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Drama and Song

Commerce and Material Economy


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Partnership patterns for 7th-from-Chandra-3


born seven months before

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Dramatist, Philanthropist

Fashion Model

Entertainment Media Commercial Producer

Jennifer Joanne Aniston

Earthbody-Entry Tuesday-11-Feb-1969

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cinema fashion drama-commerce * 1969 - * Jennifer Aniston

birth information from http://en.wikipedia.org/wiki/Jennifer_Aniston * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Chitra-Tvastri * Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana


BPL commentary

For Chitra-Tvastri births of a feminine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.


Designs + Arrangements

Kuja-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani typically excel in competitive, vitality-focused fields such as fashion modeling, cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be challenging.

Thula Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Zukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Zukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement, agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Applies also to Chandra in Chitra

QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.


"An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising.


If she is born on the day before the New Moon, with this asterism rising,

  • she will have a husband who will die four years after her marriage to him

  • and she will never have any children...."


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Biographical events matched to the Vimshottari Dasha

Jennifer Aniston before television stardom


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After stardom


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Ms. Aniston with her second husband, dramatist Justin Theroux (m. 2015-2017)

Budha Mahadasha * age birth until age 7-months

11-Feb-1969 Earth-birth in Sherman Oaks, California, USA * Budha-Shani bhukti * Shani rules 5-drama


Ketu Mahadasha * age 7-months until age 7.7


Zukra Mahadasha * age 7.7 until 27.7

1979 parents' divorce (her age 10) * Zukra-Zukra swabhukti * Zukra-yuti-Shani * Zukra gives effect of rogesha Shani * gochara R-K Kanya-Meena radical lagna

1980 (age 11) one of her school paintings was displayed at the Metropolitan Museum of Art in NYC * Zukra-Surya bhukti * Surya rules 10th-from-Chandra

1987 (age 18) earned diploma from N.Y. High School of Performing Arts * Zukra-Guru bhukti * Guru rules 4th-from-4th

1989 (age 20) first television acting role * Zukra-Shani bhukti * Shani rules 5-performing arts

Sep-1994 begin popular Friends TV drama (age 25) * Zukra-Budha bhukti * Budha lagnesha + karmesha


Surya Mahadasha * age 27.7 until 33.7

29-July-2000 exchange of vows in marriage-1 with Moneyball 1963- dramatist Brad Pitt * Surya-Shani bhukti * Shani rules navamsha-7 * gochara Rahu-Ketu via Mithunaya-Dhanuzya


Chandra Mahadasha * age 33.7 until 43.7

May-2004 end of 10-years ongoing, popular Friends television drama * Chandra-Rahu bhukti

Mar-2005 divorce from Moneyball 1963- drama-commerce Brad Pitt * Chandra-Rahu bhukti


Mangala Mahadasha * age 43.7 until age 50.7

Janma Sade-Sati Vrischika Nov-2014 until Jan-2017

Aug-2015 exchange of vows in marriage-2 with dramatist Justin Theroux* Mangala-Shani bhukti * Shani rules navamsha-7 * gochara R-K Kanya-Meena contact R-K ++ Sade-Sati

25-May-2016 grieved the decease of alienated Mother * Mangala-Budha bhukti * Budha rules 7th-from-4th ++ Sade-Sati

2017 end of exchange of vows in marriage-2 * Mangala-Ketu bhukti ++ Sade-Sati


Rahu Mahadasha * age 50.7 until 68.7


Guru Mahadasha * age 68.7 until 84.7


Shani Mahadasha * age 84.7 until 103.7

Distinctive Features of the Nativity

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Jennifer Aniston age 17, high school


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The father of Jennifer Aniston, dramatist Mr. Giannis Anastasakis (professional stage name John Aniston; born July 24, 1933). Photo Feb-2012


Estranged Mother of Jennifer Aniston, the actress Nancy Dow (photo 2011).

