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Drama and Song


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born six months after

born four months after

  • Hugging Saint 1953- Ammachi of Kerala

born 2 weeks after

born six months before

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cinema-television dramatist

fashion super-model

speculated bi-polar disorder

Margaux Hemingway

a . k. a. Margot Louise Hemingway

Earthbody-Entry 16-Feb-1954

Earthbody-Exit 01-July-1996 (age 42)

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cinema drama-model * 1954-1996 * Margaux Hemingway

birth information from http://en.wikipedia.org/wiki/Margaux_Hemingway * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Purvazadha * Apah


BPL commentary:

For Purva-azadha gentlewomen, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu considerably affects the outcome.

Feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, alignment, attunement, harmonies, and music, may be especially influential.

Guidance from the instructors in the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound.


Feminine births in Purva-azadha carry a special benevolence for music, beauty, treasuries, ornaments, design, and gracious relationships. Purvazadha ladies are often dramatists, musical entertainers, and fashion models. They can usually sing beautifully and play stringed instruments. They love to travel and serve as a muse to creative partners.

In addition to Zukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit other women. Typically Apah-born are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow.

Themes of affluence, favor, harmony, blessing, beauty, artistry, and indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Purva-azadha

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 99


"Lovely eyes set in a beautiful face,

  • with small cupid's bow lips

  • and brown, naturally curly hair,

  • describes the native with Purvazadha rising at birth.

She is also to be distinguished by the small well-proportioned feet.

She has a generous positive character

and should be successful in some occupation

  • which would enable her to employ her natural ability

  • as an organizer and manager .

She is apt to have been born in an influential family."

Biographical details matched to Vimshottari dasha timeline


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Super-model financial success and sudden media presence manifested during an extraordinary 3-year Zukra-Zukra swabhukti

In bhava-3 photography, media-message, evangelism, sales, marketing =

  • Zukra rules 6 + 11
  • Budha rules 7 + 10
  • Surya rules 9

Dhanayoga = uttama-Shani-11 rules-2

Budha Mahadasha * age birth until age 12.9

16-Feb-1954 Earth-birth * Budha-Zukra bhukti


Ketu Mahadasha * age 12.9 until age 19.9


Zukra Mahadasha * age 19.9 until age 39.9

spring-1975 (age 20) Faberge modeling contract million-dollar payment to represent a luxury fashion merchandise brand * Zukra-Zukra swabhukti

16-Jun-1975 as part of the Faberge modeling contract, Hemingway was featured celebrated cover of TIME magazine and labeled the face of a generation * Zukra-Zukra swabhukti

June-1975 Marriage-1 (age 20) restaurateur investor Wetanson * Zukra-Zukra swabhukti * gochara R-K via Vrizchika-Vrizabha contact Vrischika swamsha

1977 divorce-1 (age 23) * Zukra-Zukra swabhukti * Zukra rules 6-divorce

1979 starring role in Lipstick * Zukra-Mangala bhukti * Kuja rules 5-drama, celebrity

31-Dec-1979 wedding-2 (age 24) to Venezuelan film-maker Bernard Foucher * Zukra-Mangala bhukti * Kuja rules Vrischika swamsha * gochara R-K via Simha-Kumbha contact Zukra-Kumbha

1984 skiing accident and weight gain of 75-lbs (age 29) * Zukra-Rahu bhukti * Rahu-1 fleshbody rules by Guru-6 accident rules 6th-from-Chandra

1985 divorce * Zukra-Guru bhukti * Guru-6 lagnesha

1987 significant depression and failing career; treatment at Betty Ford Center * Zukra-Shani bhukti * Shani rules 3-depression

1988 grieved the decease of mother from drug overdose following a lingering cancer (Margaux's age 33) * Zukra-Shani bhukti * Shani rules 3 = 12th-from-4th decease of mother


Surya Mahadasha * age 39.9 until decease age 42

01-July-1996 (date on which the decomposed body was discovered) suicide via drug overdose (age 42) * Surya-Guru bhukti * Guru-6 lagnesha gives effect of Rahu in bhava-1

Distinctive features of the Nativity

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Surya * pitrikaraka * Jyotikaraka

  • Surya-Kumbha * Arka * the radiator * radio
  • Surya in bhava-3 * center of commerce, intelligence for reports, announcements, descriptions, * brightly explaining, administrative entitlements, focus on communication, eye on management of messaging
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss, radiantly descriptive
  • Surya-yuti-Zukra * confidently harmonious, bright bargainer, entitled to pleasures, radiantly diplomatic, self-reflexively attractive

FATHER

Surya in bhava-3 indicates a businessman

Paternal Grandfather

9th-from-Surya = Shani-11. Margaux Hemingway's paternal grandfather was the famous literary author Ernest Hemingway.

Career

Surya rules Simha entertainment, glamour, celebrity 10th navamsha


Chandra * matrikaraka * garha-karaka

  • Chandra-Karkata * swakshetra * comforted by culturally familiar, rhythmic tidal maternal soothing
  • Chandra in Azlesa-Naga * comforted by restraining embrace * protector of defensive communications, familiar folk messages, emotional evangelism, signaling ethno-cultural boundaries
  • Chandra in classroom-8 * comfort in crisis, familiar with catastrophic events, needs to feel identity transformation, soothed by secrecy, routine of sudden changes, initiation, occult sentience, discovery, self-reinvention; undulating shakti-shocks

MARRIAGE partnership support expectations

7th-from-Chandra-8 = Marriage-1 = bhava-2 food, affluence, banking

  • First husband was a financier (2) and negotiator of her payments (2)
  • Lipstick 1954-1996 drama-model Margaux Hemingway * married age 19. Her husband found a tall, lovely teenager from a rural state and on that basis he "created" her public image as a million-dollar fashion model and global dramatic persona

2nd-from-7th-from-Chandra-8 = Marriage-2 = bhava-9 entertainments, celebrity, creativity, glamour

  • Second husband was a film-maker and creative artist.

