage-1 * Surya-Shani period * Shani rules 6th-from-Chandra


Chandra Mahadasha * age 30.1 until 40.1

2000 earns Academy Award for acclaimed performance in the film Erin Brockovich * Chandra-Rahu period

04-July-2002 wedding-2 with cinematic cameraman Danny Moder. * Chandra-Shani period * samchara Rahu-Ketu via Vrischika-Vrishabha contact navamsha R-K

2003 Roberts earns USD-25 million for her cinematic role * Chandra-Budha period * Budha rules 9-fortune ++ Budha-yuti-Surya vriddhipathi

28-Nov-2004 Birth of twins within second marriage * Chandra-Budha period * Budha rules 9-children

2010 (age 42) signs fashion-modeling contract for GBP_32 million with the fashion corporation Lancome * Mangala-Shani period * Shani yogakaraka


Mangala Mahadasha * age 40.1 until age 47.1

09-Feb-2014 suicide of younger step-sister * Mangala-Surya period * nichha-Surya gives effect of Ketu


Rahu Mahadasha * age 47.1 until 65.1

19-Feb-2015 grieved the decease of mother (lung cancer) * Rahu-Rahu swabhukti


Guru Mahadasha * age 65.1 until 81.1


Shani Mahadasha * age 81.1 until 100.1


Budha Mahadasha * age 94.2 until age 112.2

Distinctive Features of the Nativity


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Surya * pitrikaraka * jyotikaraka

  • Surya-Vanika * nichha * Hiranya-garbha * golden fetus
  • Surya in bhava-1 * center of identity, brightly embodied vitality, intelligence for competition, focus on appearance, championship entitlements, eye on personality
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss, radiantly descriptive
  • Surya-yuti-Ketu * confidently detached, bright observer, entitled to surrender, radiantly unconcerned
  • Zukra-11 parivartamsha Surya-1

Sparkling Surya occupies the communicative 3rd-from-Chandra

Surya-1 mutual drishti with Rahu-7

Ms. Roberts' remarkable smile (Zukra + Chandra + Guru-Simha) and all of her animated and brightly golden toned facial characteristics (Simha-Chandra) contribute much to her professional success.

Dhanayoga

Surya-1 rules-11 gains, revenues parivartamsha Zukra-11 lagnesha finance, beauty

Career

Surya-1 rules 10th-navamsha entertainment

Ms. Robert's father was a partner (Thula) in her mother's drama-school for children. He left his terrestrial body due to throat cancer when she was 9 years old (Rahu opposition). Surya-yuti-Ketu would suggest some fragmentation of the father's personality. Surya-yuti-Budha would suggest that despite mental irregularities, the father would have been articulate in the use of language for purpose of instruction and explanation.

STEP-FATHER

The stepfather is accounted by Ms. Roberts to have been an abusive personality. 8th-from-Surya representing stepfather = bhava-8 which is hidden, non-transparent, and unaccountable.


Chandra * matrikaraka * garha-karaka

  • Chandra-Simha * comforted by rhythmic creative display
  • Chandra in Magha * comforted by dramatic, wandering observance * protectors of three-fires ceremony, glorious visions, unlimited magic
  • Chandra in classroom-11 * comfort in networks, familiar with connection, routine webworks, community, soothed by social linkage; undulating friendships
  • Somana-yuti-Guru * Emotionally effusive, needs to expand, sensitive to guidance figures, feels like a teacher-preacher
  • Somana-yuti-Zukra * Emotionally indulgent, sensitive to sisterly figures, needs pleasuring, feels like a partner

Plethora of faith doctrines = Chandra-yuti-Guru + Chandra-yuti-Zukra.

Three marriages are predicted due to dhava-karaka Guru-yuti-Zukra-yuti-Chandra. The third lifepartnership is represented by bhava-7 (8th-from-8th-from-11) containing opportunistic, innovative, exotic Rahu-Mesha.

10th navamsha Simha entertainment, drama, celebrity

7th navamsha containing uttama-Chandra-yuti-uttama-Rahu. This remarkable 7th-navamsha configuration far out-powers the significations of the radical kundali, suggesting an extremely successful career in Vrishabha-related fields = beauty wealth face-mouth-eyes-hair-voice-teeth, also sweet foods, scents, and textiles are potentially supported.

Julia Roberts has been one of the financial wealthiest women in USA, beginning in mid-2000's. During Mangala-Rahu period, her personal net worth was estimated at 150-million-USD. During Rahu-Rahu swabhukti, estimated at 300-million-USD

Chandra-yuti-Guru suggests several different mother-figures, and potential for a spiritual teacher using a female body

Amplifying, opportunity-energizing Rahu-Meza-7 contracts drishti penetrates Mnngala-3 + Surya-Budha-Ketu-1 + Chandra-Guru-Zukra-11 earnings


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Dhanuzya * Mula * vigorous pursuit of humanistic worldview* push toward doctrinal expansion, proactive teaching-preaching, philosophical globalism
  • Mangala in bhava-3 * drive toward commerce, pursuit of messaging, active touring, invasive management, energized, aggressive sibling-figures, , teamwork dynamics, administrative conquests

Another of several dhanayoga in this nativity =

  • Kuja rules 2 + 6 ++ Kuja occupies 2nd-from-2nd ++ Kuja occupies 11th-from-5th

Mangala-3 = mutual drishti with Shani-6 * often at loggerheads with oneself

Rahu's ruler Mangala-Mula-3 accepts drishti from Rahu-7 * suggesting an expedient and unusual first marriage