Surya * pitrikaraka * jyotikaraka

Atmakaraka

  • Surya-Makara-Draco * Savitra * the stimulator
  • Surya in bhava-5 * swabhava * center of drama, intelligence for speculation; brightly political, royal entitlements, focus on glamour, entertainment; eye on games
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss, creatively intelligent sibling-cohort, radiantly descriptive, articulate in drama and games, self-confident announcements, talks about politics

FATHER

Dad = Yannis Anastassakis = John Aniston = long-serving daytime soap-opera television dramatist = Surya-3 radiant theatre of television

Surya in bhava-3 ++ Surya-yuti-Budha lagnesha = like dad, Ms. Aniston has enjoyed a career in television, cinema, and commercial (3) entertainment production

CAREER

Surya in bhava-3 rules the emotionally career-focused 10th-from-Chandra = Simha drama


Chandra * matrikaraka * garha-karaka

  • Chandra-Vrizchika * nichha * comforted by rhythmic penetration of mystery
  • Chandra in Jyeztha-Kita * comforted by competitive signals * protector of soothing prophetic messages, narrative of cultural pioneering, familiar face of direct announcements
  • Chandra in classroom-3 * comfort in cohort, familiar with communication, repetitive announcements, needs to feel the tidal pulse of daily chat, sheltered in the parlor, soothed by younger siblings, intuitive information delivery, settled into the habits of writing and commerce, routine messaging; emotionally attuned to the rhythms of conversation, undulating signals, ethno-cultural gestures, intuitive handcraft
  • Somana-yuti-Kuja * Emotionally competitive, sensitive to brotherly figures, needs forward movement, invigorates the undulating routine, soothed by innovation, feels like a champion

Chandra-3 rules

Arudha lagna -Karkara-9 = celebrity, fortune

Chandra's nakshatra is Mula, which adds complications of emotional disregard for consequences, and to some degree implicit expectation of catastrophe

MOTHER

Mom = Nancy Dow, a fashion model + actress. nichha-Chandra rules 11-economics, material goals and achievements. Somana-yuti-Kuja = a yoga for profitability and income. Nichha-Chandra is often a jealous mother. Daughter and mother suffered a high-profile, contentious relationship reported in the press. Mom attacked her daughter's reputation in television interviews. Most of daughter's adult life spent in a ,maternal no-contact status due to mom's emotional volatility When nichha, Somana-yuti-Kuja may suggest invasive aggressions. Without daughter's permission, mom wrote a gossip book "From Mother and Daughter to Friends" Mom was not invited to the wedding ceremonies. Dad was welcomed.

Speaking of her mother Nancy Dow"She had a temper," she says. "I can't tolerate that. If I get upset, I will discuss. I will never scream and get hysterical like that. I was never taught that I could scream. One time, I raised my voice to my mother, and I screamed at her, and she looked at me and burst out laughing. She was laughing at me screaming back. And it was like a punch in my stomach."

MARRIAGE expectations of partnership support

7th-from-Chandra-3 = bhava-9 father

  • Spouse-1 is typically a father-figure, engaged in a similar profession or resembling the dad = high-profile dramatist Moneyball 1963- drama-commerce Brad Pitt (m. 2000-2004)

2nd-from-7th-from-Chandra-3 = bhava-4 mother = 2nd-from-Chandra

  • Spouse-2 is typically a foundational figure resembling the mother. May be engaged in the same profession as the mother, or have other protective and stabilizing qualities = dramatist Justin Theroux (m. 2015-2017)

Both of Ms. Aniston's parents were professional dramatists. Her relationship with dad is represented as supportive and embracing of the daughter's celebrity achievements. The mom is represented as thwarting and jealous of the daughter's celebrity success.


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Vrizchika * Swakshetra * vigorous pursuit of secrets * proactive exploration * push toward discovery * champion of emergency action
  • Mangala in bhava-3 * drive toward commerce, pursuit of messaging, active touring, invasive management, energized, hyperactive sibling-figures, aggressive sales and marketing, teamwork dynamics, administrative conquests
  • Kuja-yuti-Chandra * invigorated feelings, energized intuition, dynamic nurturance, masculine force joins parental care, potential for aggressive emotionalized actions , potential for aggressive emotionalized actions

Mangala in bhava-3 management, business, administration rules the adversarial, jealous, accusing rules 6th-from-Chandra-nichha. Associated with addiction seeking stress-relief. Ms. Aniston is a long time cigarette smoker

Ms. Aniston's divorces (6) are embedded into her personality. The divorce from her first husband, widely reported as a miserable and unwanted event for the actress, and emotionally excruciatingly painful , created a national narrative of betrayal and infidelity.

Dara-karaka (Jaimini) = the graha which holds the 7th-from-the-highest degree within the radical kundali. This graha = a significator of spouse and of the social relationship of marriage.

