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cinematic dramatist

commercial businesswoman

Catherine Zeta Jones

nativity of Catherine Zeta Jones

Earthbody-Entry 25-Sept-1969


cinematic dramatist

commercial producer

Michael Kirk Douglas

nativity of Michael Douglas, dramatist

Earthbody-Entry 25-Sept-1944

DouglasMichael_05h05m_d1d9d10.png

cinematic dramatist and commercial producer * 1944 - * Michael Kirk Douglas

birth information from http://en.wikipedia.org/wiki/Michael_Douglas * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativity

Purvaphalguni * Yoni * Bhagadaivata * Prakphalguni * Arjuni


BPL commentary

For Purvaphalguni * Yoni * births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.

Due to the definitive influence of kalatra-karaka Zukra, gentlemen born into the realms of Bharani, Purva-phalguni, or Purva-azadha may find that their worldview is greatly shaped by the character of the feminine companion.

For those born into the Zukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatre of creative life.


Diplomatic charm

Zukra-ruled Purvaphalguni gentlemen are often found in the sparkling bright worlds of politics, romance, entertainment, speculative finance, and spectator sports. Yoni-born chaps often display a thick mane of leonine hair and a charming sense of humor.

They are happiest when enjoying a choreographed sport, playing music, dancing with agility and grace, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and smile at parties, political campaigns, gambling and games..

Depending upon the placements of dhanakaraka Zukra and dhanapathi Budha, the Purvarjuni-born may also excel in financial showmanship, bargaining toward a political or commercial agreement, and the high drama of romantic relationships.

Like all Zukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Zukra and Budha.

Themes of political celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 83


"A physical rather than a mental type.

  • A healthy constitution

  • not given to worry or anxiety regarding the problems of living.

He must guard against impulsiveness

since he is apt to act without sufficient thought

  • and as a result he makes many mistakes

  • which are difficult to rectify

  • and which may be disastrous.

He is very active physically and will be proficient at various sports,

  • reveling in the joy of mere action ,

  • even purposeless action.

These people seem never to rest and are constantly in motion.

  • As soon as they have finished one thing they start on another,

  • frequently doing several things at a time."


DouglasMichael_c2014.jpg

Dramatist producer Michael Douglas, approximately 2014, age 70

Biographical details matched to the Vimshottari Dasha calendar


born 14 months after

born one month after

born 9 months before


MichaelDouglas_1969.JPG

Michael Douglas in 1969, the year Catherine Zeta Jones was born

Ketu Mahadasha * age birth until age 3.0

25-Sep-1944 Earth-birth in New Brunswick, New Jersey, USA * Ketu-Rahu bhukti


Zukra Mahadasha * age 3.0 until age 23.0

1966 earned BA in drama from UC-Santa Barbara * Zukra-Budha bhukti *Budha license, diploma


Surya Mahadasha * age 23.0 until age 29.0

1968 begin film career (age 24) * Surya-Surya swabhukti * Surya lagnesha drama


Chandra Mahadasha * age 29.0 until age 39.0

Mar-1977 celebrated a first marriage to Diandra Douglas (his age 32; her age 19) * Chandra-Guru bhukti * Guru rules navamsha-7 * R-K samchara Thula-Mesha contact Zukra-Vanika

13-Dec-1978 celebrated the birth of child-1 * Chandra-Shani bhukti * Shani rules Chandra


Mangala Mahadasha * age 39.0 until age 46.0

1980 delayed recovery from severe skiing accident results in 3-year absence from films * Mangala-Ketu * Ketu absence, dormancy


Rahu Mahadasha * age 46.08 until age 65.0

17-Sept-1992 began alcohol and drug residential treatment * Rahu-Rahu swabhukti * Rahu occupies transformative 8th-from-Chandra

1995 announced marital separation (legal divorce 2000) * Rahu-Guru bhukti * Guru rules 8 widowhood, identity transformation

2000 divorce-1 * Rahu-Budha bhukti * Mangala rules 2 = divorce when subsequent partnership is already established

08-Aug-2000 child-2 * Rahu-Budha bhukti * Budha rules 2nd-from-Chandra = 2nd child

