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Drama and Song

Commerce and Material Economy


  • dramatic actress

  • fashion model

  • philanthropist

  • mother

born two months before



Julia Roberts

a.k.a. Julia Fionna Roberts

Earthbody-Entry Sat-28-Oct-1967



Cinema drama fashion commerce * 1967- * Julia Fionna Roberts

birth data from * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

born on Dashami Krishna Paksha

Rising Nakshatra

Feminine Nativities

Arudra * Trinetra

  • QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra, p 93.

BPL commentary:

For Arudra natives, the disposition of mesmerizing, hypnotic, shadowy, privilege-seeking Professor Rahu considerably affects the outcome.

Exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, agents of passion and desire, self-proclaimers, self-promoters, charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential.

Guided by the instructional forces of Orion.

Arudra Feminine Nativities are often the 'diva' type: mentally focused and sensuously fascinating (Rahu) but demanding.

"A critical fault-finding disposition is apparently conferred ...

Her disagreeable disposition,

coupled with a sarcastic manner and speech,

  • makes it difficult for other people to tolerate her.

Although she is extremely clever in her conversation

and many people will be impressed by her speech,

  • while still disliking her.

She is extravagant to the point of wastefulness,

  • but on herself rather than on others,

  • although at times she will be grudgingly generous
  • to those with whom she comes in contact.

She has weak lungs and should be careful of colds and coughs,

  • as there is a tendency towards tuberculosis."

Biographical Details matched to Vimshottari Dasha periods


Zukra Mahadasha * age birth until age 18.2

28-Oct-1967 Earth-birth * Zukra-Zukra swabhukti

Mar-1977 decease of Father * Zukra-Guru period * Guru rules 2nd-from-9th

Janma Sade-Sati Simha Sep-1977 until Nov-1979

Surya Mahadasha * age 18.2 until age 24.2

Chandra Mahadasha * age 24.2 until 34.2

25-June-1993 Marriage-1 to the musician Mr. Lyle Lovett Chandra-Rahu period * * samchara Rahu-Ketu via Vrischika-Vrishabha contact navamsha R-K

Mangala Mahadasha * age 34.2 until age 41.2

04-July-2002 Marriage-2 to cinematic cameraman Danny Moder. * Mangala-Rahu period * samchara Rahu-Ketu via Vrischika-Vrishabha contact navamsha R-K

28-Nov-2004 Birth of twins within second marriage Mangala-Shani period * Shani rules 9-children

Janma Sade-Sati Simha Nov-2006 until Sep-2009

19-Feb-2015 decease of Mother * Rahu-Shani period * matrimaraka Shani rules7th-from-Chandra

Rahu Mahadasha * age 41.2 until 59.2

Guru Mahadasha * age 59.2 until 75.2

Shani Mahadasha * age 75.2 until 94.2

Budha Mahadasha * age 94.2 until age 112.2

Ketu Mahadasha *

Distinctive Features of the Nativity


Surya * pitrikaraka * jyotikaraka

Surya occupies the communicative 3rd-from-Chandra

Surya-5 mutual drishti with Rahu-11

Ms. Roberts' remarkable smile (Zukra + Chandra + Guru-Simha) and all of her animated and brightly golden toned facial characteristics (Simha-Chandra)contribute much to her professional success.


Ms. Robert's father was a partner in her mother's drama-school for children. He left his terrestrial body due to throat cancer when she was 9 years old (Rahu opposition). Surya-yuti-Ketu would suggest some fragmentation of the father's personality. Surya-yuti-Budha would suggest that despite mental irregularities, the father would have been articulate in the use of language for purpose of instruction and explanation.


The stepfather is accounted by Ms. Roberts to have been an abusive personality. 8th-from-Surya representing stepfather = bhava-12 which is invisible.

Chandra * matrikaraka * garha-karaka

  • Chandra in classroom-3 * comfort in cohort, communication, messaging, signals
  • Chandra-Simha * comforted by rhythmic creative display
  • Chandra in Purvaphalguni * comforted by sparkling luxury * protectors of musical entertainments, radiant style, brilliant beauty
  • Somana-yuti-Guru * Emotionally effusive, needs to expand, sensitive to guidance figures, feels like a teacher-preacher
  • Somana-yuti-Zukra * Emotionally indulgent, sensitive to sisterly figures, needs pleasuring, feels like a partner

Plethora of faith doctrines = Chandra-yuti-Guru + Chandra-yuti-Zukra. Three marriages are predicted due to Guru-yuti-Zukra-yuti-Chandra. The third lifepartnership is represented by bhava-11 (8th-from-8th-from-3) containing opportunistic, innovative, secretive Rahu-Mesha.

containing uttama-Chandra-yuti-uttama-Rahu. This remarkable navamsha configuration far out-powers the significations of the radical kundali, suggesting an extremely successful career in Vrishabha-related fields = beauty wealth face-mouth-eyes-hair-voice-teeth, also sweet foods, scents, and textiles are potentially supported.