For Ms. Aniston, the dara-karaka = Mangala-Vrischika-1 at zero-degrees, .holding also zero-degrees in Karkata navamsha-7. Spousal partners are somewhat powerless (dead state) to fulfill partnership roles and that additionally the function of partners is usurped by the self because Kuja-1 lagnesha swakshetra swabhava is deeply focused on the physical body and the social individuality which is antithetical to concerns of union and trust.


Budha * bandhava-karaka * zisya-karaka

  • Budha-Makara-Draco * bureaucratic communications, articulation of lawfully orderly process, explains procedure for imposing rules, descriptive explanations of the social order, messages about governance and regulations
  • Budha in bhava-5 * narrative of drama, politics, creativity * discusses children, entitlement, entertainment, describer of divine intelligence, explainer of romance, delivers instructions for politics, poetry, creative literature, games, love, fame, human delights , talks about idealism, royalty, uniqueness, artistic performance, radiant confidence, celebration, glitter and glamour, splendor
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority, message of willpower and charisma, confidently talkative father

Budha in bhava-5 drama rules the suddenly transformative, extramarital, new-identity 8th-from-Chandra ++ emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

moudhya-dosha Budha suggests that when off-script, Ms. Aniston may struggle to speak articulately. However when on-script, Shani-7 ruler of Budha-5 favors orderly, on-script dramatic speaking.


Guru * dhavakaraka * bahuta-karaka

  • Guru-Kanya * much ministry of service, many servants + employees, much labor, many argumentations, much medication, exploitable beliefs, doctrine of humility
  • Guru in bhava-1 * dig-bala * much vitality, jolly personality, generous disposition, numerous identities, much jovial competition, many cheerful sporting activities, may signal expansive aura, tall height, or wide girth, embodiment of optimistic belief
  • Guru-yuti-Ketu upeksha-karaka * multiple disregarder-disperser figures, many disconnections, much surrender, abandons the humanistic perspective, large vacuums, abandons the humanistic perspective, large vacuums in life

Dhana-yoga

Guru-1 rules- 4-homes, vehicles, foundational education ++ 7-contracts, peer advising, marriage, bargains

Guru-yuti-Ketu occupies the Karakamsha Kanya-1 physical appearance

signifying Economic gainfulness and fan-clubs

Guru-yuti-Ketu rules the drama-seeking 5th-from-Chandra and the family-seeking, lineage-values 2nd-from-Chandra (also 2nd marriage, afflicted by Ketu)

within a wifely nativity, dhava-karaka Guru-yuti-Ketu profiles the husband (s)

Das/Behari commentary upon Guru in Kanya:

  • "Choosy about friends, analytical mind, observant, promising, much traveling. Unorthodox about marriage partner. Gain through literary pursuits, speculation commercial investments. Ailments of bowels and lack of concentration."

Brihaspati also receives drishti of His enemy uttama-Zukra. Zukra's drishti upon 11 = amplified by Rahu and Shani, increases revenues and fan-club


Zukra * svadhu-karaka * kalatra-karaka

* Malavya Yoga amplified by Rahu

* karaka bhavo nashto

  • Zukra-Meena * uttama * appreciation of music-arts, pleasures of imagination, enjoys symbolic clairsentience, dreamlike arrangements
  • Zukra-7 * swabhava * pleasure of interpersonal relationships, enjoys contractual harmony, feminine-figures advise and bargain, appreciation of equity
  • Zukra-yuti-Shani * sweetened structures, mature relationships, gracious lawfulness, beautiful bones, appreciation for neutrality, strict negotiations, pleasant legal mediation, architectural rigor, enduring agreements * arrangements abide by regulatory law. This benevolent combination signals success in artistic endeavor of a pragmatic, materialistic character, such as music composition or fashion design. Deepens the artistic discipline. Shani contributes mature realism to Zukra's love of balance and beauty. In a husbandly nativity, may prefer a senior, responsible wife.
  • Zukra-yuti-Rahu * sweetened adventure, gracious ambition, appreciation for exciting opportunism, masked negotiations, over-reaching agreements, exceptional beauty, enjoys cultural mixing * arrangements according to thrilling adventures, over-reaching agreements, exceptional beauty, enjoys cultural mixing * arrangements according to thrilling adventure, risk-rewarding contracts. A mesmerizingly (Rahu) attractive (Zukra) appearance.

