Master of Intimidating Images
cinematic director, film noir genre
psychological narratives of mystery, murder, crime, terror, anxiety, bondage, fear, hysteria, and loss of control
Earthbody-Exit 29-Apr-1980 (age 80)
Film Noir cinematic director + producer * 1899-1980 * Alfred Hitchcock
birth information from http://en.wikipedia.org/wiki/Alfred_Hitchcock * tentatively rectified by BP Lama
charts, graphs, and tables produced by Shri Jyoti Star software * adapted by BP Lama
Kala Amrita Yoga KSY * Ketu2-Rahu8
Mriga-zirasa * Mraga * Marga-ziraza * Agrahayani
For Mriga-sirasa births of a masculine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.
Brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.
Instructional guidance is provided by the civilizations of Orion. Their purpose is to promote engaging, instinctive messages that conquer, compete, startle, stimulate, pioneer, and provoke.
Gentlemen born within a nakshatra of Mangala are gifted with a knack for competition. Shrewd, verbally intimidating, and goal-directed in Mriga-Sirasa, they strive for dominance within their cohort. Mriga are often found in business management, commercial finance, sales, marketing, advertising, script-writing, publishing, propaganda, cinema, and media-communications.
Kuja-ruled Mriga-zirasa chaps tend to be physically fit, agile, and energetic in pursuit of the win. They are often found in politics, manufacturing, media-messaging, and commerce, especially in sales, marketing, and advertising roles where their energy delivers competitive advantage.
Mraga are surprisingly accurate marksmen, able to handle weapons and metal equipment. Agrahayani fellows may have a special affinity for quadruped animals, bands of brothers, and soldiers. Due to the crystalline structure of their noses, Mraga-born have an extraordinarily acute sense of smell.
Vrishabha pada 1-2 represent the 7-12 angle and the Zukra-Kuja attraction. Those born in pada 1-2 pursue legal contracts, equity, and brokerage in secluded environments, such as the laboratories, private bedrooms, or in distant lands. Their goal is the formation of vitally valuable partnerships. Depending upon Yogakaraka Shani ruler of 9+10, the Vrishabha pada of Krittika have a stronger propensity toward governance roles,
Mithunaya pada 3-4 represent the 6-11 angle and the Budha-Kuja tension. Pada 3-4 are profit-driven and not averse to theft or breaking contracts for advantage. Pada 3-4 may focus on friendships, economics, and dominating the competition..
Themes of forward movement, group activity, and sporting competition may contextualize Mriga's terrestrial experience. Applies also to Chandra in Mriga-zirasa.
QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 80
"Unless other testimonies in the chart predominate to modify the effect of Mraga rising,
They are inclined to be misanthropic in their attitude toward life and people.
They are suspicious of other peoples' motives
Unless checked, these thoughts will lead to vicious action
Possibly this attitude is caused and aggravated by some permanent organic disability
| Biographical events matched to the
Guru Mahadasha * age birth until age 13.2
13-Aug-1899 Earth-birth in Leytonstone, Essex, East London, England * Guru-Shani bhukti * Shani rules 8-9 * Shani yogakaraka from Chandra-Thula * sarala yoga
Shani Mahadasha * age 13.2 until age 32.2
12-Dec-1914 decease of father (Alfred's age 15) quit day-school, switch to night-school, and go to full-time work * Shani-Shani swabhukti * Shani pitrimaraka rules 7th-from-Surya
02-Dec-1926 marriage to Alma Reville * Shani-Rahu bhukti * R-K samchara Dhanuzya-Mithunaya contact radical R-K
celebrated the birth of child-1 Patricia Hitchcock 07-July-1928* Shani-Rahu bhukti * gochara R-K Dhanuzya-Mithunaya contact radical R-K
Budha Mahadasha * age 32.2 until age 49.2
March-1939 Hitchcock signs a 7-year contract with David Selznick. Shortly afterward, the family shifts to California * Budha-Chandra bhukti * Somana-yuti-Guru Chandra gives effect of Guru ruler of 11 = 8th-from-4th, shift to "step-country"
27-Feb-1941 Hitchcock's film Rebecca win Oscar for Best Picture * Budha-Mangala bhukti * Budha rules-5 celebrity Mangala occupies-5