18-Nov-2000 celebrated a second marriage with Catherine Zeta Jones (his age 56, her age 31) * Rahu-Budha bhukti * Budha rules Kanya swamsha * R-K samchara Mithunaya-Dhanuzya contact Chandra-Dhanuzya

2006 awarded honorary D. Litt from St Andrews University (Scotland) *Rahu-Surya bhukti * Surya-lagnesha

2007 wife diagnosed with bipolar disorder * Rahu-Chandra bhukti * Chandra in Mula rules Rahu in bhava-12 located in 8th-from-Chandra = turbulence from unusual private conditions, hospitalization


Guru Mahadasha * age 65.0 until age 81.0

Aug-2010 diagnosis of terminal tongue cancer * Guru-Guru swabhukti * Guru rules-8-dangerous conditions, transformation of identity, surgery

2011-2013 marital separation * Guru-Shani bhukti * Shani rules 6-disagreement

Nov-2013 reconciliation of marriage following a 1-year separation * Guru-Budha bhukti * Budha rules Kanya swamsha

03-July-2015 (MD age 71) grieved the decease of mother * Guru-Budha bhukti * Budha rules 7th-from-Chandra ++ third Sade-Sati


Shani Mahadasha * age 81.0 until age 100.0

Distinctive features of the nativity

Michael Douglas with lifepartner-1 (married 23 years) Diandra Douglas

Surya * pitrikaraka * jyotikaraka

lagnesha

  • Surya-Kanya * Poshanya * Pushna * the nourisher
  • Surya in bhava-2 * center of values, intelligence for storage, conservation, containment, values; focus on treasuries, banking entitlements, bright face-speech-song, eye on capitalization-banking, * father = center of family* sparkling center of the treasury-drama
  • Surya-yuti-Kuja * confidently progressive, bright warrior, creatively intelligent brother-figures, self-reflexive political pursuits, champion of brilliant ideals, competitive father, entitled to conquer and win, radiantly pioneering
  • Surya-2 parivartamsha Budha-1

FATHER

Dad = famed dramatist of cinema and television, Kirk Douglas a.k.a. Issur Danielovitch

Michael Douglas = child of two successful professional dramatists. Chandra-8 mother rules 3-cinema.

Surya-yuti-Mangala in the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra showing the defining career identity with his father. MKD's father = the widely recognized theatrical actor and progressive social activist Issur Danielovitch known by his stage name "Kirk Douglas".

His father Kirk Douglas was a well-known cinema actor and entertainment industry businessman. 10th-from-Surya-5 = father's career, containing Shani-2 indicates the father's enduring (Shani) face-and-eyes image (2) in cinema and television (Mithunaya)


Chandra * matrikaraka * garha-karaka

  • Chandra-Dhanuzya * comforted by rhythmic catechesis of belief
  • Chandra in Mula * comforted by witnessed emptiness * protectors of the eternal root vortex, philosophical watchers, galactic pilgrims
  • Chandra in classroom-5 * comfort in politics, familiar with gambling and games, charm, children, soothed by celebrity, needs to feel the repeating pulse of confident self-expression, emotionally attuned to uniqueness, settled into the rhythm of romance, routine intelligence, artistic performance; undulating creativity

Chandra in classroom-5 receives incoming, longevity-extending drishti from Shani + Guru + Mangala

Rahu-12 occupies the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra , suggesting that both parents would be long-lived.

MOTHER

Diana Webster Douglas Dill was a professional dramatic actress from Bermuda. She was married to MKD's father Kirk Douglas from 1943 until 1951. Mom was a celebrity actress and fashion figure; son naturally comfortable in the limelight. An accomplished actress and fashion model, she familiarized her son with the culture of the USA entertainment industry.

MARRIAGE emotional support partnership


Kuja * bhratru-karaka * virya-karaka

Yogakaraka rules 4-real-estate + 9-paradigm of belief, worldview, father

  • Mangala-Kanya * vigorous pursuit of logical argumentation * proactive medication * thrust toward service * push toward unfairness * champion of litigious accusation
  • Mangala in bhava-2 * drive toward values lineage, pursuit of treasuries, energized face-speech-song, aggressive family hoarding, vigorous capitalization-banking, storage, assets, conservation, family dynamics, acquisitive conquests
  • Kuja-yuti-Surya * invigorated creativity, invigorated creativity, energized confidence, dynamic genius, masculine force joins willful charm, potential for aggressive political or dramatic actions , potential for aggressive political or dramatic actions , potential for aggressive political or dramatic actions

