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Drama and Song

Commerce and Material Economy


Partnership patterns for 7th-from-Chandra-3

born seven months before



Dramatist, Philanthropist, Fashion Model

Businesswoman, Media Producer

Jennifer Joanne Aniston

Earthbody-Entry Tuesday-11-Feb-1969


cinema fashion drama-commerce * 1969 - * Jennifer Aniston

birth information from * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Jyeztha * Kita

BPL commentary:

For Jyeztha nativities, the condition of conversational, discursive, explanatory, instructional, argumentative Budha may considerably affect the outcome.

Siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, collaborators, publishers, messengers, merchants, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential.

Guidance from instructors in the civilizations of Antares.

QUOTATION: Shil-Ponde. Hindu Astrology Joytisha-Shastra .p 98

"...independent self-sufficient , capable, dignified, proud.

  • If she is not born in a wealthy or well-to-do family, she will herself become wealthy through her own efforts.

In such case, her family will be dependent on her and she will be recognized as the head of the family .

  • She is careful and canny regarding money matters .

Being proud, she has a tendency to dramatize herself

  • and secretly glories in being the pivot or centre around which her family affairs revolve.

She will, at some time in her life,

  • occupy a very influential position

  • and be greatly respected."

Biographical events matched to the Vimshottari Dasha

Jennifer Aniston before television stardom



After stardom


Ms. Aniston with her second husband, dramatist Justin Theroux (m. 2015-2017)

Budha Mahadasha * age birth until age 15.5

11-Feb-1969 Earth-birth * Budha-Budha swabhukti

1978 parents' divorce her age 9 * Budha-Rahu period * gochara R-K Kanya-Meena

1980 (age 11) one of her school paintings was displayed at the Metropolitan Museum of Art in NYC * Budha-Guru period * Guru rules 5-artistic performance, creativity

Ketu Mahadasha * age 15.5 until age 22.5

Janma Sade-Sati Vrischika Dec-1984 until Dec-1987

1987 (age 18) diploma from N.Y. High School of Performing Arts * Ketu-Rahu period * Rahu-5 performing arts

1989 (age 20) first television acting role * Ketu-Guru period * Guru rules 5-performing arts

Zukra Mahadasha * age 22.5 until 42.5

Sept-1994 begin popular Friends TV drama * Zukra-Zukra swabhukti * uttama-Zukra-yuti-Rahu-5

29-July-2000 marriage-1 with Moneyball 1963- dramatist Brad Pitt * Zukra-Rahu period * gochara Rahu-Ketu via Mithunaya-Dhanuzya contact D-9 Chandra-Mula

May-2004 end popular Friends television drama * Zukra-Shani period * Shani rules 12th-from-5th, dissolution of drama

Mar-2005 divorce from Moneyball 1963- drama-commerce Brad Pitt * Zukra-Shani period gochara Shani enters Karkata-8th navamsha in Jan-2005.

Surya Mahadasha * age 42.5 until 47.5

Aug-2015 marriage-2 to dramatist Justin Theroux* Surya--Budha period * gochara R-K Kanya-Meena contact R-K in both D-1 and D-9

25-May-2016 decease of alienated Mother * Surya-Ketu period

Janma Sade-Sati Vrischika Nov-2014 until Jan-2017

2017 end of marriage-2 * Surya-Zukra chidradasha * Zukra rules 12-adversarial to marriage

Chandra Mahadasha * age 47.5 until 57.5

Mangala Mahadasha * age 57.5 until age 64.5

Rahu Mahadasha * age 64.5 until 82.5

Guru Mahadasha * age 82.5 until 98.5

Shani Mahadasha * age 98.5 until 117.5

Distinctive Features of the Nativity


Jennifer Aniston age 17, high school


The father of Jennifer Aniston, dramatist Mr. Giannis Anastasakis (professional stage name John Aniston; born July 24, 1933). Photo Feb-2012

Estranged Mother of Jennifer Aniston, the actress Nancy Dow (photo 2011).

Surya * pitrikaraka * jyotikaraka


  • Surya-Makara-Draco * Savitra * the stimulator
  • Surya in bhava-3 * center of commerce, intelligence for reports, announcements, descriptions, * brightly explaining, focus on communication, eye on messaging
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss, radiantly descriptive

Surya rules the emotionally career-focused 10th-from-Chandra


Dad = Yannis Anastassakis = John Aniston = long-serving daytime soap-opera television dramatist = Surya-3

Surya rules 10 career and Surya-yuti-Budha = Budha rules -8-11 income. Surya's ruler Shani-5 indicates drama.