26-Sept-1942 decease of mother * Budha-Rahu bhukti * while gochara-Shani contact Vrishabha lagna
Ketu Mahadasha * age 49.2 until age 56.2
Zukra Mahadasha * age 56.2 until age 76.2
1958 Hitchcock receives the Golden Globe award for his television show (1955-1965) Alfred Hitchcock Presents * Zukra-Zukra swabhukti * Zukra-3 lagnesha * Zukra-parivartamsha Chandra = familiar face (Soma) on television (3)
08-Feb-1960 Hitchcock receives two Hollywood stars * Zukra-Surya bhukti * Surya-3 produces results of lagnesha Zukra = promotion, marketing of the identity
1962 Hitchcock is offered a CBE award from the British crown, but he declines it * Zukra-Mangala bhukti * Mangala occupies-5 royalty but Mangala-Kanya is critical of the pretense
Surya Mahadasha * age 76.2 until decease age 80
30-Jan-1979 decease of immediate elder sister Nellie
29-Apr-1980 Lightbody Lift-off (via renal failure, age 80) * Surya-Budha bhukti * Budha maraka rules-2
| Distinctive features of the nativity
Alfred Hitchcock 1970's
Alfred Hitchcock by Jack Mitchell
Atmakaraka = Surya * drama, camera, eye
Hitchcock's father and paternal grandfather were green-grocers, and later his business expanded into managing a series of small shops selling fish and fish-and-chips. Bhava-3 shopkeeping.
Surya the Eye in bhava-3 the Message
camera , narrative via photographic image + Zukra-3 message-media about human-to-human relationships
Hitchcock's mother according to his biography was a customary stay-at-home wife and housekeeper. She was widowed when Alfred was 15, and he supported her financially until her death in 1942 (his age 43).
Hitchcock sibling rank was 3 of 3. His immediate elder sibling was a sister with whom he was said to have maintained cordial contact over the decades. However he was said to have had almost no contact with his elder brother, #1 of 3; this brother left the family home when Alfred was small.
11th-from-Chandra contains Budha-Simha for the elder sister, indicating some degree of conversation. However 11th-from-11th-from-Chandra indicates the eldest sibling brother, showing no contact despite all three of the siblings enjoying fairly long lives.
Worldwide recognizable face
Zukra-parivartamsha Chandra = familiar face on television
MARRIAGE emotional support partnership
Budha rules 10th navamsha = ruled and occupied by Mithuna-Budha = communications, scripts, media industry, craft
Budha rules Arudha lagna = bhava-5 drama * Kanya logistics, exploitation, illness * Mangala ruler-of-12 subconscious yuvatipathi-7 his wife Alma was his professional partner in the dramatic cinema enterprise
sarala yoga = Guru rules 8 occupies 6
Chandra-yuti-Guru = typically a generous-sized fleshly figure
Guru rules Karakamsha = Meena * radix-11 = income, friends, awards, prizes, social network
Change of Countries under auspice of vriddhipathi-11 Guru
Budha-Chandra bhukti * Somana-yuti-Guru Chandra gives effect of Guru ruler of 11 = 8th-from-4th, shift to "step-country"
Psycho 1899-1980 film noir Alfred Hitchcock settled with his family into a 200-acre California estate and stayed there for his life
Lagnesha = azlesha Zukra-3, beauty in communicative messaging, teams, ensemble, cooperation
Shani * duro-karaka * jara-karaka
Public Facade of Marriage = yuvatibhava-7
No divorce due to Shani-7 Much dalliance with leading ladies; however they generally rejected him.
karmesha-10 Shani in 7 shows that his spouse's participation was structurally essential to his career.
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
"Reverse Karkotaka KSY" Kala-Amrita-Yoga = all graha between Ketu and Rahu
Shani-Rahu bhukti * R-K samchara Dhanuzya-Mithunaya contact radical R-K
Ketu * kavandha-karaka * chidra-karaka
Generally, Ketu-2 suggests a considerable distancing due to disinterest from the family of origin. Hitchcock was said to have maintained a minimal contact with his few family members, no contact with most of them, and unlike his wife Alma he did not move his London-based near-and-dear to the safety of California during WW-2. In other words, they were not near-and-dear.
file update: 18-Apr-2019
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