Mangala = ashtangata within 17 degrees of Surya

Kuja-2 rules-4

Yogakaraka bandesha in 11th-from-swakshetra

Douglas amassed a fortune in international (9) real-estate


Budha * bandhava-karaka * zisya-karaka

  • Budha-Simha * dramatic communications, articulation of bright celebrity entitlements, messages about politics and creativity, manages entertainments, explains the procedure for theatrical amusements, speaks with royal flamboyance, talks about games and romance, bright gestures
  • Budha in bhava-1 * digbala * narrative of body, bifurcated self-image, discusses physical appearance, describer of embodiment, explainer of tangible self, delivers instructions for self-characterization, articulation of communicative movement, animated gestures, talks about personality, details the two-sided identity
  • Budha-yuti-Guru * explainer of doctrinal belief * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction * articulation of charitable generosity, message of optimism and expansion, talkative teacher
  • Surya-2 parivartamsha Budha-1

Dhanayoga

Budha-1 rules 2 + 11 ++ Budha-yuti-Guru * Budha-1 parivartamsha Surya-2


Guru * dhavakaraka * bahuta-karaka

  • Guru-Simha * many lights, many displays, much drama, believes in special entitlement, doctrine of intelligence and unique personality, expands the scope of politics, multiple games, many celebrities and celebrations, much drama, believes in creativity and special entitlement
  • Guru in bhava-1 * dig-bala * much vitality, jolly personality, generous disposition, numerous identities, much jovial competition, many cheerful sporting activities, may signal expansive aura, tall height, or wide girth, embodiment of optimistic belief
  • Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures, abundant conversational messaging, much detailed humanistic philosophy, large discussions

Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Vanika * swakshetra * appreciation of negotiation, pleasures of harmonious arrangements, enjoys equity, aesthetic of the fair deal
  • Zukra-3 * pleasure of explanatory description, gracious messaging, enjoys commercial harmony, aesthetic instructions, feminine-figures (sisters, aunts, neighbors) dominate the cohort, appreciation of communications, aesthetic instructions, feminine-figures (sisters, aunts, neighbors) dominate the cohort, appreciation of communications

Zukra rules Vrishabha-10 = 6th-from-Chandra

Zukra moolatrikona * * rogesha

Zukra signifies pleasures, tongue mouth, throat


Shani * duro-karaka * jara-karaka

  • Shani-Mithunaya * tiresome old documents * resistance to change of explanations * obliged to conform to the hierarchical managers * must materialize orderly information delivery * rigid process handling * heavy old discussions * obligatory, strictly scripted conversations * inflexible instructions * must endure the lowest-common-denominator proletarian communication * slow elderly messengers * vital energy compression stress zone = hand-arm-shoulder * restricted breathing * insufficient team cooperation * must continue to collaborate, cooperate, gesture, and signal despite scarce available resources
  • Shani in Bhava-11 * Structured, orderly, time-conscious goals. One must connect, must earn with hard effort. Cautious, conventional marketplace linkage; tense and limited gainfulness, chronic pressure to produce revenues; heavy legacy pressure against freely chosen associations, Resistance to new friends. Resentment toward changes in economic systems. Intolerance toward unconventional earnings..Wage-earner's fatigue.. Support for socially-approved, rigidly dutiful roles as economist, community organizer, salary-worker, paymaster.

From Chandra-Dhanuzya lagna, sober serious structured hierarchical Shani rules

  1. the emotionally-motivated traditionalism, family lineage conserving, treasure-preserving, language-and-history remembering, acquisitive, genetic conservation of 2nd-from-Chandra
  2. the emotionally talkative, information-delivering, evangelical, publishing, announcing, script-reading, reporting, conversational, process-managing communications of 33rd-from-Chandra

Shani rules marriages

Shani in Bhava-11 occupies 7th-from-Chandra = marriage

Shani rules Makara-6 = 2nd marriage 2nd-from-Chandra

Mr. Douglas' first marriage endured for 23 years legally, albeit his extramarital adventures became normalized (Shani).