Budha * bandhava-karaka * zisya-karaka

  • Budha-Thula * articulation of contracts, equable arrangements, balanced designs, agreeable pronouncements, messages about negotiation and parity
  • Budha in bhava-1 * digbala * narrative of appearance, describer of embodiment, explainer of tangible self, delivers instructions for physical identity
  • Budha-yuti-Surya * articulation of radiant confidence, message of willpower and charisma, talkative father
  • Budha-yuti-Ketu * articulation of surrender and abandonment, message of the observing Witness, talkative spirits

Bantering Budha occupies the emotionally motivated communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

Budha-1 mutual drishti with Rahu-7


Guru * dhavakaraka * bahuta-karaka

  • Guru-Simha * many lights, many displays, much drama, entitled beliefs, doctrine of entitlement
  • Guru in bhava-11 * many friends, much networking, much achievement, numerous revenues, many goals
  • Guru-yuti-Chandra matri-karaka * multiple mother-figures, much expansion of folkways, much humanistic cultural philosophy
  • Guru-yuti-Zukra sodarya-karaka * multiple sisterly-figures, abundant pleasures and treasures, much humanistic financial-diplomatic philosophy

Zukra * svadhu-karaka * kalatra-karaka

Atmakaraka ++ lagnesha

  • Zukra-Singha * appreciation of royal confidence, pleasures of radiant central roles, enjoys intellectual display, brightly theatrical arrangements
  • Zukra -11 * pleasure of community linkage, enjoys network equity, feminine-figures inter-knit community, appreciation of friendships
  • Zukra-yuti-Chandra * sweetened security, gracious caretaking, appreciation for nourishing protection, emotionalized negotiations
  • Guru-yuti-Zukra * sweetened expansions, gracious diversity, appreciation for philosophical doctrine, numerous negotiations
  • Zukra-11 parivartamsha Surya-1

Shani occupies the change-resisting, reluctantly transformative 8th-from-Chandra


Shani * duro-karaka * jara-karaka

  • Shani-Meena * old dreams, pressured prayer, pressured feet, imposed sanctuary, proletarian sleep, ancient ancestor guides, must imagine guidance with scarce resources
  • Shani in Bhava-6 * must serve the problematic * advantageous placement for outlasting one's enemies; military siege; tense digestion, cautious, conventional crimes; chronic conditions of criticism and guilt; chronic illness-injury syndromes; physicians resist innovation * heavy pressure against disease conditions (beneficial placement)

Shani occupies the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra

Mangala-3 in mutual drishti with Shani-6


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Meza-Arya *craving for dominant force, mask of competitive, pioneering, urgent push forward; fascinated by conquest * seeks special importance via heroic action; via apparent (but perhaps not authentic) superiority, muscularity, movement, athleticism, championship
  • Rahu in bhava-7 * in swabhava of Suave Zukra, the Shadowy Specter seeks privilege via glamorous or unusual arrangements, amplified alliances, marriages, vows, agreements; desires a special, important, brokerage role in non-standard negotiations, deal-making, match-making, contracts, and trusts. Exciting, opportunistic, ambitious partners (personal and professional). Rahu the Poseur may pose as the Perfect Partner, a middleman, a bargainer, a diplomat, an arranger, an agreeable advocate. Powerful placement for career position via instrumental alliances.

Risk-rewarding Rahu resides in 9th-from-Chandra = guided risks

Rahu drishti to 11-friends + 1-body + 3-cinema

Rahu-7 is partnership-opportunist. Risk-rewarding Rahu also occupies the doctrinally oriented 9th-from-Chandra. This Rahu also represents the maternal grandfather.

11th-from-Chandra = Mithunaya bhava-9 = her elder brother Eric Roberts, also a noted dramatist (9)

Amplifying, opportunity-energizing Rahu-Meza-7 drishti penetrates Mnngala-3 + Surya-Budha-Ketu-1 + Chandra-Guru-Zukra-11

Rahu in bhava-7 represents her elder brother Eric Roberts, born 1956 = 11th-from-11th-from-Chandra.

11 years her senior, Eric Roberts was a recognized cinema actor in his 30's, when his younger sister Julia entered professional drama her age 19-20. His industry connections and relationships (Rahu-7) were instrumental (Rahu instrumental) in creating key opportunities (Rahu opportunity) for Julia to audition.


Ketu * kavandha-karaka * chidra-karaka * vasana-karaka (vacuum)

  • Ketu-Thula * dissociates from bargaining, incomplete alliance, empty trades, surrendered trust, dispersed negotiations, ignores restriction on deal-making
  • Ketu in classroom-1 * wanders from the fleshly container, disperses coherently unique identity, ambivalent toward the power of muscular movement, absent from embodiment, other-defined chameleon, irrelevance of the personality
  • Surya-yuti-Ketu * surrendered centrality, empty genius, unsustainable confidence, disconnected father, apathetic intelligence, intellectual disengagement
  • Budha-yuti-Ketu * surrendered articulation, empty talk, unsustainable explanations, disconnected siblings, apathetic evangelism, misunderstanding

Ketu occupies the emotionally motivated communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

Younger sibling suicide = Dissociative Ketu-in the emotionally motivated communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

May all beings venerate life as a state of deep spiritual intimacy.

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