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Drama and Song


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former lifemate of


born 10 months after

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fashion model

television * cinema * theatre

commerce

Katie Holmes

a.k.a. Katie Noelle Holmes Cruise

Earthbody-Entry Monday-18-Dec-1978

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fashion model, drama-commerce * 1978- _____* Katie Holmes

birth information from http://en.wikipedia.org/wiki/Katie_holmes * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama


born on Panchami Krishna Paksha

Rising Nakshatra

Feminine Nativity

Purvaphalguni * Yoni


BPL commentary

For Purvaphalguni * Yoni * births of a feminine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.

Feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatre of creative life.


Diplomatic charm

Zukra-ruled Purvaphalguni ladies are often the diva type. Yoni-born are found in the sparkling bright worlds of political diplomacy, romance, entertainment, speculative finance, performance arts, and fashion design. Women born into a nakshatra of Zukra are often blessed by a special aptitude for music, beauty, treasuries, ornaments, design arts, and financial affairs.

Yoni-born are happiest when playing musical instruments, dancing on the theatrical stage, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and radiate at parties, creative events, political campaigns, and games..

Depending upon the placements of dhanakaraka Zukra and dhanapathi Budha, the Purvarjuni-born may also display financial intelligence, bargaining ability, and glamour in romantic relationships.

Like all Zukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political and creative success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Zukra and Budha.

Themes of theatrical celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95


"... an oval face, whose features are well proportioned

  • and a quiet, well modulated voice, soft and cultured.

She is modest and unassuming

  • but has a strong and fine character beneath her quiet demeanor.

Very hospitable and sociable, she likes to meet people

  • and is interested in what they have to say and in their troubles.

She likes to sew or embroider

  • and is often occupied with such tasks.

She also is keenly interested in occult subjects

  • And likes to listen to discussions on these matters and to read about them.

She is scrupulous in her obligations

  • and a favor done to her will always be repaid promptly with something else added."

Biographical events matched to the Vimshottari Dasha timeline


Budha Mahadasha * age birth until 7.2

18-Dec-1978 Earth-birth in Toledo, Ohio, USA * Budha-Rahu bhukti


Ketu Mahadasha * age 7.2 until 14.2


Zukra Mahadasha * age 14.2 until 34.2

19-April-2006 celebrated the birth of child-1 (Suri Cruise) * Zukra-Shani bhukti

18-Nov-2006 exchange of vows in marriage-1 to Top Gun 1962 cinema producer Tom Cruise * Zukra-Shani bhukti * Shani rules swamsha * gochara R-K via Kumbha-Simha contact radical lagna contact swamsha

20-Aug-2012 divorce-1 finalized * Zukra-Ketu chidra-dasha


Surya Mahadasha * age 34.2 until 40.2


Chandra Mahadasha * age 40.2 until 50.2


Mangala Mahadasha * age 50.2 until 57.2


Rahu Mahadasha * age 57.2 until 75.2

Distinctive features of the nativity


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Surya * pitrikaraka * Jyotikaraka

lagnesha

  • Surya-Dhanuzya* Aditya * the unsplit, undivided
  • Surya in bhava-5 * swabhava * center of sparkling romance, intelligence for speculation; brightly political, royal entitlements, focus on glamour, entertainment; eye on games * bright center of the creativity-drama
  • Surya-yuti-Kuja * confidently progressive, bright warrior, creatively intelligent brother-figures, entitled to conquer, radiantly pioneering

FATHER

Dad = a prominent Ohio divorce attorney.

Surya occupies 6th-from-Chandra = divor ce

MARRIAGE partnership support expectations

Typically the Simha native marries an elder spouse. Mr. Tom Cruise = 16 years her senior. Chandra-yuti-Guru would predict two marriages.


Chandra * matrikaraka * garha-karaka

  • Chandra-Karkata * comforted by rhythmic tidal maternal soothing
  • Chandra in Azlesa-Naga * comforted by restraining embrace * protector of defensive communications, familiar folk messages, emotional evangelism, signaling ethno-cultural boundaries
  • Chandra in classroom-12 ** narrative of body, bifurcated self-image, discusses physical appearance, describer of embodiment, explainer of tangible self, delivers instructions for self-characterization, articulation of communicative movement, animated gestures, talks about personality, details the two-sided identity
  • Somana-yuti-Guru * Emotionally effusive, needs to expand, sensitive to guidance figures, sheltered by doctrine, soothed by fertility, feels like a teacher-preacher

Kuja * bhratru-karaka * virya-karaka

Yogakaraka Mangala rules 4-foundations, cultural rhythms, ethnic basis ++ 9-doctrine, philosophy, beliefs