Zukra rules the privacy-seeking, meditative 12th-from-Chandra ++ the relationship-seeking 7th-from-Chandra

QUOTATION Das/Behari commentary upon Zukra/Meena:

  • Charitable, large-hearted, popular, wealthy, learned, devoted to saints; love for art, music and drama; fickle in love affairs, accepts a low-bred spouse; trouble and difficulty through your own miscalculations."


Shani * duro-karaka * jara-karaka

  • Shani-Meena * old dreams, pressured prayer, pressured feet, imposed sanctuary, proletarian sleep, elder diviners, ancient ancestor guides, must imagine guidance with scarce available resources
  • Shani in Bhava-7 * digbala * (beneficial placement) * Structured, orderly, time-conscious partnerships. One must balance and re-balance. Cautious, conventional relationships. Tense negotiations. Chronic responsibilities toward the spouse; compression of the visible genitalia; heavy legacy pressure against freely chosen contracts. Bargaining fatigue. Resistance to new arrangements. Resentment toward changes in partner's behavior. Support for socially-approved, rigidly dutiful roles as married person, contract-holder, match-maker, attorney, diplomat, judge.
  • Shani-yuti-Zukra * resistance against equity, limited luxury, contractual discipline, constrained harmony, regulated pleasures
  • Shani-yuti-Rahu* resistance against ambition, disciplined risk, limited privilege, constrained opportunism, irregular elders

Shani-7 provides loyalty to the contract. Shani generally produces a mixed experience for Kanya nativities, since He rules 5-creaativity, celebrity, romance ++ 6-broken promises, accusation, addiction, pollution, disagreement

Shani rules the ensemble-working, emotionally motivated evangelical communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandraand the emotional comfort-seeking 4th-from-Chandra which also indicates the maternal grandmother. The mother's mother would have also been gifted in drama, gambling, politics, and charismatic celebrity.

Shani-yuti-Rahu =Amatya-karaka is another indicator of complex relationship with a talented, but attention-seeking mother


Rahu * rajyalobha-karaka * picchala-karaka (slippery) \

  • Rahu-Meena *craving for symbolic guidance * craving for symbolic guidance * mask of dreamlike Other Worlds * fascinated by prayer * seeks special importance via ancestor guides, sleep-states, via apparent (but perhaps not authentic) deep trance, private intuition, concealing fog; fascinated by prayer * seeks special importance via ancestor guides, sleep-states, via apparent (but perhaps not authentic) deep trance, private intuition, concealing fog
  • Rahu in bhava-7 * passion for partnership * in swabhava of Suave Zukra, the Shadowy Specter seeks privilege via glamorous or unusual arrangements, amplified bargains, vows, promises. Rahu-6 desires an important brokerage role in non-standard negotiations, deal-making, match-making, contracts, and trusts. Exciting, opportunistic, ambitious partners (personal and professional). Rahu-7 trespasses the cultural boundaries of negotiated agreements, covenants, agreed terms of exchange, marriage. Rahu the Poseur may pose as the Perfect Partner, a middleman, a bargainer, a diplomat, an arranger, an agreeable advocate. Rahu-7 grants advantageous career positioning via instrumental alliances.
  • Zukra-yuti-Rahu * amplified attractions, magnified beauty. exotic art-music, tricky arrangements, opportunistic feminine-figures, fascinating (but perhaps illusory) appearance of luxuriously lovely pleasures
  • Shani-yuti-Rahu * amplified orderliness, magnified systematics, exotic rules, tricky regulations, opportunistic elders, fascinating (but perhaps illusory) appearance of strictly lawful structures

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Kanya * dissociates from accusatory complaints, incomplete service, empty disagreements, dissolute arguments, not limited by stigmatized status, ignores restriction on imbalance
  • Ketu in classroom-1 * * wanders from the fleshly container, disperses coherently unique identity, ambivalent toward the power of muscular movement, absent from embodiment, other-defined chameleon, irrelevance of the personality. One abandons an independent lifestyle, and chooses to depend upon important Others (Rahu-7). One abandons an independent lifestyle, and chooses to depend upon important Others.
  • Guru-yuti-Ketu * surrendered abundance, empty expansions, numerous removals, disconnected teachers, unsustainable doctrine, apathetic diversity, disbelief, dissolution of dogma, dissolution of dogma
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