During Rahu-Budha bhukti, where Budha Financier rules 2 + 11, ex-wife-1 received a celebrated divorce payment of 45-million USD reflecting the lawcourt's belief that she had supplied a steady, decades-long (Shani) partnering contribution


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Punarvasu restoration of knowledge, storytelling * Rahu-Karkata * craving for customary rhythms * risky policing * mirage of home and shelter * mask of ancestral belonging to a habitual place * illusory acts of protective defense * over-reaching patriotism * fabulous farms and fisheries * fascinating ethnic routines * marvelous localities * intriguing owned properties * extraordinary cetaceans * seeks special importance via apparent (but perhaps not authentic) attributes of motherliness, nationalism, loyalty to the homeland, parent-roles
  • Rahu in bhava-12 * passion for privacy * in swabhava of Saptarishi Guru, the Shadowy Specter seeks privilege via glamorous or unusual retreat environments, withdrawal, sanctuary; desires an important, invisible role in invisibility, intuitive guidance, private prayer, isolation, enclosures, research laboratories and libraries, Other-Worlds. Exciting, opportunistic, ambitious ancestor guides. Thrives in culturally-mixed monasteries, spiritual sanctuaries, hospitals, prisons, rehab centers, and other secluded spaces. Rahu-12 trespasses the cultural boundaries of dreamwork, imagination, sanctuary, and sleep. Rahu the Poseur may pose as a dream-interpreter, an ancestor spirit-guide, a magician from distant lands.

constant transformation of an opportunistic personality, due to a salient the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Makara-Draco * dissociates from social authority, incomplete hierarchy, empty rules, dissolute laws, severed execution of duties, not limited by conventions, ignores restriction on rank and status
  • Ketu in classroom-6 (beneficial)* absentee enemies, disregards criminal boundaries, dissolves the medications, ambivalent toward the power of exploitation, disinterested in disagreement, irrelevance of accusations. One walks away from sickness, abandons the usual suffering behaviors, ignores the conventional conflicts, delivers incoherent arguments.

ZetaJonesCatherine_08h46m_d1d9d10.png

dramatist, dancer, fashion model * 1969 - * Catherine Zeta Jones

birth information from http://en.wikipedia.org/wiki/Catherine_Zeta Jones * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Chitra-Tvastri * Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana


BPL commentary

For Chitra-Tvastri births of a feminine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.


Designs + Arrangements

Kuja-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani typically excel in competitive, vitality-focused fields such as fashion modeling, cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be challenging.

Thula-Vanika Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Zukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Zukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement, agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Applies also to Chandra in Chitra

QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.


"An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising. "


ZetaJonesCatherine2003.jpg

in 2003, while expecting second child

Biographical details matched to the Vimshottari Dasha calendar

born seven months after


ZetaJones_catherine_cxx.jpgGuru Mahadasha * age birth until 1.9

25-Sep-1969 Earth-birth in Abertawe, Cymrig (Swansea, Wales) * Guru-Rahu chidra-dasha


Shani Mahadasha * age 1.9 until age 20.9

1973-74 begins dancing school * Shani-Shani swabhukti * Shani rules 5-creative performance

1987 (age 17) after serving as a young second understudy for the role, chosen to play key role in West-End London theatrical production (Westside Story) * Shani-Rahu bhukti * Rahu gives effect of vidyapathi-Shani


Budha Mahadasha * age 20.9 until 37.9

08-Aug-2000 celebrated the birth of child-1 *Budha-Rahu bhukti * Rahu gives effect of putrapathi-Shani

18-Nov-2000 exchange of vows in marriage-1 with Basic Instinct 1944- drama-commerce Michael Douglas * Budha-Rahu bhukti * R-K samchara Mithunaya-Dhanuzya contact navamsha R-K

2002 wins Academy award for her widely acclaimed performance in the film Chicago * Budha-Rahu bhukti * Rahu gives effect of vidyapathi-Shani


Ketu Mahadasha * age 37.9 until 44.9

2007 diagnosed with bipolar-2 mental disorder * Ketu-Ketu swabhukti

2009 * moves with her family from Atlantic island nation of Bermuda to New York * Ketu-Chandra bhukti * Chandra rules 8th-from-4th, transformation of home-base