Chandra * matrikaraka * garha-karaka

  • Chandra in classroom-1 * comfort in glowing incandescent embodiment, familiar with forward action, innovation, first-arrival, aristocracy, soothed by new birth, undulating personality
  • Chandra-Vrizchika * nichha * comforted by rhythmic penetration of mystery
  • Chandra in Jyeztha-Kita * comforted by competitive signals * protector of soothing prophetic messages, narrative of cultural pioneering, familiar face of direct announcements
  • Somana-yuti-Kuja * Emotionally competitive, sensitive to brotherly figures, needs movement, feels like a champion

Chandra-1 rules Arudha lagna -Karkara-9 = celebrity, fortune

Chandra's nakshatra is Mula, which adds complications of emotional disregard for consequences, and to some degree implicit expectation of catastrophe


Mom = Nancy Dow, a fashion model + actress. nichha-Chandra rules 9-celebrity, drama. nichha-Somana yuti Mangala is a combination for material treasury but there is some drawback for emotional balance due to nichha-amsha of the matrikaraka and Mangala rogesha suggesting jealousy. Daughter and mother suffered a high-profile, contentious relationship including mom attacking her daughter in television interviews. Most of daughter's adult life spent in a ,maternal no-contact state due to mom's emotional volatility *Chandra-Mangala * invasive aggressions, likely provoked by jealousy of her daughter's professional success. Without daughter's permission, mom wrote a gossip book "From Mother and Daughter to Friends" and mom was not invited to the wedding ceremonies. Dad was welcomed.

Speaking of her mother Nancy Dow "She had a temper," she says. "I can't tolerate that. If I get upset, I will discuss. I will never scream and get hysterical like that. I was never taught that I could scream. One time, I raised my voice to my mother, and I screamed at her, and she looked at me and burst out laughing. She was laughing at me screaming back. And it was like a punch in my stomach."

MARRIAGE expectations of partnership support

7th-from-Chandra-1 = bhava-7

  • Spouse-1 = high-profile dramatist Moneyball 1963- drama-commerce Brad Pitt (m. 2000-2004)

8th-from-77th-from-Chandra-1 = bhava-2 = 2nd-from-Chandra

  • Spouse-2 = dramatist Justin Theroux (m. 2015-2017)

Kuja * bhratru-karaka * virya-karaka

Ruchaka Yoga

  • Mangala-Vrizchika * Swakshetra * vigorous pursuit of secrets; push toward discovery
  • Mangala in bhava-1 * drive toward embodied performance vitality, pursuit of competition, direct physical action, thrusting vigor, energized muscular conquests
  • Kuja-yuti-Chandra * energized intuition, dynamic nurturance, masculine force joins parental care, potential for aggressive emotionalized actions

Mangala rules the adversarial, jealous, accusing rules 6th-from-Chandra-nichha. Associated with addiction. Ms. Aniston is a long time cigarette smoker

Ms. Aniston's divorces (6) are embedded into her personality. The divorce from her first husband, widely reported as a miserable and unwanted event for the actress, and emotionally excruciatingly painful , created a national narrative of betrayal and infidelity.

Dara-karaka (Jaimini) = the graha which holds the 7th-from-the-highest degree within the radical kundali. This graha = a significator of spouse and of the social relationship of marriage.

For Ms. Aniston, the dara-karaka = Mangala-Vrischika-1 at zero-degrees, .holding also zero-degrees in Karkata navamsha-7. Spousal partners are somewhat powerless (dead state) to fulfill partnership roles and that additionally the function of partners is usurped by the self because Kuja-1 lagnesha swakshetra swabhava is deeply focused on the physical body and the social individuality which is antithetical to concerns of union and trust.

Budha * bandhava-karaka * zisya-karaka

  • Budha-Makara * bureaucratic communications, articulation of lawfully orderly process
  • Budha in bhava-3 * narrative of management, reporting, cohort, siblings, instructions, describer of announcements, explainer of publication, delivers instructions for books, scripts, lyrics
  • Budha-yuti-Surya * articulation of radiant confidence, message of willpower and charisma, talkative father

Budha rules the suddenly transformative, extramarital, new-identity 8th-from-Chandra and tthe emotionally motivated community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

moudhya-dosha Budha suggests that when off-script, Ms. Aniston may struggle to speak articulately. However when on-script, Shani-5 ruler of Budha favors dramatic speaking.