10th navamsha Vrishabha treasuries wealth banking

Julia Roberts has been one of the financial wealthiest women in USA, beginning in mid-2000's. During Mangala-Rahu period, her personal net worth was estimated at 150-million-USD. During Rahu-Rahu swabhukti, estimated at 300-million-USD

Chandra-yuti-Guru suggests several different mother-figures, and potential for a spiritual teacher using a female body

Amplifying, opportunity-energizing Rahu-Meza-8 drishti penetrates Mnngala-4 + Surya-Budha-Ketu-2 + Chandra-Guru-Zukra-12

Kuja * bhratru-karaka * virya-karaka

  • Mangala in bhava-7 * drive toward bargaining, pursuit of agreement, invasive negotiation, energized contractual conquests
  • Mangala-Dhanuzya * vigorous pursuit of humanistic worldview; push toward globalism

Mangala-7 = mutual drishti with Shani-10

Rahu's ruler Mangala-Mula-7 accepts drishti from Rahu-11 * suggesting an expedient and unusual first marriage

Budha * bandhava-karaka * zisya-karaka


  • Budha-Thula * articulation of agreeable contracts, equable arrangements, balanced designs
  • Budha in bhava-5 * narrative of intelligence, entitlement, entertainment, children, drama, politics, creativity, fame
  • Budha-yuti-Surya * articulation of radiant confidence, message of willpower and charisma
  • Budha-yuti-Ketu * articulation of surrender and abandonment, message of the observing Witness

Budha occupies the emotionally motivated communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandrathe communicative 3rd-from-Chandra

Budha-5 mutual drishti with Rahu-11

Guru * dhavakaraka * bahuta-karaka

  • Guru-Simha * many lights, many displays, much drama, entitled beliefs, doctrine of entitlement
  • Guru in bhava-3 * many messages, much commerce, many sibling-cousins, much publication, many tours, many scripts, frequent business trips, many sales, numerous discussions, much cohort interaction
  • Guru-yuti-Chandra matri-karaka * multiple mother-figures, much expansion of folkways
  • Guru-yuti-Zukra sodarya-karaka * multiple sisterly-figures, abundant pleasures and treasures

Guru-3 rules 10th-navamsha humanistic expansion

Zukra * svadhu-karaka * kalatra-karaka


  • Zukra-Singha * appreciation of royal confidence, brightly theatrical aesthetic
  • Zukra-3 * pleasure of explanatory description, gracious messaging, enjoys commercial harmony
  • Zukra-yuti-Chandra * gracious sensitivity, soothing beauty, sweet emotional response, enjoys folkways
  • Zukra-yuti-Guru * gracious generosity, expanded beauty, sweetly inclusive doctrines of belief
  • Zukra-3 parivartamsha Surya-5

Shani * duro-karaka * jara-karaka

  • Shani-Meena * old dreams, pressured prayer, pressured feet, imposed sanctuary, must imagine guidance with scarce resources
  • Shani in Bhava-10 * must govern the old order; cautious, conventional leadership roles; chronic weighty social duties

Shani occupies the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra

Mangala-7 in mutual drishti with Shani-10

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Meza * mask of competitive, pioneering, urgent force
  • Rahu in bhava-11 * privilege via glamorous or unusual social goals and economic attainments; seeks a special, important, linkage role in social participation and profit networks. Opportunistic, ambitious friends.

Rahu-11 is a vigorous economic agent. Rahu also occupies the doctrinally oriented 9th-from-Chandra. This Rahu also represents the maternal grandfather.

11th-from-Chandra = Mithunaya lagna = her elder brother Eric Roberts, also a noted dramatist

Amplifying, opportunity-energizing Rahu-Meza-11 drishti penetrates Mnngala-7 + Surya-Budha-Ketu-5 + Chandra-Guru-Zukra-3

Ketu * kavandha-karaka * chidra-karaka * vasana-karaka (vacuum)

  • Ketu-Thula * incomplete alliance, empty trades, negotiations
  • Ketu in classroom-5 * absentee children, disregards political boundaries, dissolves the game, irrelevance of speculative intelligence
  • Surya-yuti-Ketu * surrendered centrality, empty genius, apathetic intelligence
  • Budha-yuti-Ketu * surrendered articulation, empty talk, apathetic evangelism

Ketu occupies the emotionally motivated communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

Younger sibling suicide = Ketu-in the emotionally motivated communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

May all beings venerate life as a state of deep spiritual intimacy.


Om_mani.jpgfile update: 14-Dec-2018

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