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Master of Intimidating Images

cinematic director, film noir genre

psychological narratives of mystery, murder, crime, terror, anxiety, bondage, fear, hysteria, and loss of control

Alfred Hitchcock

Earthbody-Entry Sunday-13-Aug-1899

Earthbody-Exit 29-Apr-1980 (age 80)

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Film Noir cinematic director + producer * 1899-1980 * Alfred Hitchcock

birth information from http://en.wikipedia.org/wiki/Alfred_Hitchcock * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star software * adapted by BP Lama

Kala Amrita Yoga KSY * Ketu2-Rahu8

Rising Nakshatra

Masculine Nativities

Mriga-zirasa * Mraga * Marga-ziraza * Agrahayani


BPL commentary:

For Mriga-sirasa natives, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala considerably affects the outcome.

Brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pursuers, and competitors may be especially influential.

Instructional guidance from the civilizations of Orion.

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 80


"Unless other testimonies in the chart predominate to modify the effect of Mraga rising,

  • these people may be very unpleasant characters.

They are inclined to be misanthropic in their attitude toward life and people.

  • They seem always to see the worst side of people and of conditions.

They are suspicious of other peoples' motives

  • and even vicious at times.

Unless checked, these thoughts will lead to vicious action

  • and they can be quite dangerous to others whom they dislike.

Possibly this attitude is caused and aggravated by some permanent organic disability

  • which is usually the lot of those who are born with Mraga rising."

Biographical events matched to the Vimshottari Dasha

Guru Mahadasha * age birth until age 13.2

Sunday-13-Aug-1899 Earthbody-Entry * Guru-Shani period * Shani rules 8-9 * Shani yogakaraka from Chandra-Thula * sarala yoga


Shani Mahadasha * age 13.2 until age 32.2

12-Dec-1914 decease of father (Alfred's age 15) quit day-school, switch to night-school, and go to full-time work * Shani-Shani swabhukti * Shani pitrimaraka rules 7th-from-Surya

02-Dec-1926 marriage to Alma Reville * Shani-Rahu period * R-K samchara Dhanuzya-Mithunaya contact radical R-K

child-1 Patricia Hitchcock 07-July-1928* Shani-Rahu period * gochara R-K Dhanuzya-Mithunaya contact radical R-K


Budha Mahadasha * age 32.2 until age 49.2

March-1939 Hitchcock signs a 7-year contract with David Selznick. Shortly afterward, the family shifts to California * Budha-Chandra period * Somana-yuti-Guru Chandra gives effect of Guru ruler of 11 = 8th-from-4th, shift to "step-country"

27-Feb-1941 Hitchcock's film Rebecca win Oscar for Best Picture * Budha-Mangala period * Budha rules-5 celebrity Mangala occupies-5

26-Sept-1942 decease of mother * Budha-Rahu period * while gochara-Shani contact Vrishabha lagna


Ketu Mahadasha * age 49.2 until age 56.2


Zukra Mahadasha * age 56.2 until age 76.2

1958 Hitchcock receives the Golden Globe award for his television show (1955-1965) Alfred Hitchcock Presents * Zukra-Zukra swabhukti * Zukra-3 lagnesha * Zukra-parivartamsha Chandra = familiar face (Soma) on television (3)

08-Feb-1960 Hitchcock receives two Hollywood stars * Zukra-Surya period * Surya-3 produces results of lagnesha Zukra = promotion, marketing of the identity

1962 Hitchcock is offered a CBE award from the British crown, but he declines it * Zukra-Mangala period * Mangala occupies-5 royalty but Mangala-Kanya is critical of the pretense


Surya Mahadasha * age 76.2 until decease age 80

30-Jan-1979 decease of immediate elder sister Nellie

29-Apr-1980 Lightbody Lift-off (via renal failure, age 80) * Surya-Budha period * Budha maraka rules-2

Distinctive features of the nativity

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Alfred Hitchcock 1970's


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Alfred Hitchcock by Jack Mitchell

Surya * pitrikaraka * jyotikaraka

Atmakaraka = Surya * drama, camera, eye

Father

Hitchcock's father and paternal grandfather were green-grocers, and later his business expanded into managing a series of small shops selling fish and fish-and-chips. Bhava-3 shopkeeping.