Mother and Step-Mother

Lipstick 1954-1996 drama-model Margaux Hemingway * her mother became isolated while suffering from the disease of cancer during her and her sisters' childhoods, and the mother suicided (12) toward the end of the pain struggle

Her mother was accused of knowing about the father's sexual abuses but doing nothing to stop the molestation Chandra in classroom-8 a secret-keeping mother. Surya-Chandra occupy 6/8 angle suggesting that the parents were mismatched.

After her mother's decease, her father remarried a woman who was publically hostile toward Margaux. The step-mother accused Margaux of being a chronic liar. stepmother 8th-from-Chandracontains Surya-Zukra-Budha * Zukra rogesha animosity.

Chandra in Azlesa rules Karakamsha-Karkata-8 = indicating the postmortem association with suicide and hidden (8) sexual molestation with maternal collusion


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Vrizchika * Swakshetra * vigorous pursuit of secrets * proactive exploration * push toward discovery
  • Mangala in bhava-12 * drive toward privacy, pursuit of inner guidance, distant lands, invasive ancestors, seeking sanctuary, clairsentient dynamics, energized invisible conquests

Mangala in bhava-12 rules navamsha swamsha Vrischika


Budha * bandhava-karaka * zisya-karaka

  • Budha-Kumbha * connecting communications, articulation of social-scientific networks, systematic pronouncements, messages about communities and economies, explains large-scale social movements
  • Budha in bhava-3 * narrative of cohort, siblings, announcements * narrative of commerce, management, reporting, cohort, siblings, instructions, describer of announcements, explainer of publication, delivers instructions for books, scripts, lyrics
  • Budha-yuti-Surya * articulation of radiant authority, message of willpower and charisma, confidently talkative father
  • Budha-yuti-Zukra * articulation of equity in agreements, message of justice and fairly bargained contracts; songwriting , talkative sister-cousin-cohort, lyricist

Surya + Zukra + Budha clustered into bhava-3 suggests success in media-messaging, photography, advertising, cinema, publications

Budha-3 photography, advertising, magazines, television, video rules bhava-10 high public visibility. iconic roles


Guru * dhavakaraka * bahuta-karaka

lagnesha

Atmakaraka

  • Guru-Vrizabha * much treasury, many voices, many collections, historic beliefs, doctrine of values containment
  • Guru in bhava-6 * much service, many ailments and physicians, much medication, abundant imbalance, many grievances, numerous accusations, , extensive digestive distress

Ms. Hemingway was married and divorced twice by 36. A great beauty born into a famous family, she struggled with alcoholism, dyslexia, epilepsy, bulimia, extreme weight fluctuations, and possibly bi-polar condition.

Guru-6 lagnesha rules 4-childhood home, foundational schooling. Raised in a rural area having only a rudimentary formal education due to dyslexia that prevented her from reading, sexual abuse during childhood, mother ill various sufferings including cancer, and suffering emotional instability in both parents. childhood marred by sexual abuse from the father

Lagnesha Guru located in the profitable, socially-networking, emotionally friendly 11th-from-Chandra


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Kumbha * appreciation of social networks, pleasures of friendly arrangements, enjoys regulated systems, aesthetic of scientific, economic linkage
  • Zukra-3 * pleasure of explanatory description, gracious messaging, enjoys commercial harmony, aesthetic instructions, feminine-figures (sisters, aunts, neighbors) dominate the cohort, appreciation of communications
  • Zukra-yuti-Surya * gracious brightness, radiant beauty, self-reflexive bargaining, sweetly confident entitlements, enjoys politics, negotiating father-figure, intelligently focused on trades, arrangements, contracts
  • Zukra-yuti-Budha * gracious conversation, articulate beauty, melodious words, sweetly communicative messaging, lyricist, musical cohort, quickly arranged contracts

Zukra rules Arudha lagna = bhava-11 economics, revenues, friendships

Zukra rules the beautiful, often musical, Purvazadha lagna


Shani * duro-karaka * jara-karaka

  • Shani-Thula * uttama * old agreements, pressured kidney-pancreas, imposed agreements, proletarian diplomacy, must trade, must negotiate with scarce resources
  • Shani in Bhava-11 * must connect, must earn with hard effort; cautious, conventional marketplace linkage; tense and limited mentoring, chronic pressure to produce revenues; heavy pressure against freely chosen friendships

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Dhanuzya *craving for philosophical principle, theory, higher truth * mask of global humanistic belief * fascinated by doctrine, catechism * * seeks special importance via apparent (but perhaps not authentic) guidance, generosity, patronage, proselytism, fatherliness
  • Rahu in bhava-1 passion for vitality * in swabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous, exotic, or mesmerizing physical visage extraordinary athletic movement, Craves an exceptional appearance, exhilarating energy, thrilling championship. Seeks social mobility via vital, dynamic muscularity. Exciting, opportunistic, ambitious conditions of fleshbirth. Trespasses cultural boundaries of identity and birth. A fascinating figure.. May become a focus of a cult of personality.

Rahu-1 occupies 8/6th-from-Chandra


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Mithunaya * dissociates from conversations, incomplete message, empty instructions, dissolute signals, not limited by commerce, ignores restriction on communication
  • Ketu in classroom-7 * ambivalent toward agreements, absentee spouse, disregards contractual loyalties, disinterested in negotiations, wanders from the middle-balance, dissolves the alliances, irrelevance of equity and partnership. One abandons the usual covenants, ignores the conventional bargains, delivers incoherent promises.

Ketu occupies the 12th-from-Chandra contributing to depression associated with dispersed relationships

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