Guru * dhavakaraka * bahuta-karaka

  • Guru-Kanya * much ministry of service, many servants + employees, much labor, many argumentations, much medication, exploitable beliefs, doctrine of humility
  • Guru in bhava-11 * many friends, much networking, much achievement, numerous revenues, many goals
  • Guru-yuti-Ketu upeksha-karaka * multiple disregarder-disperser figures, many disconnections, much surrender, abandons the humanistic perspective


Guru rules-2-5 occupies-11

Guru-yuti-Ketu occupies the Karakamsha Kanya-11 signifying Economic gainfulness and fanclubs

Guru-yuti-Ketu rules the drama-seeking 5th-from-Chandra and the family-seeking, lineage-values 2nd-from-Chandra (also 2nd marriage, afflicted by Ketu)

within a wifely nativity, dhava-karaka Guru-yuti-Ketu profiles the husband (s)

Das/Behari commentary upon Guru in Kanya:

  • "Choosy about friends, analytical mind, observant, promising, much traveling. Unorthodox about marriage partner. Gain through literary pursuits, speculation commercial investments. Ailments of bowels and lack of concentration."

Brihaspati also receives drishti of His enemy uttama-Zukra. Zukra's drishti upon 11 = amplified by Rahu and Shani, increases revenues and fan-club

Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Meena * uttama * appreciation of music-arts, pleasures of imagination, dreamlike arrangements
  • Zukra-5 * pleasure of dramatic gaming, enjoys center-stage equity, feminine-figures are prominent in the creative, political environments, literary and fine arts, appreciation of creativity
  • Zukra-yuti-Shani * gracious diligence, restrained beauty, sweet orderly structure
  • Zukra-yuti-Rahu * gracious opportunism, amplified beauty, sweetly ambitious desire

Zukra rules the privacy-seeking, meditative 12th-from-Chandra and the relationship-seeking 7th-from-Chandra

QUOTATION Das/Behari commentary upon Zukra/Meena:

  • Charitable, large-hearted, popular, wealthy, learned, devoted to saints; love for art, music and drama; fickle in love affairs, accepts a low-bred spouse; trouble and difficulty through your own miscalculations."

Zukra-yuti-Shani = a highly benevolent combination that signals success in any artistic endeavor that has a pragmatic, common-sense element such as architecture or fashion design. This yoga deepens the artistic capabilities and potential for success in the arts. Shani contributes disciplined work ethic and self-control to Zukra's natural artistic talents and balanced beauty. A mesmerizingly (Rahu) attractive (Zukra) appearance.

Shani * duro-karaka * jara-karaka

  • Shani-Meena * old dreams, pressured prayer, pressured feet, imposed sanctuary, proletarian sleep, ancient ancestor guides, must imagine guidance with scarce resources
  • Shani in Bhava-5 * must create drama with scarce confidence; cautious of politics, conventional intelligence; heavy weight of children; resistance to celebrity, tense performance, chronic pressure on the heart
  • Shani-yuti-Zukra * resistance against equity, contractual discipline, constrained harmony
  • Shani-yuti-Rahu * resistance against ambition, disciplined risk, constrained opportunism, irregular elders

Splendid placement for success in the media-industry. Shani ruler 3 occupies 3rd-from-3rd and tremendously amplified by Rahu + uttama-Zukra

Shani rules the ensemble-working, emotionally motivated evangelical communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandraand the emotional comfort-seeking 4th-from-Chandra which also indicates the maternal grandmother. The mother's mother would have also been gifted in drama, gambling, politics, and charismatic celebrity.

Shani-yuti-Rahu = Amatya-karaka is another indicator of complex relationship with a talented, but attention-seeking mother

Rahu * rajyalobha-karaka * picchala-karaka (slippery) \

  • Rahu-Meena *craving for symbolic guidance * mask of dreamlike Other Worlds; fascinated by prayer * seeks special importance via ancestor guides, sleep-states, trance, private intuition
  • Rahu in bhava-5 * the Shadowy Specter seeks privilege via glamorous or unusual children; out-of-bounds creativity and amplified romance; charismatic individuality, center-of-attention; desires a special, important role in politics, performance arts, literary arts, entertainments, celebrity events or political splendor. Exciting, opportunistic, ambitious children. Rahu the Poseur may pose as a celebrity,
  • Zukra-yuti-Rahu * amplified attractions, magnified beauty. exotic art-music, tricky sweets, opportunistic feminine-figures
  • Shani-yuti-Rahu * amplified orderliness, magnified systematics, exotic rules, tricky rules, opportunistic elders

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Kanya * incomplete service, empty disagreements, dissolute arguments, not limited by stigmatized status
  • Ketu in classroom-11 * absentee friends, disregards community * no barriers in community, absent from network, vacuous associations, irrelevance of the material goals
  • Guru-yuti-Ketu * surrendered abundance, empty expansions, apathetic diversity

How Readings Work * Sample Gem Recommendation Report * Seva

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