Surya the Eye in bhava-3 the Message

camera , narrative via photographic image + Zukra-3 message-media about human-to-human relationships


Chandra * matrikaraka * garha-karaka

MOTHER

Hitchcock's mother according to his biography was a customary stay-at-home wife and housekeeper. She was widowed when Alfred was 15, and he supported her financially until her death in 1942 (his age 43).

Siblings

Hitchcock sibling rank was 3 of 3. His immediate elder sibling was a sister with whom he was said to have maintained cordial contact over the decades. However he was said to have had almost no contact with his elder brother, #1 of 3; this brother left the family home when Alfred was small. 11th-from-Chandra contains Budha-Simha for the elder sister, indicating some degree of conversation. However 11th-from-11th-from-Chandra indicates the eldest sibling brother, showing no contact despite all three of the siblings enjoying fairly long lives.

Worldwide recognizable face

Zukra-parivartamsha Chandra = familiar face on television

MARRIAGE emotional support partnership


Kuja * bhratru-karaka * virya-karaka


Budha * bandhava-karaka * zisya-karaka

Budha rules 10th navamsha = ruled and occupied by Mithuna-Budha = communications, scripts, media industry, craft

Budha rules Arudha lagna = bhava-5 drama * Kanya logistics, exploitation, illness * Mangala ruler-of-12 subconscious yuvatipathi-7 his wife Alma was his professional partner in the dramatic cinema enterprise


Guru * dhavakaraka * bahuta-karaka

sarala yoga = Guru rules 8 occupies 6

  • Guru-Thula * many trades, exchanges, much negotiation
  • Guru in bhava-6 * much service, many ailments, abundant imbalance, many grievances, numerous accusations
  • Guru-yuti-Chandra matri-karaka * multiple mother-figures

Chandra-yuti-Guru = typically a generous-sized fleshly figure

Guru rules Karakamsha = Meena * radix-11 = income, friends, awards, prizes, social network

Change of Countries under auspice of vriddhipathi-11 Guru

Budha-Chandra period * Somana-yuti-Guru Chandra gives effect of Guru ruler of 11 = 8th-from-4th, shift to "step-country"

Psycho 1899-1980 film noir Alfred Hitchcock settled with his family into a 200-acre California estate and stayed there for his life


Zukra * svadhu-karaka * kalatra-karaka

Lagnesha

Lagnesha = azlesha Zukra-3, beauty in communicative messaging, teams, ensemble, cooperation


Shani * duro-karaka * jara-karaka

  • Shani-Vrizchika * old secrets, pressured discovery, must explore, must transform with scarce resources
  • Shani in Bhava-7 * digbala * must balance; cautious, conventional partnerships; chronic responsibilities toward the spouse

Public Facade of Marriage = yuvatibhava-7

Shani in bhava-7 = durable marriage. ruler-of-12 subconscious imagery = Shani in bhava-7 * dig-bala

No divorce due to Shani-7 Much dalliance with leading ladies; however they generally rejected him.

karmesha-10 Shani in 7 shows that his spouse's participation was structurally essential to his career.


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

"Reverse Karkotaka KSY" Kala-Amrita-Yoga = all graha between Ketu and Rahu

  • Rahu-Dhanuzya-Mula * mask of global humanistic belief
  • Rahu in bhava-8 * privilege via glamorous or unusual secrets recycling, rebirth, reinvention; seeks revolutionary, catastrophic changes

Shani-Rahu period * R-K samchara Dhanuzya-Mithunaya contact radical R-K

  • 02-Dec-1926 Hitchcock celebrated a first-and-only marriage to the brilliant film editor Alma Reville. Their union endured 54 years until his death. Mrs. Hitchcock is widely credited as the invisible genius partner that transformed (8) Hitchcock's twisted, disturbed vision into a mesmerizing (Rahu) new film genre - film noir . Rahu-8, and his 7th-from-Chandra = 12 invisible mate

Ketu * kavandha-karaka * chidra-karaka

  • Ketu in classroom-2 * disregards family-knowledge-treasury boundaries, absent from family
  • Ketu-Mithunaya-Mriga * incomplete message, empty conversation, dissolute signals

Generally, Ketu-2 suggests a considerable distancing due to disinterest from the family of origin. Hitchcock was said to have maintained a minimal contact with his few family members, no contact with most of them, and unlike his wife Alma he did not move his London-based near-and-dear to the safety of California during WW-2. In other words, they were not near-and-dear.

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