  • Mangala in bhava-5 * drive toward creativity, pursuit of games, invasive drama, display dynamics, aggressive or sporting children, energized by romantic and political conquests, productive intelligence
  • Mangala-Dhanuzya * vigorous pursuit of humanistic worldview; push toward globalism
  • Kuja-yuti-Surya * invigorated creativity, invigorated creativity, energized confidence, dynamic genius, masculine force joins willful charm, potential for aggressive political or dramatic actions , potential for aggressive political or dramatic actions

Kuja = double Yogakaraka from both Simha-lagna and Karkata- Chandra

Kuja-Dhanushya in theatrical 5th-from-lagna

Kuja-Dhanushya in emotionally conflicted 6th-from-Chandra


Budha * bandhava-karaka * zisya-karaka

  • Budha in bhava-4 * narrative of parents, homeland, roots, routine, ritual * discusses the mother-figure, parenting, comfort, security, defense , describer of sheltering protection, fences, boundaries, policing, guardianship, familiarity, explainer of homeland customs, delivers instructions for anchoring, patriotic slogans, talks about farms, fishing, nourishment, transportation, vehicles, schooling, foundations, folkways, customary rhythms, seasons
  • Budha-Vrizchika * hidden communications, articulation of mysterious secrets

Guru * dhavakaraka * bahuta-karaka

* Sarala Yoga

  • Guru-Karkata * uttama * much shelter, many caretakers, believes in ancestral ways and rhythms, doctrine of ancient ways, expansive security, expands the scope of the local settlement, develops farms and gardens, multiple dwellings, many parent-figures
  • Guru in bhava-12 * many retreats, much divination, many hospitalizations, much private expansion, numerous ancestor guides, much interiority
  • Guru-yuti-Chandra matri-karaka * multiple mother-figures, much expansion of folkways, much humanistic cultural philosophy, large sheltering settlements, large sheltering settlements


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Vanika * swakshetra * aesthetic of negotiation
  • Zukra-3 * explanatory, messaging, commercial harmony

Zukra rules Purvaphalguni . Purvaphalguni often likes to embroider and sew. For a 2007 first wedding anniversary gift, Top Gun 1962 cinema producer Tom Cruise famously gave his wife Katie Holmes a sewing machine.


Shani * duro-karaka * jara-karaka

  • Shani-Simbha * old entitlements, old drama, pressured heart, imposed politics, proletarian entertainments, elder game-players, must do ceremony with scarce available resources
  • Shani in Bhava-1 * Structured, orderly, time-conscious personality. One must act under pressure, have to move but slowly, push forward against stiff limitations; cautious, conventional identity; tense competition, muscular fatigue, chronic impeded movement, seizures and cramps. Heavy legacy pressure against free movement. Resistance to new ideas and direct action. Resentment toward constriction of physical appearance. Support for socially-approved dutiful roles, conventionalized identity, and conduct befitting an elder.
  • Shani-yuti-Rahu * resistance against ambition, disciplined thrills, limited privilege, constrained opportunism, irregular elders, regulated risks

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Singha * nichha * craving for attention * mask of radiant, unique, dramatic celebrity; fascinated by entitlement, brilliant gambling and games; * seeks special importance via politicized, via apparent (but perhaps not authentic) risky speculation
  • Rahu in bhava-1 * passion for vitality * in swabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous, exotic, or mesmerizing physical visage, extraordinary athletic movement. Smoky, oily aura. Craves an exceptional appearance, exhilarating energy, thrilling champion of non-standard lifestyles. Seeks social mobility via vital, dynamic muscularity. Exciting personality. Challenges the norms with innovative behavior. Unusual combination of identities. Embodiment of socio-cultural mixing. Seeks opportunity via ability to cross customary boundaries. Double agent, representing two or more groups. Over-reaching characteristics. Stirring ambition. Trespasses the conventional dividing cultural boundaries. Remarkable conditions of birth. A fascinating figure.. May represent a cult of personality.
  • Shani-yuti-Rahu * amplified orderliness, exotic rules, tricky rules

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Kumbha * dissociates from distribution webs, incomplete economy, empty profits, dissolute systems, severed connections, not limited by community, disarrayed ecology, ignores restriction on network linkage, applies linkage to the misty abyss
  • Ketu in classroom-7 * ambivalent toward agreements, absentee spouse, disregards contractual loyalties, disinterested in negotiations, wanders from the middle-balance, dissolves the alliances, irrelevance of equity and partnership. One abandons the usual covenants, ignores the conventional bargains, delivers incoherent promises.
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