2009-2012 sabbatical from dramatic performance * Ketu sabbatical

2011 husband oropharyngeal cancer diagnosis (low survival prognosis) * Ketu-Rahu bhukti ** Rahu gives effect of rogesha-Shani

2013 martial separation, due to illness of both partners * Ketu-Shani bhukti * rogesha Shani rules 6 conflict, illness


Zukra Mahadasha * age 44.9 until 64.9

2014 reunification of marriage and family * Zukra-Zukra swabhukti * Zukra rules 2-family

2016 family moves to upstate New York * Zukra-Zukra swabhukti * Zukra rules 11th-from-4th, step forward re: domicile property residency


Surya Mahadasha * age 64.9 until 70.9


Chandra Mahadasha * age 70.9 until 80.9


Mangala Mahadasha * age 80.9 until 87.9


Rahu Mahadasha * age 87.9 until age 105.9

Distinctive features of the nativity

ZetaJones_younger.jpg



JonesCZeta_photo.jpgSurya * pitrikaraka * jyotikaraka

  • Surya-Kanya * Poshanya * Pushna * the nourisher
  • Surya in bhava-1 * enter of identity, bright embodiment, intelligence for competition, focus on appearance, championship entitlements, eye on personality *sparkling center of the vitality-drama
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss, creatively intelligent sibling-cohort, radiantly descriptive, articulate in drama and games, self-confident announcements, talks about politics
  • Surya-yuti-Guru * confidently expansive, bright self-referential teachers, creatively intelligent approach to doctrine, entitled to philosophize, radiantly generous, radiantly generous

FATHER

Dad owned a sweets-producing factory in Swansea Surya-yuti-Budha businessman, manufacturing


Chandra * matrikaraka * garha-karaka

  • Chandra-Meena * comforted by rhythmic ancestral guidance
  • Chandra in Purvabhadrapada * comforted by expansive understanding * protectors of philosophical caretaking, charitable parenting, shelter for teachers, broad perspective on human needs
  • Chandra in classroom-7 * comfort in arrangements; familiar with bargaining, soothed by equity, needs to feel the repeating pulse of deal-making routine partnership, settled into the rhythm of negotiations, balanced contracts; undulating agreements

Chandra in classroom-7 receives drishti from Mangala, Budha, Guru, and Surya

MOTHER

Mom was primarily a homemaker, also worked as a seamstress


Kuja * bhratru-karaka * virya-karaka

Kuja-Mula rules * Chitra lagna

  • Mangala-Dhanuzya * Mula * vigorous pursuit of humanistic worldview* push toward doctrinal expansion, proactive teaching-preaching, philosophical globalism
  • Mangala in bhava-4 * drive toward local transport, pursuit of building construction, invasive foundations, energized domestic conquests, pursuit of properties, ,household dynamics, aggressive parents

Budha * bandhava-karaka * zisya-karaka

lagnesha * karmesha

mulatrikona 16-20 deg *

Bhadra Yoga * digbala

  • Budha-Karkata * comfortable communications, articulation of rhythmic root culture, security, foundations, descriptive emotional defense, customary pronouncements, messages about protection and nourishment
  • Budha in bhava-1 * digbala * narrative of body, bifurcated self-image, discusses physical appearance, describer of embodiment, explainer of tangible self, delivers instructions for self-characterization, articulation of communicative movement, animated gestures, talks about personality, details the two-sided identity
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority, message of willpower and charisma, confidently talkative father
  • Budha-yuti-Guru * explainer of doctrinal belief * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction * articulation of charitable generosity, message of optimism and expansion, talkative teacher

Guru * dhavakaraka * bahuta-karaka

lagnesha

  • Guru-Kanya * much ministry of service, many servants + employees, much labor, many argumentations, much medication, exploitable beliefs, doctrine of humility
  • Guru in bhava-1 * dig-bala * much vitality, jolly personality, generous disposition, numerous identities, much jovial competition, many cheerful sporting activities, may signal expansive aura, tall height, or wide girth, embodiment of optimistic belief
  • Guru-yuti-Surya pitri-karaka * multiple father-figures, abundant confidence, much radiance, much humanistic political philosophy-policy, large-scale dramatic radiance
  • Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures, abundant conversational messaging, much detailed humanistic philosophy, large discussions

Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Singha * appreciation of royal confidence, pleasures of radiant central roles, enjoys intellectual display, brightly theatrical arrangements
  • Zukra-12  * pleasure of imagination * enjoys spiritually guided partnership *,  intuitive  feminine-figures* agreeable sleep * visions of harmony and beauty * aesthetic designs to adorn the feet * appreciation of distant lands * seeks interior balance
  • Zukra-yuti-Ketu * sweetened surrender, gracious abandonment, vacuous feminine-figures, appreciation for fair terms of dissolution, disoriented negotiations, unconcerned with conventional beauty, empty contracts * arrangements according to impermanent agreement

Sweets-seeking Zukra in the emotionally conflicted and self-medicating 6th-from-Chandra suggests behavioral addictions or substance addictions (typically alcohol, but other conflict-numbing sweetening practices also)

The husband's bitter divorce-1, drug and alcohol abuses, smoking addiction (6) as well as his life-defining struggle with STD-transmitted (6) oropharyngeal cancer, have also played a role as agents of marital distress.


Shani * duro-karaka * jara-karaka

  • Shani-Meza * nichha * heavy old blood-feuds * brain cramp, blocked blood-flow, muscle seizure * limits on innovation * must bear the weight of old aggressions * social limitations on individual championship * social restrictions on expression of new ideas * obliged to conform to the dominating winners * pressure to launch dry explosives * attacked by proletarian weaponry * must endure race-fighting * must materialize orderly competition for survival energies * must endure exhausting contests * insufficient initiative for pioneering invasions * at times, survival requires great effort * vital energy compression stress zone = head-brain * strictly imposed consequences of conquest * must continue to sustain forward movement despite scarce available resources
  • Shani in Bhava-8 * (beneficial placement) * Structured, orderly, time-conscious partnerships. One must balance and re-balance. Cautious, conventional relationships. Tense negotiations. Chronic responsibilities toward the spouse; compression of the visible genitalia; heavy legacy pressure against freely chosen contracts. Bargaining fatigue. Resistance to new arrangements. Resentment toward changes in partner's behavior. Support for socially-approved, rigidly dutiful roles as married person, contract-holder, match-maker, attorney, diplomat, judge.

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Kumbha (swakshetra) * shimmering illusion of webwork * craving for community * over-reaching voluntary connections * mirage of material science * fabulous marketplace associations * extraordinary friendliness * intriguing ecologies * mask of lawfully interlinked systems * fascinating networks * seeks special importance via apparent (but perhaps not authentic) attributes of futurism, social participation linkage, economic distributions, community-knitting, socialite-roles
  • Rahu in bhava-6 * passion for conflict, remedies * in swabhava of Busy Budha, the Shadowy Specter seeks privilege via glamorous or unusual arguments, thrilling defense of victims, conflicts, miseries, medicines, servants, accusation, injustices. Craves an environment of disagreement, injustice, misuse. Desires an important role in matters of disease, injury, warfare, labor, unfairness, toxicity * Exciting enemies. Rahu-6 trespasses the cultural boundaries in matters of debt, drugs, slavery, betrayal, exploitation, war. Rahu the Poseur may pose as a victim, a druggist, a litigator, a problem-solver, an abuser, a diseased person, an enslaved person, a relative of the mother's people. Risk-rewarding, boundary-breeching Rahu thrives in Bhava-6 where He finds opportunity in the worlds of crime, war, pharmacy, self-medication, toxicity.

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Singha * dissociates from creative performance, incomplete entitlement, empty intelligence, dissolute brilliance, not limited by celebrity roles, ignores restriction on political opinion, applies theatrical solipsism to the misty abyss
  • Ketu in classroom-12 (beneficial) * ambivalent toward enclosures, absent from the ancestor spirits, disregards fantasy boundaries, dissolves the isolated sanctuaries, irrelevance of sleep * Ambivalence toward clairsentient empowerment, disinterested in invisibility. One abandons the veil between perceptual worlds, ignores the dreams, surrenders the fear of imprisonment.
  • Zukra-yuti-Ketu * surrendered arrangements, empty promises, disconnected negotiations, unsustainable contracts, apathetic music, disappointment and dissatisfaction in relationships
DouglasM_JonesCZeta2011.jpg

Michael Douglas with Catherine Zeta Jones

zetajones_greendress.jpg

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